The 17 Best Books of 2025 You Need to Read

*ONE OF AV CLUB'S BEST BOOKS OF 2025* "[An] indictment of an industry that has cannily tilted the playing field in its favor. Bad Company details how clichéd abstractions like ‘consolidation’ and ‘efficiency’ have given cover to real betrayals.” - The New York Times A timely work of singular reportage and a damning indictment of the private equity industry told through the stories of four American workers whose lives and communities were upended by the ruinous effects of private equity takeovers. Private equity runs our country, yet few Americans have any idea how ingrained it is in their lives. Private equity controls our hospitals, daycare centers, supermarket chains, voting machine manufacturers, local newspapers, nursing home operators, fertility clinics, and prisons. The industry even manages highways, municipal water systems, fire departments, emergency medical services, and owns a growing swath of commercial and residential real estate. Private equity executives, meanwhile, are not only among the wealthiest people in American society, but have grown to become modern-day barons with outsized influence on our politics and legislation. CEOs of firms like Blackstone, Carlyle, KKR, and Apollo are rewarded with seats in the Senate and on the boards of the country’s most august institutions; meanwhile, entire communities are hollowed out as a result of their buyouts. Workers lose their jobs. Communities lose their institutions. Only private equity wins. Acclaimed journalist Megan Greenwell’s Bad Company unearths the hidden story of private equity by examining the lives of four American workers that were devastated as private equity upended their employers and communities: a Toys R Us floor supervisor, a rural doctor, a local newspaper journalist, and an affordable housing organizer. Taken together, their individual experiences also pull back the curtain on a much larger project: how private equity reshaped the American economy to serve its own interests, creating a new class of billionaires while stripping ordinary people of their livelihoods, their health care, their homes, and their sense of security. In the tradition of deeply human reportage like Matthew Desmond’s Evicted, Megan Greenwell pulls back the curtain on shadowy multibillion dollar private equity firms, telling a larger story about how private equity is reshaping the economy, disrupting communities, and hollowing out the very idea of the American dream itself. Timely and masterfully told, Bad Company is a forceful rebuke of America’s most consequential, yet least understood economic forces.

Short-listed for the Booker Prize Long-listed for the National Book Award “The first major American novel to be published this year.” —Sam Sacks, The Wall Street Journal “Gorgeous . . . Almost impossibly heartbreaking.” —Sam Worley, New York Magazine A Must-Read: The New York Times, New York Magazine, Time, The Washington Post, Los Angeles Times, The Boston Globe, Entertainment Weekly, USA Today, The Chicago Review of Books, Forbes, Literary Hub, and Town & Country “A major world writer . . . Choi is in thrilling command.” ―Dwight Garner, The New York Times “Devastating.” —Ron Charles, The Washington Post “Ranks among her best work.” —Hamilton Cain, Los Angeles Times A Dakota Johnson x TeaTime Book Club Pick A novel tracing a father’s disappearance across time, nations, and memory, from the author of Trust Exercise. One summer night, Louisa and her father take a walk on the breakwater. Her father is carrying a flashlight. He cannot swim. Later, Louisa is found on the beach, soaked to the skin, barely alive. Her father is gone. She is ten years old. Louisa is an only child of parents who have severed themselves from the past. Her father, Serk, is Korean, but was born and raised in Japan; he lost touch with his family when they bought into the promises of postwar Pyongyang and relocated to North Korea. Her American mother, Anne, is estranged from her Midwestern family after a reckless adventure in her youth. And then there is Tobias, Anne’s illegitimate son, whose reappearance in their lives will have astonishing consequences. But now it is just Anne and Louisa, Louisa and Anne, adrift and facing the challenges of ordinary life in the wake of great loss. United, separated, and also repelled by their mutual grief, they attempt to move on. But they cannot escape the echoes of that night. What really happened to Louisa’s father? Shifting perspectives across time and character and turning back again and again to that night by the sea, Flashlight chases the shock waves of one family’s catastrophe, even as they are swept up in the invisible currents of history. A monumental new novel from the National Book Award winner Susan Choi, Flashlight spans decades and continents in a spellbinding, heart-gripping investigation of family, loss, memory, and the ways in which we are shaped by what we cannot see.
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**SHORTLISTED FOR THE BOOKER PRIZE 2025** 'Ferociously smart and full of surprises' Eleanor Catton 'Instantly bewitching' Jennifer Egan 'A rich generational saga that teems with intelligence' Financial Times The astonishing story of one family swept up in the tides of the twentieth century, ranging from post-war Japan to suburban America and the North Korean regime One evening, ten-year-old Louisa and her father take a walk out on the breakwater. They are spending the summer in a coastal Japanese town while her father Serk, a Korean émigré, completes an academic secondment from his American university. When Louisa wakes hours later, she has washed up on the beach and her father is missing, probably drowned. The disappearance of Louisa’s father shatters their small family unit. As Louisa and her American mother Anne return to the US, this traumatic event reverberates across time and space, and the mystery of what really happened to Serk slowly unravels. 'Big, bold and surprising' Guardian ‘Engrossing... Choi is an astute, convincing writer’ Sunday Telegraph 'Susan Choi is a master of rendering relationships with utter particularity' Raven Leilani, author of Luster 'I couldn’t put it down, and once I finished, I couldn’t stop thinking about it' Barbara Demick, author of Nothing to Envy

