2025 Best Books of the Year

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, TIME MAGAZINE, MARIE CLAIRE, BOOK RIOT, ESQUIRE, KIRKUS, PUBLISHERS WEEKLY AND MORE! ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR SHORTLISTED FOR THE 2025 BOOKER PRIZE INSTANT NATIONAL BESTSELLER “A tightly wound family drama that reads like a psychological thriller."—NPR “Bold, stark, genre-bending, Audition will haunt your dreams.”—The Boston Globe One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love. Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.
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**SHORTLISTED FOR THE BOOKER PRIZE 2025** A GUARDIAN, OBSERVER, FINANCIAL TIMES, BBC, TIME, VOGUE, MARIE CLAIRE, ESQUIRE and ROLLING STONE BOOK TO READ IN 2025 'Slick, sharp, strange and singular . . . You’ll gulp this novel down in one in-breath' SAMANTHA HARVEY, Booker Prize-winning author of Orbital 'A lightning bolt of a novel' FINANCIAL TIMES 'I’m not sure there’s anyone better writing in America today' ALEX PRESTON, Observer One woman, the performance of a lifetime. Or two. An exhilarating, destabilising novel that asks whether we ever really know the people we love Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young – young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.

An instant New York Times bestseller, a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

From V. E. Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue: a new genre-defying novel about immortality and hunger. This is a story about hunger. 1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets. This is a story about love. 1827. London. A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined. This is a story about rage. 2019. Boston. College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge. This is a story about life— how it ends, and how it starts. USA Today, 15 Most Anticipated of 2025 BookBub, Most Anticipated of 2025 (and Reader’s Pick) Readers Digest, 20 Most Anticipated Books This Year Paste Magazine, Most Anticipated Fantasy Books of 2025 BookRiot, Most Anticipated Books of 2025 Men's Health, 25 Best & Most Anticipated Books of 2025 The Nerd Daily, SFF to Devour in 2025 Goodreads, Readers' Most Anticipated Books of 2025 At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
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Love runs wild. Love bites deep. Love dies last ... Ein epischer Vampirroman von Bestsellerautorin V. E. Schwab. Dies ist die Geschichte von drei Frauen und dem Blut, das sie verbindet. Von Maria, die im Jahre 1511 in dem kleinen Dorf Santo Domingo de la Calzada geboren wird. Sie heiratet einen spanischen Edelmann, nur um fortzukommen, doch ihr Mann ist streng und die Ehe keine glückliche. Erst als sie einer geheimnisvollen Witwe begegnet, scheint die Freiheit in Reichweite, doch der Preis ist hoch. Von Charlotte, die im Jahr 1827 in London verheiratet werden soll, doch es vorzieht, mit einer geheimnisvollen Adligen zu fliehen und ein Leben in Freiheit und Sünde zu verbringen. Sie reisen Jahrzehnte durch die europäischen Metropolen. Und ziehen eine Spur der Gewalt hinter sich her. Und von Alice, die im Jahr 2019 nach einem wilden One-Night-Stand mit höllischen Kopfschmerzen aufwacht und feststellt, dass sie eine seltsame Wunde am Hals hat. Und dass sie ein unstillbares Verlangen nach Blut entwickelt. Für Leser*innen von Anne Rice, Leigh Bardugo, Jay Kristoff und Carissa Broadbent

