Nonfiction 2025

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an empire that doesn’t consider you fully human. On October 25th, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it's safe, when there's no personal downside to calling a thing what it is, when it's too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed more than ten million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture that has occurred for Black, brown, Indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in Western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the West, and what it means to live in a world run by a small group of countries—America, the UK, France, and Germany. It will be The Fire Next Time for a generation that understands we're undergoing a shift in the so-called “rules-based order,” a generation that understands the West can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar's own story as an emigrant who grew up believing in the Western project, who was catapulted into journalism by the rupture of 9/11. This book is El Akkad's heartsick breakup letter with the West. It is a breakup we are watching all over the United States, on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the West has served up. This is the book for our time.

FINALIST FOR THE NATIONAL BOOK AWARD Acclaimed journalist Julia Ioffe tells the story of modern Russia through the history of its women, from revolution to utopia to autocracy. In 1990, seven-year-old Julia Ioffe and her family fled the Soviet Union. Nearly twenty years later, Ioffe returned to Moscow—only to discover just how much Russian society had changed while she had been living in America. The Soviet women she had known growing up—doctors, engineers, scientists—seemed to have been replaced by women desperate to marry rich and become stay-at-home moms. How had Russia gone from portraying itself as the vanguard of world feminism to becoming a bastion of conservative Christian values? In Motherland, Ioffe turns modern Russian history on its head, telling it exclusively through the stories of its women. From her own physician great-grandmothers to Lenin’s lover, a feminist revolutionary; from the hundreds of thousands of Soviet girls who fought in World War II to the millions of single mothers who rebuilt and repopulated a devastated country; from the members of Pussy Riot to Yulia Navalnaya, the wife of opposition leader Alexey Navalny, Ioffe chronicles one of the most audacious social experiments in history and documents how it failed the very women it was meant to liberate—and how that failure paved the way for the revanche of Vladimir Putin. Part memoir, part journalistic exploration, part history, Motherland paints a portrait of modern Russia through the women who shaped it. With deep emotion, Ioffe reveals what it means to live through the cataclysms of revolution, war, idealism, and heartbreak—and how the story of Russia today is inextricably tied to the sacrifices of its women.

Finalist for the National Book Award for Nonfiction Finalist for the PEN/Jean Stein Book Award Short-listed for the Andrew Carnegie Medal for Excellence in Nonfiction Long-listed for the National Book Critics Circle Award for Autobiography One of the New York Times Notable Books of the Year Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. “There is no good way to say this,” Yiyun Li writes at the beginning of this book. “There is no good way to state these facts, which must be acknowledged . . . My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.” There is no good way to say this—because words fall short. It takes only an instant for death to become fact, “a single point in a time line.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: doing “things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death. This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is ‘to be.’ Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later; only now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

Finalist for the 2025 National Book Award for Nonfiction “An immersive, devastating look at foster children’s lives.” (Seattle Times) A compelling exploration of the broken American foster care system, told through the stories of six former foster youth. This powerful narrative nonfiction book delves into the systemic failures that lead many foster children into the criminal justice system, highlighting the urgent need for reform. ​This book is a must-read for anyone interested in child welfare, social justice, and the transformative power of the best narrative nonfiction. In Wards of the State, award-winning journalist Claudia Rowe's storytelling is both vivid and unflinching, offering readers a deep understanding of the foster care-to-prison pipeline. Through interviews with psychologists, advocates, judges, and the former foster children themselves, Rowe paints a heartbreaking picture of the lives shaped by this broken system. By the time Maryanne was 16 years old, she had been arrested for murder. In and out of foster and adoptive homes since age 10, she’d run away, been trafficked and assaulted, and finally pointed a gun at a man and pulled the trigger. She fled, but it didn’t take long for the police to catch up with her. In court, the defense blamed neither traffickers, nor Maryanne, but Washington state itself—or rather, its foster care system, which parents thousands of children every year. The courts didn’t listen to that argument, but award-winning journalist Claudia Rowe did. Washington state isn’t alone. Each year, hundreds of thousands of children grow up in America’s $30 billion foster care system, only to leave and enter its prisons, where a quarter of all inmates are former foster youth. Weaving Maryanne’s story with those of five other foster kids across the country—including an 18-year-old sleeping on the New York City subways; a dropout turned graduate student; and a foster child who is now a policy advisor to the White House—Rowe paints a visceral survival narrative showing exactly where, when, and how the system channels children into locked cells. Rowe brings her extensive experience and investigative prowess to this eye-opening work. With a career spanning over 25 years, Rowe has written for publications such as The New York Times and Mother Jones, and her reporting has influenced policy changes in Washington State. Her previous book, The Spider and the Fly, was a gripping true-crime memoir that showcased her ability to blend personal narrative with broader social issues.

