Best Books for Adults 2025

Steve Scafidi’s The Appalachian Sea explores the eponymous place of mountains and story, of rivers and magic, as well as of mortality, where people work and live and die. What began as an homage to the American painter Miles Cleveland Goodwin became a celebration of the spectral qualities of place and home. The artist’s gothic imagery of haints and dark orchards haunts the book, wherein the Shenandoah wends, old farmers toil, and ghosts wander a land where change comes on like a flood. There is no escape from this spilling river, the “Appalachian sea,” yet for a while we get by and survive. These poems sing of the temporary persistence that makes what surrounds us beloved and strange.

* Publishers Weekly Best Books of Summer 2025 * Bookbub Best Non-Fiction Release of the Season * MSNBC/Afar Magazine 10 Best Books for the Summer Traveler * Newsday’s Top Must-Read Book for Summer * Christian Science Monitor Best Book of May 2025 * Longlisted for the 2025 American Library in Paris Book Award A riveting and stylish saga set in Paris during World War II, The Art Spy uncovers how an unlikely heroine infiltrated the Nazi leadership to save the world's most treasured masterpieces. On August 25, 1944, Rose Valland, a woman of quiet daring, found herself in a desperate position. From the windows of her beloved Jeu de Paume museum, where she had worked and ultimately spied, she could see the battle to liberate Paris thundering around her. The Jeu de Paume, co-opted by Nazi leadership, was now the Germans’ final line of defense. Would the museum curator be killed before she could tell the truth—a story that would mean nothing less than saving humanity’s cultural inheritance? Based on troves of previously undiscovered documents, The Art Spy chronicles the brave actions of the key Resistance spy in the heart of the Nazi’s art looting headquarters in the French capital. A veritable female Monuments Man, Valland has, until now, been written out of the annals. While Hitler was amassing stolen art for his future Führermuseum, Valland, his undercover adversary, secretly worked to stop him. She came face to face with Reichsmarschall Hermann Göring, passed crucial information to the Resistance network, and faced death during the last hours of Liberation Day. At the same time, a young Free French soldier, Alexandre Rosenberg , was fighting his way to Paris with the Allied forces battling to liberate France. Alexandre's father was the exclusive art dealer for Picasso, Matisse, George Braque, and Fernand Léger. The Nazis had taken everything from their family—their art collection, their nationality, their gallery, and their home in Paris. Vivid and atmospheric, The Art Spy moves from the glittering days of pre-War Paris, home to geniuses of modern culture, including Picasso, Josephine Baker, Coco Chanel, and Frida Kahlo, through the tension-riddled cities of Europe on the eve of war, to the harrowing years of the Nazi occupation of France when brave people such as Valland and Rosenberg risked everything to fight monstrous evil. In the spirit of Hidden Figures, with the sweeping narrative of The Rape of Europa, The Art Spy is an inspiration for us all—an extraordinary tale of courage in a time of violence.

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, TIME MAGAZINE, MARIE CLAIRE, BOOK RIOT, ESQUIRE, KIRKUS, PUBLISHERS WEEKLY AND MORE! ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR SHORTLISTED FOR THE 2025 BOOKER PRIZE INSTANT NATIONAL BESTSELLER “A tightly wound family drama that reads like a psychological thriller."—NPR “Bold, stark, genre-bending, Audition will haunt your dreams.”—The Boston Globe One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love. Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.
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**SHORTLISTED FOR THE BOOKER PRIZE 2025** A GUARDIAN, OBSERVER, FINANCIAL TIMES, BBC, TIME, VOGUE, MARIE CLAIRE, ESQUIRE and ROLLING STONE BOOK TO READ IN 2025 'Slick, sharp, strange and singular . . . You’ll gulp this novel down in one in-breath' SAMANTHA HARVEY, Booker Prize-winning author of Orbital 'A lightning bolt of a novel' FINANCIAL TIMES 'I’m not sure there’s anyone better writing in America today' ALEX PRESTON, Observer One woman, the performance of a lifetime. Or two. An exhilarating, destabilising novel that asks whether we ever really know the people we love Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young – young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.