The Crucible meets The Virgin Suicides in this haunting debut about five sisters in a small village in eighteenth-century England whose neighbors are convinced they’re turning into dogs. Even before the rumors about the Mansfield girls begin, Little Nettlebed is a village steeped in the uncanny, from strange creatures that wash up on the riverbank to portentous ravens gathering on the roofs of people about to die. But when the villagers start to hear barking, and one claims to see the Mansfield sisters transform before his very eyes, the allegations spark fascination and fear like nothing has before. The truth is that though the inhabitants of Little Nettlebed have never much liked the Mansfield girls—a little odd, think some; a little high on themselves, perhaps—they’ve always had plenty to say about them. As the rotating perspectives of five villagers quickly make clear, now is no exception. Even if local belief in witchcraft is waning, an aversion to difference is as widespread as ever, and these conflicting narratives all point to the same ultimate conclusion: Something isn’t right in Little Nettlebed, and the sisters will be the ones to pay for it. A richly atmospheric parable of the pleasures and perils of female defiance, The Hounding considers whether in any age it might be safer to be a dog than an unusual young girl.
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'Extraordinary . . . clever, strange and beautifully written' THE TIMES 'Prompts thoughts of both THE CRUCIBLE and THE VIRGIN SUICIDES . . . Purvis is an exquisitely accomplished wordsmith.' DAILY TELEGRAPH 'A taut, tense tale, impeccably told' FINANCIAL TIMES 'Feverish, finely wrought and unforgettable.' DAILY MAIL 'An unflinchingly strange and savage novel – a rare and twisted pleasure, and an unmissable must-read for every girl who has ever been made to feel strange.' LUCY ROSE, Sunday Times bestselling author of THE LAMB 'Haunting and beguiling, this fever dream of a novel draws you in and colours your mind all shades of doubt and suspicion.' STACEY HALLS, Sunday Times bestselling author of THE FAMILIARS 'Melancholy and bittersweet.' OTEGHA UWAGBA, Sunday Times bestselling author of LITTLE BLACK BOOK 'A novel of rare grace and skill, exquisitely wrought and simmering with feral violence.' ROWE IRVIN, author of LIFE CYCLE OF A MOTH Many stories are told about the five Mansfield sisters. They are haughty, thinking themselves better than their neighbours in the picturesque village of Little Nettlebed. They have taken the death of their grandmother hard. They are liars, troublemakers, untamed and dangerous... Accounts of their behaviour differ, but the villagers all agree that the girls are odd. One long summer, a heatwave descends. Bloated sea creatures wash up along the parched riverbed, animals grow frenzied, ravens gather on the roofs of those about to die. As the stifling heat grips the village, so does a strange rumour: the Mansfield sisters have been seen transforming into a pack of dogs. With the witch trials only a recent memory, hysteria sets in. Slowly but surely, the villagers become convinced that something strange is taking root in Little Nettlebed. And when a bark finally leads to a bite, the sisters will be the ones to pay for it. Visceral and richly atmospheric, The Hounding plunges its reader into 18th century Oxfordshire, where the power of a man’s word is absolute, and it is safer to be a wild animal than an unconventional young woman. *** 'Utterly bizarre in the best way possible' ⭐ ⭐ ⭐ ⭐ ⭐ BOOK REVIEWER 'A glorious shimmering heat mirage of a novel' ⭐ ⭐ ⭐ ⭐ ⭐ BOOK REVIEWER 'A visceral and consuming fever dream of a book' ⭐ ⭐ ⭐ ⭐ ⭐ BOOK REVIEWER 'Tense, almost claustrophobic' ⭐ ⭐ ⭐ ⭐ ⭐ BOOK REVIEWER 'Sharp and extremely enjoyable' ⭐ ⭐ ⭐ ⭐ ⭐ BOOK REVIEWER