2025 NATIONAL BOOK AWARD FINALIST ONE OF PUBLISHERS WEEKLY'S TOP 10 BOOKS OF 2025 NAMED A BEST NONFICTION BOOK OF THE YEAR BY KIRKUS “Exceptional. . . . When It All Burns is one of those books that immerses the reader in the nuances of a world most of us know only through the lens of tragedy and destruction. Thomas’ visceral, crystalline prose only adds fuel to the fire.” —Los Angeles Times A hotshot firefighter’s gripping firsthand account of a record-setting fire season Eighteen of California’s largest wildfires on record have burned in the past two decades. Scientists recently invented the term “megafire” to describe wildfires that behave in ways that would have been nearly impossible just a generation ago, burning through winter, exploding in the night, and devastating landscapes historically impervious to incendiary destruction. In When It All Burns, wildland firefighter and anthropologist Jordan Thomas recounts a single, brutal six-month fire season with the Los Padres Hotshots—the special forces of America’s firefighters. Being a hotshot is among the most difficult jobs on earth. Thomas viscerally renders his crew’s attempts to battle flames that are often too destructive to contain. He uncovers the hidden cultural history of megafires, revealing how humanity’s symbiotic relationship with wildfire became a war—and what can be done to change it back. Thomas weaves ecology and the history of Indigenous peoples' oppression, federal forestry, and the growth of the fire industrial complex into a riveting narrative about a new phase in the climate crisis. It's an immersive story of community in the most perilous of circumstances, told with humor, humility, and affection.

Longlisted for the National Book Award for Nonfiction A New York Times Editors' Choice Pick “Powerful… [and] fascinating.” —The Washington Post The remarkable story of Edward McCabe, a Black man who tried to establish a Black state within the United States. In this paradigm-shattering work of American history, Caleb Gayle recounts the extraordinary tale of Edward McCabe, a Black man who championed the audacious idea to create a state within the Union governed by and for Black people — and the racism, politics, and greed that thwarted him. As the sweeping changes and brief glimpses of hope brought by the Civil War and Reconstruction began to wither, anger at the opportunities available to newly freed Black people were on the rise. As a result, both Blacks and whites searched for new places to settle. That was when Edward McCabe, a Black businessman and a rising political star in the American West, set in motion his plans to found a state within the Union for Black people to live in and govern. His chosen site: Oklahoma, a place that the U.S. government had deeded to Indigenous people in the 1830s when it forced thousands of them to leave their homes under Indian Removal, which became known as the Trail of Tears. McCabe lobbied politicians in Washington, D.C., Kansas, and elsewhere as he exhorted Black people to move to Oklahoma to achieve their dreams of self-determination and land ownership. His rising profile as a leader and spokesman for Black people as well as his willingness to confront white politicians led him to become known as Black Moses. And like his biblical counterpart, McCabe nearly made it to the promised land but was ultimately foiled by politics, business interests, and the growing ambitions of white settlers who also wanted the land. In Black Moses, Gayle brings to vivid life the world of Edward McCabe: the Black people who believed in his dream of a Black state, the white politicians who didn't, and the larger challenges of confronting the racism and exclusion that bedeviled Black people's attempts to carve a place in America for themselves. Gayle draws from extraordinary research and reporting to reveal an America that almost was.

A moving exploration of the 2022 women-led protests in Iran, as told through the interwoven stories of two Iranian journalists “Unlike anything I’ve read . . . A searing, courageous, and ultimately beautiful book filled with the spirit of the movement that it covers.” —Ben Rhodes, author of The World as It Is: A Memoir of the Obama White House In September 2022, a young Kurdish woman, Mahsa Jîna Amini, died after being beaten by police officers who arrested her for not adhering to the Islamic Republic’s dress code. Her death galvanized thousands of Iranians—mostly women—who took to the streets in one of the country’s largest uprisings in decades: the Woman, Life, Freedom movement. Despite the threat of imprisonment or death for her work as a journalist covering political unrest, state repression, and grassroots activism in Iran—which has led to multiple interrogation sessions and arrests—Fatemeh Jamalpour joined the throngs of people fighting to topple Iran’s religious extremist regime. And across the globe, Nilo Tabrizy, who emigrated from Iran with her family as a child, covered the protests and state violence, knowing that spotlighting the women on the front lines and the systemic injustice of the Iranian government meant she would not be able to safely return to Iran in the future. Though they had met only once in person, Nilo and Fatemeh corresponded constantly, often through encrypted platforms to protect Fatemeh. As the protests continued to unfold, the sense of sisterhood they shared led them to embark on an effort to document the spirit and legacy of the movement, and the history, geopolitics, and influences that led to this point. At once deeply personal and assiduously reported, For the Sun After Long Nights offers two perspectives on what it means to cover the stories that are closest to one’s heart—both in the forefront and from afar.