“Irresistibly smart and funny.” —Jenny Offill, author of Weather and Dept. of Speculation “The serenely weird testament of an unintentional heroine in an intentional community, and an act of novelistic grace that deserves not only cult status but its own religion.” —Joshua Cohen, author of the Pulitzer Prize–winning The Netanyahus In this mesmerizing and profound novel, the arc of a woman's life in a devout, insular community challenges our deepest assumptions about what infuses life with meaning. Ruth is raised in a snow globe of Christian communism, a world without private property, television, or tolerance for idle questions. Every morning she braids her hair and wears the same costume, sings the same breakfast song in a family room identical to every other family room in the community; every one of these moments is meant to be a prayer, but to Ruth they remain puzzles. Her life is seen in glimpses through childhood, marriage, and motherhood, as she tries to manage her own perilous curiosity in a community built on holy mystery. Is she happy? Might this in fact be happiness? Ruth immerses us in an experience that challenges our most fervent beliefs.

Finalist for the 2025 National Book Awards for Fiction From “one of our great artists of catastrophe” (Laura van den Berg) comes North Sun, or the Voyage of the Whaleship Esther—an allegory of extraction and a tale of adventure and endurance during the waning days of the American whaling industry. Setting out from New Bedford in 1878, the crew of the Esther is confident the sea will be theirs: in addition to cruising the Pacific for whale, they intend to hunt the teeming northern grounds before the ice closes. But as they sail to their final destination in the Chukchi Sea, where their captain Arnold Lovejoy has an urgent directive of his own to attend to, their encounters with the natural world become more brutal, harrowing, ghostly, and strange. With one foot firmly planted in the traditional sea-voyage narrative, and another in a blazing mythos of its own, this debut novel looks unsparingly at the cost of environmental exploitation and predation, and in doing so feverishly sings not only of the past, but to the present and future as well.