⭐ SHORTLISTED FOR THE BOOKER PRIZE 2025⭐ 'Graceful, atmospheric, enormously satisfying' SARAH JESSICA PARKER, BOOKER JUDGE 2025 'I love The Land in Winter so much... It's really, really, really, really good' GILLIAN ANDERSON 'A classic in the making' ELIZABETH DAY 'One of the best writers at work today' TELEGRAPH 'Has an uncanny beauty and depth' GUARDIAN 'Money, class, love: all of life is in there' SUNDAY TIMES DECEMBER 1962, THE WEST COUNTRY. Local doctor Eric Parry, mulling secrets, sets out on his rounds, while his pregnant wife sleeps on in the warmth of their cottage. Across the field, funny, troubled Rita Simmons is also asleep, her head full of images of a past life her husband prefers to ignore. He's been up for hours, tending to the needs of the small dairy farm where he hoped to create a new version of himself, a project that's already faltering. But when the ordinary cold of an English December gives way to violent blizzards, the two couples find their lives beginning to unravel. WHERE DO YOU HIDE WHEN YOU CAN'T LEAVE HOME? AND WHERE, IN A FROZEN WORLD, CAN YOU RUN TO? More praise for The Land in Winter ⭐ Winner of the Walter Scott Prize for Historical Fiction 2025 ⭐ ⭐ Winner of the Winston Graham Historical Prize 2025 ⭐ 'Perfect' OBSERVER 'Delicate and devastating' I PAPER 'Incredibly satisfying' FINANCIAL TIMES 'A novel of dazzling humanity and captivating, crystalline prose' MAIL ON SUNDAY 'I loved The Land in Winter . . . There were moments I thought of Penelope Fitzgerald... A thing of rare beauty' RACHEL JOYCE, author of The Unlikely Pilgrimage of Harold Fry 'An exquisite achievement, luminously written, full of wonder at the diversity and strangeness of human experience.' FRANCIS SPUFFORD, author of Golden Hill Praise for Andrew Miller 'Andrew Miller's writing is a source of wonder and delight' HILARY MANTEL 'One of our most skilful chroniclers of the human heart and mind' SUNDAY TIMES 'A writer of very rare and outstanding gifts' INDEPENDENT ON SUNDAY 'A highly intelligent writer, both exciting and contemplative' THE TIMES 'A wonderful storyteller' SPECTATOR
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⭐ Longlisted for the Booker Prize 2025 ⭐ ⭐ Winner of the Walter Scott Prize for Historical Fiction 2025 ⭐ ⭐ Winner of the Winston Graham Historical Prize 2025 ⭐ A book of the year for the Independent, Guardian, i Newspaper, Good Housekeeping 'Has an uncanny beauty and depth... A novel that travels into the darkest places of history and the strangest corners of the human mind' GUARDIAN, Summer reads 'Tender, elegant, soulful and perfect. A novel that hits your cells and can be felt there, without your brain really knowing what's happened to it. Superb' SAMANTHA HARVEY, Booker Prize-winning author of Orbital 'Delicate and devastating' I PAPER 'Incredibly satisfying' FINANCIAL TIMES 'A novel of dazzling humanity and captivating, crystalline prose' MAIL ON SUNDAY DECEMBER 1962, THE WEST COUNTRY. Local doctor Eric Parry, mulling secrets, sets out on his rounds, while his pregnant wife sleeps on in the warmth of their cottage. Across the field, funny, troubled Rita Simmons is also asleep, her head full of images of a past life her husband prefers to ignore. He's been up for hours, tending to the needs of the small dairy farm where he hoped to create a new version of himself, a project that's already faltering. But when the ordinary cold of an English December gives way to violent blizzards, the two couples find their lives beginning to unravel. Where do you hide when you can't leave home? And where, in a frozen world, can you run to? More praise for The Land in Winter 'Perfect' OBSERVER 'Beautifully done' THE TIMES 'Psychologically acute . . . For 200 impeccable pages Miller gives us four intensely imagined inner lives... gripping' TIMES LITERARY SUPPLEMENT 'I loved The Land in Winter . . . There were moments I thought of Penelope Fitzgerald - that moment I have always loved in The Beginning of Spring when the birch trees seem to grow hands - those liminal moments that are kind of beyond words, or explanation, but Miller finds them anyway. It's a thing of rare beauty' RACHEL JOYCE, author of The Unlikely Pilgrimage of Harold Fry 'An exquisite achievement, luminously written, full of wonder at the diversity and strangeness of human experience.' FRANCIS SPUFFORD, author of Golden Hill 'Disruptive and graceful beyond anything I've read' SARAH HALL, author of Helm 'Sentence after sentence, The Land in Winter is beautifully intricate, deeply moving, and utterly absorbing' CLAIRE FULLER, author of Unsettled Ground Praise for Andrew Miller 'Andrew Miller's writing is a source of wonder and delight' HILARY MANTEL 'One of our most skilful chroniclers of the human heart and mind' SUNDAY TIMES 'A writer of very rare and outstanding gifts' INDEPENDENT ON SUNDAY 'A highly intelligent writer, both exciting and contemplative' THE TIMES 'A wonderful storyteller' SPECTATOR