A 2025 New York Times Nonfiction Summer Preview Pick “A beautiful and powerful book.” —Candice Millard, New York Times bestselling author “Valuable, revelatory, and contagiously page-turning.” —David Michaelis, New York Times bestselling author For lovers of history, nature, and adventure, the stunning true story of Theodore Roosevelt’s sons and their 1929 Himalayan expedition to prove the existence of the beishung, the panda bear, to the western world, from the New York Times bestselling author of Rise of the Rocket Girls. The Himalayas—a snowcapped mountain range that hides treacherous glacier crossings, raiders poised to attack unsuspecting travelers, and air so thin that even seasoned explorers die of oxygen deprivation. Yet among the dangers lies one of the most beautiful and fragile ecosystems in the world. During the 1920s, dozens of expeditions scoured the Chinese and Tibetan wilderness in search of the panda bear, a beast that many believed did not exist. When the two eldest sons of President Theodore Roosevelt sought the bear in 1928, they had little hope of success. Together with a team of scientists and naturalists, they accomplished what a decade of explorers could not, ultimately introducing the panda to the West. In the process, they documented a vanishing world and set off a new era of conservation biology. Along the way, the Roosevelt expedition faced an incredible series of hardships as they disappeared in a blizzard, were attacked by robbers, overcome by sickness and disease, and lost their food supply in the mountains. The explorers would emerge transformed, although not everyone would survive. Beast in the Clouds brings alive these extraordinary events in a potent nonfiction thriller featuring the indomitable Roosevelt family. From the soaring beauty of the Tibetan plateau to the somber depths of human struggle, Nathalia Holt brings her signature “immersive, evocative” (Bookreporter) voice to this astonishing tale of adventure, harrowing defeat, and dazzling success.

From the Ignatz and Eisner Award-winning cartoonist Ben Passmore comes a whirlwind graphic history of Black life, taken by force It’s the summer of 2020, and downtown Philly is up in flames. “You’re not out in the streets with everyone else?” Ronnie asks his ambivalent son, Ben, shambling in with arms full of used books: the works of Malcom X, Robert F. Williams, Assata and Sanyika Shakur, among others. “Black liberation is your fight, too.” So begins Black Arms to Hold You Up, a boisterous, darkly funny, and sobering march through Black militant history by political cartoonist Ben Passmore. From Robert Charles’s shootout with the police in 1900, to the Black Power movement in the 1960s, to the Los Angeles and George Floyd uprisings of the 1990s and 2020, readers will tumble through more than a century of armed resistance against the racist state alongside Ben—and meet firsthand the mothers and fathers of the movement, whose stories were as tragic as they were heroic. What, after so many decades lost to state violence, is there left to fight for? Deeply researched, vibrantly drawn, and bracingly introspective, Black Arms to Hold You Up dares to find the answer.

"Gothic horror for the ages...Combining shiver-inducing horror with sharp-fanged social commentary, this more that merits comparison to Dracula and other genre titans."— Publishers Weekly, Starred Review Goodreads Most Anticipated Spring Horror Novels "I'm in your blood, and you are in mine..." The Netherlands, 1887. Lucy's twin sister Sarah is unwell. She refuses to eat, mumbles nonsensically, and is increasingly obsessed with a centuries-old corpse recently discovered on her husband's grand estate. The doctor has diagnosed her with temporary insanity caused by a fever of the brain. To protect her twin from a terrible fate in a lunatic asylum, Lucy must unravel the mystery surrounding her sister's condition, but it's clear her twin is hiding something. Then again, Lucy is harboring secrets of her own, too. Then, the worst happens. Sarah's behavior takes a turn for the strange. She becomes angry... and hungry. Lucy soon comes to suspect that something is trying to possess her beloved sister. Or is it madness? As Sarah changes before her very eyes, Lucy must reckon with the dark, monstrous truth, or risk losing her forever.