‘A beautifully expansive novel about race and class... Franklin's emotional and intellectual range is vast... An exceptional debut’ – Katie Kitamura, author of Intimacies ‘So smart, so moving, so earned; as soon as I finished, I started reading it again’ – Kaveh Akbar, author of Martyr! ‘The precision and ecstasy of Rob Franklin's prose had me entranced. Great Black Hope marks the arrival of a breathtakingly talented writer’ – Megha Majumdar, author of A Burning ‘Great Black Hope will allow you to vicariously experience a sweltering summer in the city – though this debut is much more than a simple tale of hedonism’ - BBC Culture ‘Perfectly captures the heady atmosphere of a New York summer’ - Dazed ‘A new voice in fiction to be reckoned with’ Harper’s Bazaar ‘Best Books of 2025’ ‘A book about New York that’s part love letter, part reckoning’ – Guardian ‘Gripping’ – Daily Mail An arrest for cocaine possession in the Hamptons on the last day of a sweltering summer leaves Smith, a young Black queer graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him but his race does not. It is just weeks after the death of his beloved roommate Elle, a glamorous member of the Black elite, and he is still reeling from the tabloid spectacle - as well as the lingering question of how well he really knew his closest friend and what happened to her the night she died. When he flees to his hometown of Atlanta and generations of his family of doctors and college presidents and lawyers - the weight of expectations haunts him. Then Carolyn, the closest friend he has left, goes off the rails, Smith returns to New York only to lose himself in his old life, drawn back into the city's underworld. Will his search for the truth about Elle cost him his freedom and his future? Smith goes on a dizzying journey through the New York City nightlife circuit, anonymous recovery rooms, Atlanta's Black society set, police investigations and courtroom dramas, and a circle of friends coming of age in a new era. Great Black Hope is a propulsive, glittering story about what it means to exist between worlds, to be upwardly mobile yet spiralling downward and how to find a way back to hope.
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NATIONAL BESTSELLER “Cool and concise; a talent to watch.” —Jay McInerney author of Bright Lights, Big City “You’re going to get papercuts, you’re going to turn the pages so fast.” —Brad Thor, Today A gripping debut from an electrifying new voice about an upwardly mobile and downwardly spiraling Black man caught between worlds of race and class, glamourous parties and sudden consequences, a friend’s mysterious death and his own arrest. An arrest for cocaine possession on the last day of a sweltering New York summer leaves Smith, a queer Black Stanford graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him, but his race does not. It’s just weeks after the death of his beloved roommate Elle, the daughter of a famous soul singer, and he’s still reeling from the tabloid spectacle—as well as lingering questions around how well he really knew his closest friend. He flees to his hometown of Atlanta, only to buckle under the weight of expectations from his family of doctors and lawyers and their history in America. But when Smith returns to New York, it’s not long before he begins to lose himself to his old life—drawn back into the city’s underworld, where his search for answers may end up costing him his freedom and his future. Smith goes on a dizzying journey through the nightlife circuit, anonymous recovery rooms, Atlanta’s Black society set, police investigations and courtroom dramas, and a circle of friends coming of age in a new era. Great Black Hope is a propulsive, glittering story about what it means to exist between worlds, to be upwardly mobile yet spiraling downward, and how to find a way back to hope.
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A young Black man is caught between worlds of race and class, glamour and tragedy a friend's mysterious death and his own arrest.

A profound and unparalleled literary voice, Zadie Smith returns with a resounding collection of essays In the past two decades, few writers have been able to master the craft and art of the essay in the way that Zadie Smith has. Her discerning eye and singularly intimate perspective emblazon Smith as a preeminent critic of our generation, society, and culture. In her inimitable honesty and poignant voice, Smith studies the fault lines that divide us and consistently finds within them grounds for solidarity and compassion. This eagerly awaited new collection brings Zadie Smith's unique skills as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five sections--eyeballing, considering, reconsidering, mourning, and confessing--she unspools personal dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk when researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to look at the young Michael Jackson and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. And she shows us once again in Dead and Alive her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times. A master of perception always in search of a lesser-known reality, Smith continually assesses, and reassesses, what it means to identify with the contemporary world, and how we choose to remember the history that brought us here.