An enthralling, dishy novel about ambition, sexuality, and the rise of a capitalist empire in post-Gilded Age New York. “Hernan Diaz's Trust but make it gay? Narrated in the sly-eyed style of Plain Bad Heroines? I am absolutely buying what this book is selling, an epic and intimate tale of three secretly queer aspiring business titans who band together-and in the case of two of them, marry-to build an empire.” -Electric Literature, Most Anticipated Queer Books for Spring 2025 At the turn of the 20th century, Vivian Lesperance is determined to flee her hometown of Utica, New York, and live a life worthy of the society pages she writes for. When she meets Oscar Schmidt, a queer middle manager at a soap company, Vivian finds a partner she can guide to build the life she wants--not least because Oscar will leave Vivian to tend to her own romances with women. But Vivian's plans require capital, so they approach Oscar's old-money rival, Squire Clancey. Together they found Clancey & Schmidt, a preeminent manufacturer of soap, perfume, and candles. When Oscar and Squire fall in love, the trio form a new kind of partnership. Vivian reaches the pinnacle of her power building Clancey & Schmidt into an empire of personal care products while operating behind the image of both men. But exposure threatens, and all three partners are made aware of how much they have to lose. For people who loved The Gilded Age and fans of Succession “who wished the show was both kinder and gayer” (Jessie Wright, Copper Dog Books), Mutual Interest is a brilliant, beguiling story of desire and power.

Gilt-edged stories that slice clean through the mundanity of modern life, from the author of Same Bed Different Dreams, a finalist for the Pulitzer Prize and winner of the Los Angeles Times Book Prize “Ed Park is one of the funniest writers working today, and among the most humane.”—Kaveh Akbar, author of Martyr! In “Machine City” a college student’s chance role in a friend’s movie blurs the line between his character and his true self. (Is he a robot?) In “Slide to Unlock” a man comes to terms with his life via the passwords he struggles to remember in extremis. (What’s his mom’s name backward?) And in “Weird Menace” a director and faded movie star gab about science fiction, bad costume choices, and lost loves on a commentary track for a B-film from the ’80s that neither remembers all that well. In Ed Park’s utterly original collection, An Oral History of Atlantis, characters bemoan their fleeting youth, focus on their breathing, meet cute, break up, write book reviews, translate ancient glyphs, bid on stuff online, whale watch, and once in a while find solace in the sublime. Throughout, Park deploys his trademark wit to create a world both strikingly recognizable and delightfully other. Spanning a quarter century, these sixteen stories tell the absurd truth about our lives. They capture the moment when the present becomes the past—and are proof positive that Ed Park is one of the most imaginative and insightful writers working today.

A SHELF AWARENESS BEST BOOK OF 2025 • A CBC BOOKS BEST CANADIAN FICTION BOOK OF 2025 • A CRIMEREADS BEST BOOK OF 2025 The natural enemy of a Korean is another Korean. When North Korean spymaster Doha Kim is mysteriously killed in Oxford, his protégé, Yohan Kim, chases the only breadcrumb given to him in Doha’s last breath: “Soju Club, Dr. Ryu.” In the meantime, a Korean American CIA agent , Yunah Choi, races to salvage her investigation of the North Korean spy cell in the aftermath of the assassination. At the centre of it all is the Soju Club, the only Korean restaurant in Oxford, owned by Jihoon Lim, an immigrant from Seoul in search of a new life after suffering a tragedy. As different factions move in with their own agendas, their fates become entangled, resulting in a bitter struggle that will determine whose truth will triumph. Oxford Soju Club weaves a tale of how immigrants in the Korean diaspora are forced to create identities to survive, and how in the end, they must shed those masks and seek their true selves.

WINNER OF THE NATIONAL BOOK AWARD “Alameddine is a writer with a boundless imagination.”—NPR From National Book Award finalist and winner of the PEN/Faulkner Award for Fiction comes a tragicomic love story set in Lebanon, a modern saga of family, memory, and the unbreakable attachment of a son and his mother In a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son’s desire for privacy as a personal affront. She demands to know every detail of Raja’s work life and love life, boundaries be damned. When Raja receives an invite to an all-expenses-paid writing residency in America, the timing couldn’t be better. It arrives on the heels of a series of personal and national disasters that have left Raja longing for peace and quiet away from his mother and the heartache of Lebanon. But what at first seems a stroke of good fortune soon leads Raja to recount and relive the very disasters and past betrayals he wishes to forget. Told in Raja’s irresistible and wickedly funny voice, the novel dances across six decades to tell the unforgettable story of a singular life and its absurdities—a tale of mistakes, self-discovery, trauma, and maybe even forgiveness. Above all, The True True Story of Raja the Gullible (and His Mother) is a wildly unique and sparkling celebration of love.

