Death Takes Me

From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence. “Deeply rewarding . . . a dreamscape with a powerful undertow . . . [a] harrowing and labyrinthine masterpiece.”—Katie Kitamura, The New York Times (Editors’ Choice) AN ESQUIRE BEST BOOK OF THE YEAR A city is always a cemetery. A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.” The professor becomes the first informant on the case, which is led by a detective newly obsessed with poetry and trailed by a long list of failures. But what has the professor really seen? As the bodies of more castrated men are found alongside lines of verse, the detective tries to decipher the meaning of the poems to put a stop to the violence spreading throughout the city. Originally written in Spanish, where the word “victim” is always feminine, Death Takes Me is a thrilling masterpiece of literary fiction that flips the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, it unfolds with the charged logic of a dream, moving from the police station to the professor’s classroom and through the slippery worlds of Latin American poetry and art in an imaginative exploration of the unstable terrains of desire and sexuality.
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Translated by Sarah Booker and Robin Myers A city is always a cemetery. When a professor named Cristina Rivera Garza stumbles upon the corpse of a man in a dark alley, she finds a stark warning on the brick wall beside the body, scrawled in coral nail polish: 'Beware of me, my love / beware of the silent woman in the desert.' After reporting the crime to the police, the professor becomes the lead informant of the case, led by a detective with a newfound obsession with poetry and a long list of failures on her back. But what has the professor really seen? While more bodies of men are found across the city, the detective tries to decipher the meaning of the poems, and the darker stream of violence spreading throughout the city. From one of Mexico's greatest living writers, Death Takes Me is a dark and dazzling literary thriller that flips the traditional crime narrative on its head, in a world where death is rampant and violence is gendered. Unfolding with the charged logic of a dream in sentences as sharp as the cuts on the bodies of the victims - a word which, in Spanish, is always feminine - it explores with masterful imagination the unstable terrains of desire and sexuality.
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'A labyrinthine masterpiece' New York Times 'A subversive twist on the traditional serial killer story' TIME 'Obsessive, dreamlike and hallucinatory' Layla Martinez A city is always a cemetery. When a professor named Cristina stumbles upon the corpse of a man in a dark alley, she finds a stark warning on the brick wall beside the body, scrawled in coral nail polish: 'Beware of me, my love / beware of the silent woman in the desert.' After reporting the crime to the police, the professor becomes the main informant of the case, led by a detective with a newfound obsession with poetry and a long list of failures on her back. As the bodies of more men are found, the detective tries to decipher the meaning of the poems, and the stream of violence spreading throughout the city. A dark and dazzling literary thriller that flips the traditional crime narrative on its head, Death Takes Me explores with masterful imagination the unstable terrains of gender and violence, death and desire. A TIME MOST ANTICIPATED BOOK FOR 2025 Translated by Sarah Booker and Robin Myers