AN OBSERVER, GQ, FINANCIAL TIMES, NEW YORK TIMES AND BLACKWELL'S BOOK OF THE YEAR, 2025 Longlisted for the André Simon Food and Drink Book Award 'Entertaining, alarming, illuminating, alive' NIGELLA LAWSON 'Brilliant and original' NIGEL SLATER 'Ruby is a rare and singular voice. I loved this book' ANNA JONES The iconic New Yorker and Vittles food writer asks: Why do we eat the way we eat now? Being into food - following and making it, queuing for it and discussing it - is no longer a subculture. It's become mass culture. The food landscape is more expansive and dizzying by the day. Recipes, once passed from hand to hand, now flood newspaper supplements and social media. Our tastes are engineered in food factories, hacked by supermarkets and influenced by Instagram reels. Ruby Tandoh's startlingly original analysis traces this extraordinary transformation over the past seventy-five years, making sense of this electrifying new era by examining the social, economic, and technological forces shaping the foods we hunger for today. Exploring the evolution of the cookbook and light-speed growth of bubble tea, the advent of TikTok critics and absurdities of the perfect dinner party, Tandoh's laser-sharp investigation leaves her questioning: how much are our tastes, in fact, our own? Discover All Consuming Bubble Tea | Critics | Recipes | Martha Stewart | Mob |Fast food | Hype queues | Nara Smith | Tiktok | Viennetta | Weekend supplements | Wife Guys | Cult Cookbooks | Lobster | Influencers | Wellness elixirs | Entertaining | Keith Lee | Wimpy with Ruby Tandoh this autumn.
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Food dominates our every waking minute: Hype restaurants. Allrecipes. The Great British Bake Off. In this dazzling cultural history, bestselling food writer Ruby Tandoh (author of Cook As You Are) traces how—and why—we’ve all become foodies. “Ruby Tandoh is a genius and All Consuming is everything.” —Bryan Washington, author of Family Meal “A fascinating, sometimes shocking, eye-opener that is also brilliantly funny.” —Claudia Roden How, in the space of a few decades, has food gone from fact of life to national past time; something to be thought about—and talked about—24/7? In this startlingly original, deeply irreverent cultural history, Ruby Tandoh traces that transformation, exposing how cult cookbooks, bad TV, visionary restaurants, and new social media have all wildly overhauled our appetites. All Consuming explores: •The rise of the TikTok food critic •What makes a hype restaurant go viral •Bubble tea’s world domination •The dream of the modern dinner party •The limits of the cookbook •The history of the supermarket •Wellness drinks—and where they come from •The rise and fall of the automat Our tastes have been radically refashioned, painstakingly engineered in the depths of food factories, and hacked by craveable Instagram recipes. They’ve been pulled into supermarket aisles and seduced by Michelin stars, transfixed by Top Chefs and shaped by fads. A deep dive into the social, economic, cultural, legislative, and demographic forces that have reshaped our relationship with food, All Consuming questions how our tastes have been shaped—and how much they are, in fact, our own.

NPR SPRING PICK An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon’s profound impact as a visionary editor who helped define an important period in American publishing and literature. A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation’s most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms. Toni Morrison herself had great enthusiasm about Dana Williams's work on this story, generously sharing memories and thoughts with the author over the years, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison’s contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

"From Laila Lalami-the Pulitzer Prize and National Book Award finalist and a "maestra of literary fiction" (NPR)-comes a riveting and utterly original novel about one woman's fight for freedom, set in a near future where even dreams are under surveillance. Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA's algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes. With every deviation from the strict and ever-shifting rules of the facility, their stay is extended. Months pass and Sara seems no closer to release. Then one day, a new resident arrives, disrupting the order of the facility and leading Sara on a collision course with the very companies that have deprived her of her freedom. Eerie, urgent, and ceaselessly clear-eyed, The Dream Hotel artfully explores the seductive nature of technology, which puts us in shackles even as it makes our lives easier. Lalami asks how much of ourselves must remain private if we are to remain free, and whether even the most invasive forms of surveillance can ever capture who we really are"--
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* LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2025 * * A READ WITH JENNA BOOK CLUB PICK MARCH 2025 * Sara is returning home from a conference abroad when agents from the Risk Assessment Administration pull her aside at the airport. Using data from her dreams, their algorithm has determined that she is at imminent risk of harming her husband. For his safety, she must be transferred to a retention centre, and kept under observation for twenty-one days. But as Sara arrives to be monitored alongside other dangerous dreamers, she discovers that with every deviation from the facility's strict and ever-shifting rules, their stays can be extended - and that getting home to her family is going to cost much more than just three weeks of good behaviour . . . The Dream Hotel is a gripping speculative mystery about the seductive dangers of the technologies that are supposed to make our lives easier. As terrifying as it is inventive, it explores how well we can ever truly know those around us - even with the most invasive surveillance systems in place.