Longlisted for the 2025 National Book Award in Nonfiction Situated between memoir, social criticism, and conceptual art, The Autobiography of H. Lan Thao Lam is an incisive response to a modernist classic and an affecting exploration of the poetics and politics of our times. In her 1933 The Autobiography of Alice B. Toklas, Gertrude Stein invented a new literary form by narrating her own story from the perspective of her partner, blurring the lines between portrait and self-portrait. Almost a century later, experimental filmmaker and artist Lana Lin has resurrected Stein’s project to tell a different story of queer love, life, and artistic collaboration. At heart a candid chronicle of her partner Lan Thao’s life journey from Việt Nam during the war, and her own troubled history as a gender-queer Taiwanese American, Lin draws in subjects as varied as photography, cancer, tropical fruit, 9/11, and Eve Sedgwick’s eyeglasses, weaving an intimate landscape of living that is also a critical investigation of race and gender.

LONGLISTED FOR THE 2025 NATIONAL BOOK AWARD FOR NONFICTION A revelatory exploration of the relationship between music and running by one of our foremost music writers Out the front door, across the street, down the hill, and into Van Cortlandt Park in the Bronx. This is how Ben Ratliff’s runs started most days of the week for about a decade. Sometimes listening to music, not always. Then, at the beginning of the pandemic, he began taking notes about what he listened to. He wondered if a body in motion, his body, was helping him to listen better to the motion in music. He runs through the woods, along the Hudson River, and into the lowlands of the Bronx. He encounters newly erected fences for an intended FEMA field hospital, and demonstrations against racial violence. His runs, and the notes that result from them, vary in length just as the songs he listens to do: seventies soul, jazz, hardcore punk, string quartets, Éliane Radigue’s slow-change electronics, Carnatic singing, DJ sets, piano music of all kinds, Sade, Fred Astaire, and Ice Spice. Run the Song is also the story of how a professional critic, frustrated with conventional modes of criticism, finds his way back to a deeper relationship with music. When stumped or preoccupied by a piece of music, Ratliff starts to think that perhaps running can tell him more about what he’s listening to—let’s run it, he’ll say. And with that, the reader in turn is invited to listen alongside one of the great listeners of our day in this wildly inventive and consistently thought-provoking chronicle of a profoundly unsettling time.

An Esquire "Best Books of Summer 2025" "Helen Whybrow is a to-the-bone writer, and this is a to-the-bone book--beautiful, real, full of life."--Bill McKibben, author of The End of Nature Set in Vermont's Green Mountains, a profoundly moving meditation on the lessons and wisdom that come from raising a family, tending sheep, and living close to the land. In the heart of Vermont's Green Mountains, Helen Whybrow and her partner set out to restore an old two-hundred-acre farm. Knowing that "belonging more than anything requires participation," they begin to intertwine their lives with the land. But soon after releasing a flock of Icelandic sheep onto the worn-out fields, Whybrow realizes that the art of shepherding extends far beyond the flock and fences of Knoll Farm. In prose both vivid and lean, The Salt Stones offers an intimate and profoundly moving story of what it means to care for a flock and truly inhabit a piece of land. The shepherd's life unfolds for Whybrow in the seasons and cycles of farming and family--birthing lambs, fending off coyotes, rescuing lost sheep in a storm, and raising children while witnessing her mother's decline. Exploring the interdependence of animals, as well as of the earth and ourselves, Whybrow reflects on the ways sheep connect her to place and to the ancient practice of shepherding. Evocative, affectionate, and illuminating, The Salt Stones sings of a way of life that is at once ancient and entirely contemporary, inspiring us all to seek greater intimacy and a sense of belonging wherever our home place may be.
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"On being a shepherdess in the Green Mountains of Vermont"--
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“Helen Whybrow is a to-the-bone writer, and this is a to-the-bone book—beautiful, real, full of life.”—Bill McKibben, author of The End of Nature “Sheep have helped me become a good shepherd, not just to them, but to a place that is my sustenance and joy as well as my unending labor and worry." In the heart of Vermont’s Green Mountains, Helen Whybrow and her partner set out to restore an old two-hundred-acre farm. Knowing that “belonging more than anything requires participation,” they begin to intertwine their lives with the land. But soon after releasing a flock of Icelandic sheep onto the worn-out fields, Whybrow realizes that the art of shepherding extends far beyond the flock and fences of Knoll Farm. In prose both vivid and lean, The Salt Stones offers an intimate and profoundly moving story of what it means to care for a flock and truly inhabit a piece of land. The shepherd’s life unfolds for Whybrow in the seasons and cycles of farming and family—birthing lambs, fending off coyotes, rescuing lost sheep in a storm, and raising children while witnessing her mother’s decline. Exploring the interdependence of animals, as well as of the earth and ourselves, Whybrow reflects on the ways sheep connect her to place and to the ancient practice of shepherding. Evocative, affectionate, and illuminating, The Salt Stones sings of a way of life that is at once ancient and entirely contemporary, inspiring us all to seek greater intimacy and a sense of belonging wherever our home place may be.