A NATIONAL BESTSELLER A humorous collection of autobiographical essays from comedian and Emmy Award–winning actor Jeff Hiller, who shares his journey from growing up “profoundly gay” in 1980s Texas to his experiences as an inept social worker and how he clawed, scraped, and brawled to Hollywood’s lower middle-tier. While struggling to find success as an actor and pay the bills, something accidentally happened to Jeff Hiller: he aged. And while it’s one thing to get older and rest on the laurels of success from the blood, sweat, and tears of your youth, it’s quite another to be old and have no laurels. At forty, stuck in a temp job making spreadsheets, the dream of becoming a star seemed out of reach. But after twenty-five years of guest roles on TV and performing improv in a grocery store basement, he finally struck gold with a breakout role on HBO’s Somebody Somewhere, playing Joel—the kind of best friend everyone wishes they had. In his book, Jeff dives into the grit and grind of climbing the Hollywood ladder. It’s a raw and often hilarious tale of the struggles, triumphs, and humiliations that shaped him into the wonderfully imperfect person he is today. With a mix of awkward charm and heartfelt honesty, Jeff shares his journey: growing up very Lutheran in Texas, navigating bullying as a gay kid, working as a social worker for unhoused youth and HIV prevention, and the endless ups and downs of being a struggling actor. For every one of us who have a dream that we’re chasing—and chasing, and chasing—his is a funny, moving, and utterly relatable story.

In this wondrously unusual memoir, a woman retreats into her shell in the aftermath of her divorce, and must choose between the pleasures and the perils of a closed-up life—a transformation fable from an acclaimed 5 Under 35 National Book Foundation honoree. “A marvel and a delight . . . This is a book that will stay with me forever.”—Leslie Jamison, author of Splinters We’ve all heard the story about waking up as a cockroach—but what if a crisis turned you into a clam? After the dissolution of her marriage, a writer is transformed into a “clam” via typo after her mother keeps texting her to “clam down.” The funny if unhelpful command forces her to ask what it means to “clam down”—to retreat, hide, close up, and stay silent. Idiomatically, we are said to “clam up” when we can’t speak, and to “come out of our shell” when we reemerge, transformed. In order to understand her path, the clam digs into examples of others who have embraced lives of reclusiveness and extremity. Finally, she confronts her own “clam genealogy” to interview her dad, who disappeared for a decade to write a mysterious accounting software called Shell Computing. By excavating his past to better understand his decisions, she learns not only how to forgive him but also how to move on from her own wounds of abandonment and insecurity. Using a genre-defying structure and written in novelistic prose that draws from art, literature, and natural history, Anelise Chen unfolds a complex story of interspecies connectedness, in which humans learn lessons of adaptation and survival from their mollusk kin. While it makes sense in certain situations to retreat behind fortified walls, the choice to do so also exacts a price. What is the price of building up walls? How can one take them back down when they are no longer necessary?

With previous work hailed by the New York Times as "unflinching" and "piercing", Ashley M. Jones's Lullaby for the Grieving is her most personal collection to date. In her fourth poetry collection, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness have to be suppressed to make way for "progress"? Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father's garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama's first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing.