One of Barack Obama's Favorite Books of the Summer A Literary Hub, Esquire, and Washington Post Most Anticipated Book of 2025 One of Time's and People's Best Books of May A Los Angeles Times and A. V. Club Top 10 Book to Read in May "A beautiful fable about migration, memory, and the struggle to recognize our common humanity." —Barack Obama A novel that leaps across centuries past and future, as if different eras were separated by only a door. Lina and her father arrive at an enclave called The Sea, a staging post between migrations, with only a few possessions. In this mysterious and shape-shifting place, a building made of time, pasts and futures collide. Lina befriends her neighbors: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China. Memory, political revolution, generational change, and the ethical imagination are at the heart of Lina’s illuminating conversations with her fellows in the Sea: how we come to believe what we believe, and how every person is an irreplaceable, unique vessel of history. Through the guidance of these great thinkers, Lina equips herself to reckon with difficult questions of guilt, responsibility, and the possibility of redemption when her ailing father begins to reveal his role in their family’s tragic past. As Lina confronts her father’s troubling admissions, she begins to reconceptualize the world around her, gaining a deeper understanding of how our individual futures are shaped by our political circumstances, and she relies on the collective joy of art and intellectual endeavors to carry her through difficulty. A novel that voyages between centuries, generations, and ideas, The Book of Records is an indelible testament to the migratory nature of humanity and our ceaseless search for a home—in the physical world, in cyberspace, in history, and in the imagination—in the wake of catastrophe.
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INSTANT NATIONAL BESTSELLER • WINNER OF THE QUEBEC WRITERS’ FEDERATION AWARDS PARAGRAPHE HUGH MACLENNAN PRIZE FOR FICTION • LONGLISTED FOR THE 2025 NATIONAL BOOK CRITICS CIRCLE AWARD FOR FICTION • One of Barack Obama’s Favorite Books of the Summer • TIME’s 100 Must-Read Books of 2025 • Named a Best Book of 2025 by The Globe and Mail • The New Yorker • Vulture • New York Public Library • The Guardian • Esquire • The Boston Globe An “incandescent” (The New York Times), “evocative and buoyant” (Toronto Star) page turner from the beloved author of Do Not Say We Have Nothing—this “rich and beautiful” (The Guardian) father–daughter saga leaps across centuries past and future, as if different eras were separated by only a door • “Reading Thien is to admire how she brush-strokes language to create beauty. . . . Full of unexpected moments of beauty and pleasure.” (Los Angeles Times) Why did people, who lived so briefly in this universe, contain so much time? Lina and her ailing father have taken refuge at an enclave called the Sea, a staging post between migrations, with only a few possessions, among them three volumes from The Great Lives of Voyagers encyclopaedia series. In this mysterious and shape-shifting building, pasts and futures collide. Lina befriends her unusual neighbours: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China, and through their stories, she comes to understand the role of fate in history and the way that ideas can shape the world, and to face up to the cost wrought on her family and others by her father's betrayals. Exquisitely written with extraordinary subtlety of thought, The Book of Records leaps across centuries as if eras were separated by only a door. This is Madeleine Thien at her most exciting, sublime and engaging.

An instant New York Times bestseller, a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

Drawing on the creatures and horrors of Irish folklore, The Burial Tide unearths our darkest truths: how far we’d go to win our freedom, and how quickly our desires can become monstrous. A woman who can’t remember her death. On an eerily quiet island off the coast of Ireland, a woman with no memory claws her way out of her grave and back to life. But not everyone welcomes the return of Mara Fitch. An island with a terrible secret. Inishbannock. Where strange misshapen figures watch from the trees and the roads are covered in teeth. Where two brothers gamble for nothing, the doctor only treats one patient, and the pub owner speaks in riddles. Where a poet loses and finds his soul. And a man without a heart claims he's the key to unlocking Mara's secrets. A past that refuses to stay buried. As Mara returns to her life on this upside-down island, her memories begin to leech their way back to the surface. The more she remembers, the more the village will do anything to stop her . . . But the sea remembers it all.
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“A real page turner. Every time I thought I had it figured out, the plot twisted into a different shape. Thoroughly enjoyable, delightfully grotesque, and an absolutely satisfying read.” —T. Kingfisher, New York Times bestselling author of What Feasts at Night Drawing on the creatures and horrors of Irish folklore, The Burial Tide unearths our darkest truths: how far we’d go to win our freedom, and how quickly our desires can become monstrous. A woman who can’t remember her death. On an eerily quiet island off the coast of Ireland, a woman with no memory claws her way out of her grave and back to life. But not everyone welcomes the return of Mara Fitch. An island with a terrible secret. Inishbannock. Where strange misshapen figures watch from the trees and the roads are covered in teeth. Where two brothers gamble for nothing, the doctor only treats one patient, and the pub owner speaks in riddles. Where a poet loses and finds his soul. And a man without a heart claims he's the key to unlocking Mara's secrets. A past that refuses to stay buried. As Mara returns to her life on this upside-down island, her memories begin to leech their way back to the surface. The more she remembers, the more the village will do anything to stop her . . . But the sea remembers it all.