“An antidote to the loneliness of our species.”—ROBIN WALL KIMMERER “A master class in how to love the world.”—MARGARET RENKL A thrilling book about the abounding queerness of the natural world that challenges our expectations of what is normal, beautiful, and possible. Growing up, Patricia Ononiwu Kaishian felt most at home in the swamps and culverts near her house in the Hudson Valley. A child who frequently felt out of place, too much of one thing or not enough of another, she found acceptance in these settings, among other amphibious beings. In snakes, snails, and, above all, fungi, she saw her own developing identities as a queer, neurodivergent person reflected back at her—and in them, too, she found a personal path to a life of science. In Forest Euphoria, Kaishian shows us this making of a scientist and introduces readers to the queerness of all the life around us. Fungi, we learn, commonly have more than two biological sexes—and some as many as twenty-three thousand. Some intersex slugs mutually fire calcium carbonate “love darts” at each other during courtship. Glass eels are sexually undetermined until their last year of life, a mystery that stumped scientists once dubbed “the eel question.” Nature, Kaishian shows us, is filled with the unusual, the overlooked, and the marginalized—and they have lessons for us all. Wide-ranging, richly observant, and full of surprise, Forest Euphoria will open your eyes and change how you look at the world around you.

An Instant National Bestseller! "There couldn’t be a timelier book . . . searingly poignant, essential . . . Macy follows closely in the footsteps of . . . Barbara Ehrenreich and Tracy Kidder, combining memoir with reportage, a raft of sobering statistics and, most uniquely in our era, a willingness to engage in uncomfortable conversations." —The Washington Post From one of our most acclaimed chroniclers of the forces eroding America’s social fabric, her most personal and powerful work: a reckoning with the changes that have rocked her own beloved small Ohio hometown Urbana, Ohio, was not a utopia when Beth Macy grew up there in the ’70s and ’80s—certainly not for her family. Her dad was known as the town drunk, which hurt, as did their poverty. But Urbana had a healthy economy and thriving schools, and Macy had middle-class schoolmates whose families became her role models. Though she left for college on a Pell Grant and then a faraway career in journalism, she still clung gratefully to the place that had helped raise her. But as Macy’s mother’s health declined in 2020, she couldn’t shake the feeling that her town had dramatically hardened. Macy had grown up as the paper girl, delivering the local newspaper, which was the community’s civic glue. Now she found scant local news and precious little civic glue. Yes, much of the work that once supported the middle class had gone away, but that didn’t begin to cover the forces turning Urbana into a poorer and angrier place. Absenteeism soared in the schools and in the workplace as a mental health crisis gripped the small city. Some of her old friends now embraced conspiracies. In nearby Springfield, Macy watched as her ex-boyfriend—once the most liberal person she knew—became a lead voice of opposition against the Haitian immigrants, parroting false talking points throughout the 2024 presidential campaign. This was not an assignment Beth Macy had ever imagined taking on, but after her mother’s death, she decided to figure out what happened to Urbana in the forty years since she’d left. The result is an astonishing book that, by taking us into the heart of one place, brings into focus our most urgent set of national issues. Paper Girl is a gift of courage, empathy, and insight. Beth Macy has turned to face the darkness in her family and community, people she loves wholeheartedly, even the ones she sometimes struggles to like. And in facing the truth—in person, with respect—she has found sparks of human dignity that she has used to light a signal fire of warning but also of hope.
