| Description | National Magazine Award winner and author of the New York Times Notable Demon Camp, Jen Percy returns with a devastating exploration of womanhood and survival in this groundbreaking work of narrative nonfiction. What does it mean to endure as a woman? Percy, who has written extensively on trauma responses and PTSD, revisits these subjects using her personal experience, including sexual assault, to examine a broader social and cultural history of trauma. Beginning with her childhood in rural Oregon, Percy dissects the moments that shaped her girlhood. She learns from her mother, who teaches her wilderness survival strategies (and who eventually joins a cult), and she interrogates the biological basis for "freezing," or tonic immobility, that is instinctual for humans in moments of physical danger. Percy's writing chronicles women venturing into fantasies, cults, and hypnosis in order to cope with suffering and abuse. This is a book about women forced to play dead, and others fighting for their lives. It follows women in bunkers preparing for the apocalypse when the apocalypse might be embodied by the person darkening their door and women imprisoned for killing their attackers, all in an effort to better understand how people get stuck in inescapable circumstances--of domestic abuse, sexual assault, and vigilantism. Percy depicts the thrilling grit it takes to escape such evil and overcome moments of paralysis when women are so often conditioned by the myth of "fight or flight." In electrifying prose, reminiscent of Joan Didion and Robert Kolker, Percy combines personal and cultural history, psychology, and reportage to deliver an astonishing examination of the malignant forces women face in the everyday, and the depths forged by the American character to confront them.
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A lyrical and groundbreaking exploration of the misunderstood ways women survive and forever carry trauma from the award-winning New York Times Magazine writer Jen Percy. “A groundbreaking exploration of women’s often shamed and silenced responses to sexual assault...Extensive, empathetic...A vital record of a little discussed aspect of women’s lived reality.” —Publishers Weekly (starred review) “Girls Play Dead reads like a novel, exquisitely rendered, and a kind of geography, mapping out the complexities of women’s experiences going ‘down below’ and the specific ways that they come to understand their altered bodies and minds.” —Rachel Aviv, New York Times bestselling author of Strangers to Ourselves After a childhood spent learning survival strategies in the wilderness, Jen Percy thought she knew how she would respond in the face of danger. But a series of unsettling interactions with men left her feeling betrayed and confounded by her body's passivity. Forced to reckon the myths of her own empowerment, Percy set off a broader inquiry into the way fear shapes behavior in the context of sexual violence, including the strange behaviors of three generations of women in her family. Drawing on original reporting, years of conversations with survivors, and her own life story, Percy explores the surprising ways in which responses to sexual violence are shaped by both evolutionary instinct and gendered scripts. She takes on taboo subjects—orgasms during assault, sexual promiscuity, female rage, freezing and passivity—illuminating how society misreads these acts as deviance or consent, rather than brilliant acts of self-preservation. Like Joan Didion, Katherine Boo, and Janet Malcolm, Percy is a fearless cultural critic with a talent for wresting deep truths from lived experiences. Girls Play Dead meaningfully expands the language available to survivors and complicates our expectations of how a trauma story should sound—especially when belief, justice, and healing are contingent on how well a story “makes sense.” Percy examines how trauma corrupts storytelling itself, making survivors’ accounts seem fractured or surreal—and therefore less credible to institutions demanding coherence—resulting in an ambitious testament to the mind as a record of resilience. |