Named One of the New York Times Book Review's Top Ten Books of 2025 Finalist for the Kirkus Prize A raw and deeply moving memoir from the legendary author of The God of Small Things and The Ministry of Utmost Happiness that traces her complex relationship with her mother, Mary Roy, a fierce and formidable force who shaped Arundhati’s life both as a woman and a writer. Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.” “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, “not because I didn’t love her, but in order to be able to continue to love her.” And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author’s journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and essays, through today. With the scale, sweep, and depth of her novels, The God of Small Things and The Ministry of Utmost Happiness, and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an empire that doesn’t consider you fully human. On October 25th, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it's safe, when there's no personal downside to calling a thing what it is, when it's too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed more than ten million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture that has occurred for Black, brown, Indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in Western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the West, and what it means to live in a world run by a small group of countries—America, the UK, France, and Germany. It will be The Fire Next Time for a generation that understands we're undergoing a shift in the so-called “rules-based order,” a generation that understands the West can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar's own story as an emigrant who grew up believing in the Western project, who was catapulted into journalism by the rupture of 9/11. This book is El Akkad's heartsick breakup letter with the West. It is a breakup we are watching all over the United States, on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the West has served up. This is the book for our time.

A groundbreaking exploration of deafness by a young award-winning poet—a memoir, a cultural history, and a call to action “Expansive, generous, and massively tender.”—Hanif Abdurraqib, author of There’s Always This Year “Beautifully complicates and expands our understanding of what deafness is . . . a book that changed how I will move through the world.”—Clint Smith, author of How the Word Is Passed “A litany to beauty beyond what is spoken. This book is an essential education.”—Safiya Sinclair, author of How to Say Babylon “A spellbinding account of [Antrobus's] youth as a deaf, mixed-race child in East London . . . an unforgettable account of finding one’s voice. It’s masterful.”—Publishers Weekly (starred review) One of Publishers Weekly’s Top 10 New Memoirs and Biographies of the Fall • One of The Washington Post and Vulture’s Most Anticipated Books I live with the aid of deafness. Like poetry, it has given me an art, a history, a culture and a tradition to live through. This book charts that art in the hopes of offering a map, a mirror, a small part of a larger story. Raymond Antrobus was first diagnosed as deaf at the age of six. He discovered he had missing sounds—bird calls, whistles, kettles, alarms. Teachers thought he was slow and disruptive, some didn’t believe he was deaf at all. The Quiet Ear tells the story of Antrobus’s upbringing at the intersection of race and disability. Growing up in East London to an English mother and Jamaican father, educated in both mainstream and deaf schooling systems, Antrobus explores the shame of miscommunication, the joy of finding community, and shines a light on deaf education. Throughout, Antrobus sets his story alongside those of other D/deaf cultural figures—from painters to silent film stars, poets to performers—the inspiring models of D/deaf creativity he did not have growing up. A singular, remarkable work, The Quiet Ear is a much-needed examination of deafness in the world.
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A groundbreaking exploration of deafness by the award-winning poet Raymond Antrobus. **PRE-ORDER NOW** A memoir. A cultural history. A call to action. 'This book left me transformed' CALEB AZUMAH NELSON 'A tender triumph' EMMA WARREN 'Read this book' LEMN SISSAY 'Destined to become a modern classic' ROGER ROBINSON 'Changed how I will move through the world' CLINT SMITH Raymond Antrobus was first diagnosed as deaf at the age of six. He discovered he had missing sounds - bird calls, whistles, kettles, alarms. Teachers thought he was slow and disruptive, some didn't believe he was deaf at all. The Quiet Ear tells the story of Raymond's upbringing at the intersection of race and disability. Growing up in East London to an English mother and Jamaican father, educated in both mainstream and deaf schooling systems, Raymond explores the shame of miscommunication and the joy of finding community, and shines a light on the decline of deaf education in Britain. Throughout, Raymond sets his story alongside those of other D/deaf cultural figures, from painters to silent film stars, poets to performers - the inspiring models of D/deaf creativity he did not have growing up. The Quiet Ear is a groundbreaking and much-needed examination of deafness. A memoir, a cultural history, a call to action. 'Brilliant' SEÁN HEWITT 'A marvel' ILYA KAMINSKY 'Expansive, generous and massively tender' HANIF ABDURRAQIB 'Powerful and important' ANDREW LELAND 'Lyrical, moving and powerful' ALICE WONG
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A groundbreaking exploration of deafness by the award-winning poet Raymond Antrobus. **PRE-ORDER NOW** A memoir. A cultural history. A call to action. 'This book left me transformed' CALEB AZUMAH NELSON 'A tender triumph' EMMA WARREN 'Read this book' LEMN SISSAY 'Destined to become a modern classic' ROGER ROBINSON 'Changed how I will move through the world' CLINT SMITH Raymond Antrobus was first diagnosed as deaf at the age of six. He discovered he had missing sounds - bird calls, whistles, kettles, alarms. Teachers thought he was slow and disruptive, some didn't believe he was deaf at all. The Quiet Ear tells the story of Raymond's upbringing at the intersection of race and disability. Growing up in East London to an English mother and Jamaican father, educated in both mainstream and deaf schooling systems, Raymond explores the shame of miscommunication, the joy of finding community and shines a light on the decline of deaf education in Britain. Throughout, Raymond sets his story alongside those of other D/deaf cultural figures - from painters to silent film stars, poets to performers - the inspiring models of D/deaf creativity he did not have growing up. The Quiet Ear is a groundbreaking and much-needed examination of deafness. A memoir, a cultural history, a call to action. 'Brilliant' SEÁN HEWITT 'A marvel' ILYA KAMINSKY 'Expansive, generous and massively tender' HANIF ABDURRAQIB 'Powerful and important' ANDREW LELAND 'Lyrical, moving and powerful' ALICE WONG