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"There couldn’t be a timelier book . . . searingly poignant, essential . . . Macy follows closely in the footsteps of . . . Barbara Ehrenreich and Tracy Kidder, combining memoir with reportage, a raft of sobering statistics and, most uniquely in our era, a willingness to engage in uncomfortable conversations." —The Washington Post From one of our most acclaimed chroniclers of the forces eroding America’s social fabric, her most personal and powerful work: a reckoning with the changes that have rocked her own beloved small Ohio hometown Urbana, Ohio, was not a utopia when Beth Macy grew up there in the ’70s and ’80s—certainly not for her family. Her dad was known as the town drunk, which hurt, as did their poverty. But Urbana had a healthy economy and thriving schools, and Macy had middle-class schoolmates whose families became her role models. Though she left for college on a Pell Grant and then a faraway career in journalism, she still clung gratefully to the place that had helped raise her. But as Macy’s mother’s health declined in 2020, she couldn’t shake the feeling that her town had dramatically hardened. Macy had grown up as the paper girl, delivering the local newspaper, which was the community’s civic glue. Now she found scant local news and precious little civic glue. Yes, much of the work that once supported the middle class had gone away, but that didn’t begin to cover the forces turning Urbana into a poorer and angrier place. Absenteeism soared in the schools and in the workplace as a mental health crisis gripped the small city. Some of her old friends now embraced conspiracies. In nearby Springfield, Macy watched as her ex-boyfriend—once the most liberal person she knew—became a lead voice of opposition against the Haitian immigrants, parroting false talking points throughout the 2024 presidential campaign. This was not an assignment Beth Macy had ever imagined taking on, but after her mother’s death, she decided to figure out what happened to Urbana in the forty years since she’d left. The result is an astonishing book that, by taking us into the heart of one place, brings into focus our most urgent set of national issues. Paper Girl is a gift of courage, empathy, and insight. Beth Macy has turned to face the darkness in her family and community, people she loves wholeheartedly, even the ones she sometimes struggles to like. And in facing the truth—in person, with respect—she has found sparks of human dignity that she has used to light a signal fire of warning but also of hope.

LONGLISTED FOR THE 2026 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION • Named a Best Book of 2025 by The Globe and Mail • New York Times • The New Yorker • The Washington Post • NPR • Barnes & Noble • Kirkus • Audible From the Booker prize–winning, bestselling author of Atonement and Saturday, a genre-bending new novel full of secrets and surprises; an immersive exploration, across time and history, of what can ever be truly known. 2014: At a dinner for close friends and colleagues, renowned poet Francis Blundy honors his wife’s birthday by reading aloud a new poem dedicated to her, ‘A Corona for Vivien’. Much wine is drunk as the guests listen, and a delicious meal consumed. Little does anyone gathered around the candlelit table know that for generations to come people will speculate about the message of this poem, a copy of which has never been found, and which remains an enduring mystery. 2119: Just over one hundred years in the future, much of the western world has been submerged by rising seas following a catastrophic nuclear accident. Those who survive are haunted by the richness of the world that has been lost. In the water-logged south of what used to be England, Thomas Metcalfe, a lonely scholar and researcher, longs for the early twenty-first century as he chases the ghost of one poem, ‘A Corona for Vivian’. How wild and full of risk their lives were, thinks Thomas, as he pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the elusive poem’s discovery, a story is revealed of entangled loves and a brutal crime that destroy his assumptions about people he thought he knew intimately well. What We Can Know is a masterpiece, a fictional tour de force, a love story about both people and the words they leave behind, a literary detective story which reclaims the present from our sense of looming catastrophe and imagines a future world where all is not quite lost.
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'One of the finest writers alive' Sunday Times 2014- A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 2119- The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost. Tom Metcalfe, a scholar at the University of the South Downs, part of Britain's remaining archipelagos, pores over the archives of the early twenty-first century, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the great lost poem, revelations of entangled love and a brutal crime emerge, destroying his assumptions about a story he thought he knew intimately. A quest, a literary thriller and a love story, What We Can Know is a masterpiece that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost. 'A true master' Daily Telegraph 'McEwan is one of the most accomplished craftsmen of plot and prose' New York Times

Finalist for the 2025 National Book Critics Circle Award for Nonfiction • A New York Times Notable Book of the Year • Named a Best Book of 2025 by Wall Street Journal, The Atlantic, and Globe and Mail From the author of the acclaimed international bestseller Lawrence in Arabia, a stunningly revelatory narrative history of one of the most momentous events in modern times and the dawn of the age of religious nationalism. On November 16th, 1977, at a state dinner in the White House, President Jimmy Carter toasted Shah Mohammad Reza Pahlavi, King of Kings, Light of the Aryans, Shadow of God on Earth, praising his “enlightened leadership” and extolling Iran as “a stabilizing influence in that part of the world.” Iran had the world’s fifth largest army and was awash in billions of dollars in oil revenues. Construction cranes dotted the skyline of its booming capital, Tehran. The regime’s feared secret police force SAVAK had crushed communist opposition, and the Shah had bought off the conservative Muslim clergy inside the country. He seemed invulnerable, and invaluable to the United States as an ally in the Cold War. Fourteen months later the Shah fled Iran into exile, forced from the throne by a volcanic religious revolution led by a fiery cleric named Ayatollah Khomeini. How could the United States (and other Western allies), which had one of the largest CIA stations in the world and thousands of military personnel in Iran, have been so blind? The spellbinding story Scott Anderson weaves is one of a dictator oblivious to the disdain of his subjects and a superpower blundering into disaster. The Shah emerges as a fascinating, Shakespearean character – a wannabe Richard III unaware of the depth of dissent to his rule, indecisive like Hamlet when action was called for, and at the end Lear-like as he raged against his fate. The Americans made terrible decisions at almost every juncture, from a secret pact designed by Kissinger and Nixon, to dismissing reports from the one diplomat who saw how hated the Shah was by the Iranian people (unlike almost all his colleagues, he spoke Farsi), to Jimmy Carter allowing the Shah to come to America for medical treatment, which set off the hostage crisis which forever damaged American influence in the world. Scott Anderson tells this astonishing tale with the narrative brio, mordant wit, and keen analysis that made his bestselling Lawrence in Arabia one of the key texts in understanding the modern Middle East. Based on voluminous research and dozens of interviews, King of Kings is driven by penetrating portraits of the people involved – the Iranian-American doctor who convinced American officials Khomeini was a moderate; the American teacher who learned of Khomeini’s influence long before the cleric was even mentioned in official reports; the Shah’s court minister who kept a detailed diary of all their interactions; the Shah’s wife Farah who still mourns her lost kingdom; the hypocritical and misguided Jimmy Carter; and the implacable Khomeini who outmaneuvered his foes at every turn. The Iranian Revolution, Anderson convincingly argues, was as world-shattering an event as the French and Russian revolutions. In the Middle East, in India, in Southeast Asia, in Europe, and the United States, the hatred of economically-marginalized, religiously-fervent masses for a wealthy secular elite has led to violence and upheaval – and Iran was the template. King of Kings is a bravura work of history, and a warning.