An Instant New York Times Bestseller A BEST BOOK OF 2025: TIME • SMITHSONIAN MAGAZINE • KiRKUS • CHICAGO PUBLIC LIBRARY A Goodreads Choice Awards Nominee From the New York Times best-selling author of Stiff and Fuzz, a rollicking exploration of the quest to re-create the impossible complexities of human anatomy. The body is the most complex machine in the world, and the only one for which you cannot get a replacement part from the manufacturer. For centuries, medicine has reached for what’s available—sculpting noses from brass, borrowing skin from frogs and hearts from pigs, crafting eye parts from jet canopies and breasts from petroleum by-products. Today we’re attempting to grow body parts from scratch using stem cells and 3D printers. How are we doing? Are we there yet? In Replaceable You, Mary Roach explores the remarkable advances and difficult questions prompted by the human body’s failings. When and how does a person decide they’d be better off with a prosthetic than their existing limb? Can a donated heart be made to beat forever? Can an intestine provide a workable substitute for a vagina? Roach dives in with her characteristic verve and infectious wit. Her travels take her to the OR at a legendary burn unit in Boston, a “superclean” xeno-pigsty in China, and a stem cell “hair nursery” in the San Diego tech hub. She talks with researchers and surgeons, amputees and ostomates, printers of kidneys and designers of wearable organs. She spends time in a working iron lung from the 1950s, stays up all night with recovery techs as they disassemble and reassemble a tissue donor, and travels across Mongolia with the cataract surgeons of Orbis International. Irrepressible and accessible, Replaceable You immerses readers in the wondrous, improbable, and surreal quest to build a new you.
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Is the bionic human just around the corner? 'Mary Roach offers a fascinating tour of the wonderful world of regenerative medicine.' TIME, The Most Anticipated Books of Fall 2025 Our bodies regenerate at a remarkable rate – our skin replaces itself every month, our blood every four. You can remove ninety per cent of a liver and it’ll still grow back to its original size (please do not try this at home). Others – the brain, the heart, the eyes – are more complicated. These stay with us for life. So what do we do when they break down? For centuries, medicine has searched for answers – sculpting noses from brass, borrowing skin from frogs and hearts from pigs and crafting eye parts from jet canopies. And as technology has grown ever more ingenious, so have our solutions. In Replaceable You, Mary Roach sets sail on the uncharted waters of regenerative medicine, exploring the remarkable advances and difficult questions prompted by the human body’s failings: When and how does a person decide they’d be better off with a prosthetic than their existing limb? Is there a sensitive way to harvest tissue and bones from the deceased? Which animals might be the best organ donors? Through experiments and interviews with patients, physicians, pathologists, engineers and scientists, Roach immerses readers in the wondrous, improbable and surreal quest to build a new you. 'Addictively readable... Don't miss it.' Deborah Blum, author of The Poisoner’s Handbook

"In May of 2022, Columbia University's Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary's Baby and Johnson had a sudden epiphany: horror cinema engages directly with the combustive politics of women's rights and offer a light through the darkness and an outlet to scream. With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary's Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women's lives. While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power"-- Provided by publisher.

ONE OF THE NEW YORK TIMES AND THE ATLANTIC’S TEN BEST BOOKS OF THE YEAR • ONE OF BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR • Through the “revelatory and gut-wrenching” (Associated Press) stories of five Atlanta families, this landmark work of journalism exposes a new and troubling trend—the dramatic rise of the working homeless in cities across America. “An exceptional feat of reporting, full of an immediacy that calls to mind Adrian Nicole LeBlanc’s Random Family and Matthew Desmond’s Evicted.”—The New York Times Book Review (Editors’ Choice) FINALIST FOR THE ANDREW CARNEGIE MEDAL • A BEST BOOK OF THE YEAR: NPR, The Washington Post, Atlanta Journal-Constitution, Elle, New America, BookPage, Shelf Awareness The working homeless. In a country where hard work and determination are supposed to lead to success, there is something scandalous about this phrase. But skyrocketing rents, low wages, and a lack of tenant rights have produced a startling phenomenon: People with full-time jobs cannot keep a roof over their head, especially in America’s booming cities, where rapid growth is leading to catastrophic displacement. These families are being forced into homelessness not by a failing economy but a thriving one. In this gripping and deeply reported book, Brian Goldstone plunges readers into the lives of five Atlanta families struggling to remain housed in a gentrifying, increasingly unequal city. Maurice and Natalia make a fresh start in the country’s “Black Mecca” after being priced out of DC. Kara dreams of starting her own cleaning business while mopping floors at a public hospital. Britt scores a coveted housing voucher. Michelle is in school to become a social worker. Celeste toils at her warehouse job while undergoing treatment for ovarian cancer. Each of them aspires to provide a decent life for their children—and each of them, one by one, joins the ranks of the nation’s working homeless. Through intimate, novelistic portraits, Goldstone reveals the human cost of this crisis, following parents and their kids as they go to sleep in cars, or in squalid extended-stay hotel rooms, and head out to their jobs and schools the next morning. These are the nation’s hidden homeless—omitted from official statistics, and proof that overflowing shelters and street encampments are only the most visible manifestation of a far more pervasive problem. By turns heartbreaking and urgent, There Is No Place for Us illuminates the true magnitude, causes, and consequences of the new American homelessness—and shows that it won’t be solved until housing is treated as a fundamental human right.

A transformative 300-mile walk along Japan’s ancient pilgrimage routes and through depopulating villages inspires a heartrending remembrance of a long-lost friend, documented in poignant, imaginative prose and remarkable photography. “An epic, exquisitely detailed journey, on foot, through a rural Japan few of us are likely to experience. Uniquely unforgettable.”—William Gibson, New York Times bestselling author of Neuromancer Photographer and essayist Craig Mod is a veteran of long solo walks. But in 2021, during the pandemic shutdown of Japan’s borders, one particular walk around the Kumano Kodō routes—the ancient pilgrimage paths of Japan’s southern Kii Peninsula—took on an unexpectedly personal new significance. Mod found himself reflecting on his own childhood in a post-industrial American town, his experiences as an adoptee, his unlikely relocation to Japan at nineteen, and his relationship with one lost friend, whose life was tragically cut short after their paths diverged. For Mod, the walk became a tool to bear witness to a quiet grace visible only when “you’re bored out of your skull and the miles left are long.” Tracing a 300-mile-long journey, Things Become Other Things folds together history, literature, poetry, Shinto and Buddhist spirituality, and contemporary rural life in Japan via dozens of conversations with aging fishermen, multi-generational inn owners, farmers, and kissaten cafe “mamas.” Along the way, Mod communes with mountain fauna, marvels over evidence of bears and boars, and hopscotches around leeches. He encounters whispering priests and foul-mouthed little kids who ask him, “Just what the heck are you, anyway?” Through sharp prose and his curious archive of photographs, he records evidence of floods and tsunamis, the disappearance of village life on the peninsula, and the capricious fecundity of nature. Things Become Other Things blends memoir and travel writing at their best, transporting readers to an otherwise inaccessible Japan, one made visible only through Mod’s unique bicultural lens.