NATIONAL BESTSELLER • “This inventive, boundary-pushing follow-up to Detransition, Baby . . . [takes] on gender, transness and lives on the margins in all of their gorgeously complicated glory.”—People “Hot, heartbreaking, and thrillingly victorious.”—Miranda July, New York Times bestselling author of All Fours NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • A CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR • A VULTURE BEST BOOK OF THE YEAR (SO FAR) In this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood. Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.
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**The irresistible follow-up to the hit debut novel Detransition, Baby** A BOOK TO WATCH IN 2025 IN THE GUARDIAN, IRISH TIMES, ROLLING STONES AND THE BBC 'As innovative, insightful, funny, and confronting as we've come to expect from Peters' work' Independent, Best Books to Look Out for in 2025 'A shining talent' Stylist Best Books of 2025 'Hot, heartbreaking and thrillingly victorious' MIRANDA JULY 'Potent and surprising and takes no prisoners' CARMEN MARIA MACHADO 'Spellbinding. With pathos and wit, Peters explores characters on the brink of self-discovery' BRIT BENNETT Deep in the forest, a group of restless lumberjacks working an illegal logging outfit plan a winter dance that some will volunteer to attend as women; the broadest, strongest axeman finds himself caught in a rivalry with a pretty, young jack that culminates in jealousy, betrayal and an astonishing spectacle of transition. Meanwhile, in other times and places, the gender apocalypse is brought about by an unstable ex-girlfriend; an illicit boarding-school romance surfaces intrigue and cruelty; and a Las Vegas party weekend turns dark when a young crossdresser must choose between a thrilling mystery man or a veteran trans woman offering unglamorous sisterhood. In this quartet of tales, Torrey Peters' keen eye for the rough edges of desire reveals fresh possibilities. Acidly funny, boldly inventive and breathtaking in scope, Stag Dance provokes and unsettles, inspires and delights.
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NATIONAL BESTSELLER • “This inventive, boundary-pushing follow-up to Detransition, Baby . . . [takes] on gender, transness and lives on the margins in all of their gorgeously complicated glory.”—People “Hot, heartbreaking, and thrillingly victorious.”—Miranda July, New York Times bestselling author of All Fours NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • ONE OF VULTURE'S TEN BEST BOOKS OF THE YEAR • A BEST BOOK OF THE YEAR: NPR, The Washington Post, Vanity Fair, Elle, Electric Lit, them, Chicago Public Library In this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood. Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.

From the beloved New Yorker writer Susan Orlean, New York Times bestselling author of The Orchid Thief and The Library Book and hailed as “a national treasure” by The Washington Post, Joyride is a masterful memoir of finding her creative calling and purpose that invites us to approach life with wonder, curiosity, and an irrepressible sense of delight. “The story of my life is the story of my stories,” writes Susan Orlean in this extraordinary, era-defining memoir from one of the greatest practitioners of narrative nonfiction of our time. Joyride is a magic carpet ride through Orlean’s life and career, where every day is an opportunity for discovery and every moment holds the potential for wonder. Throughout her storied career, her curiosity draws her to explore the most ordinary and extraordinary of places, from going deep inside the head of a regular ten-year-old boy for a legendary profile (“The American Man Age Ten”) to reporting on a woman who owns twenty-seven tigers, from capturing the routine magic of Saturday night to climbing Mt. Fuji. Not only does Orlean’s account of a writing life offer a trove of indispensable gleanings for writers, it’s also an essential and practical guide to embracing any creative path. She takes us through her process of dreaming up ideas, managing deadlines, connecting with sources, chasing every possible lead, confronting writer’s block and self-doubt, and crafting the perfect lede—a Susan specialty. While Orlean has always written her way into other people’s lives in order to understand the human experience, Joyride is her most personal book ever—a searching journey through finding her feet as a journalist, recovering from the excruciating collapse of her first marriage, falling head-over-heels in love again, becoming a mother while mourning the decline of her own mother, sojourning to Hollywood for films based on her work including Adaptation and Blue Crush, and confronting mortality. Joyride is also a time machine to a bygone era of journalism, from Orlean’s bright start in the golden age of alt-weeklies to her career-making days working alongside icons such as Robert Gottlieb, Tina Brown, David Remnick, Anna Wintour, Sonny Mehta, and Jonathan Karp—forces who shaped the media industry as we know it today. Infused with Orlean’s signature warmth and wit, Joyride is a must-read for anyone who hungers to start, build, and sustain a creative life. Orlean inspires us to seek out daily inspiration and rediscover the marvels that surround us.