"Originally published in Great Britain in 2025 by Hamish Hamilton, an imprint of Penguin Books"--Copyright page.
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Off-beat, irreverent and subversive – a Jewish family memoir about convenient delusions and unsayable truths, from the acclaimed author of the cult classic novel, Submarine 'The best book I’ve read in the past year . . . A masterpiece' Financial Times ‘A slippery marvel [and] a quixotic voyage into the heart of 20th-century darkness’ Observer ‘Poignant and profound, comic and unconventional – and genuinely, searingly meaningful’ The New York Times Joe Dunthorne had always wanted to write about his great-grandfather, Siegfried: an eccentric scientist who invented radioactive toothpaste and a Jewish refugee from the Nazis who returned to Germany under cover of the Berlin Olympics to pull off a heist on his own home. The only problem was that Siegfried had already written the book of his life – an unpublished, two-thousand page memoir so dry and rambling that none of his living descendants had managed to read it. And, as it turned out when Joe finally read the manuscript himself, it told a very different story from the one he thought he knew... Thus begins a mystery which stretches across the twentieth century and around the world, from Berlin to Ankara, New York, Glasgow and eventually London – a mystery about the production of something much more sinister than toothpaste. On the trail of one ‘jolly grandpa’ with a patchy psychiatric history and an encyclopaedic knowledge of poison gases, Joe Dunthorne is forced to confront the uncomfortable questions that lie at the heart of every family. Can we ever understand where we come from? Is every family in the end a work of fiction? And even if the truth can be found – will we be able to live with it? Children of Radium is a remarkable, searching meditation on individual and collective inheritance. Witty and wry, deeply humane and endlessly surprising, it considers the long half-life of trauma, the weight of guilt and the ever-evasive nature of the truth.

A MUST-READ NOVEL OF 2025 IN THE GUARDIAN, FINANCIAL TIMES, IRISH TIMES, SUNDAY TIMES, STYLIST, AND MANY OTHERS From the winner of the Women's Prize—an intense story of a passionate love affair arriving at its first test. So, all would be grand then, as far as the eye could see. Which it was, for a while. Up until the city, remembering its knives and forks, invited itself in to dine. It's 1995. Outside their grimy window, the city rushes by. But in the flat there is only Stephen and Eily. Their bodies, the tangled sheets. Unpacked boxes stacked in the kitchen and the total obsession of new love. Eighteen months later, the flat feels different. Love is merging with reality. Stephen's teenage daughter has re-appeared, while Eily has made a choice, the consequences of which she cannot outrun. Now they face a reckoning for all that's been left unspoken - emotions, secrets and ambitions. Tonight, if they are to find one another again, what must be said aloud? Love rallies against life. Time tells truths. The city changes its face.
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A MUST-READ NOVEL OF 2025 IN THE GUARDIAN, FINANCIAL TIMES, IRISH TIMES, SUNDAY TIMES, STYLIST, AND MANY OTHERS 'One of the finest writers at work today.' ANNE ENRIGHT 'McBride is a cartographer of the secret self, guiding us towards hidden treasure.' CLAIRE KILROY 'Eimear McBride does extraordinary things with language . . . she breaks every rule in the grammar book and gleefully gets away with it.' GUARDIAN 'A typical McBride work. Praise doesn't come much higher.' FINANCIAL TIMES So, all would be grand then, as far as the eye could see. Which it was, for a while. Up until the city, remembering its knives and forks, invited itself in to dine. It's 1995. Outside their grimy window, the city rushes by. But in the flat there is only Stephen and Eily. Their bodies, the tangled sheets. Unpacked boxes stacked in the kitchen and the total obsession of new love. Eighteen months later, the flat feels different. Love is merging with reality. Stephen's teenage daughter has re-appeared, while Eily has made a choice, the consequences of which she cannot outrun. Now they face a reckoning for all that's been left unspoken - emotions, secrets and ambitions. Tonight, if they are to find one another again, what must be said aloud? Love rallies against life. Time tells truths. The city changes its face.

In this compelling debut horror graphic novel, a newly turned vampire yearns for salvation in the arms of the priest who uncovers her secret. New Orleans, 1922. Cora Velasquez lives with her sister and her own haunted memories in a speakeasy run by a vampire coven. Unable to bear the weight of her damned soul, she turns to Father Orville Thibodeaux, a charismatic priest and the object of her hidden desires. Their veiled courtship becomes deadly serious when he discovers her nature, and proposes a way to both slake her thirst and save her soul. So begins the charged dance between an all-powerful but unsure young woman, and the mortal man who claims to hold her fate in his hand. A gothic story of adoration, power, and manipulation, lushly told in Art Nouveau-inspired illustration.

Louis L’Amour meets H.P. Lovecraft in this thrilling western epic about a former Civil War soldier wracked by enigmatic visions . . . Set in the 1880s, the story follows Ovid Vesper, a former Union soldier who has been having enigmatic visions after surviving one of the Civil War’s most gruesome battles, the Battle of Antietam. As he travels across the country following those visions, he finds himself in stranger and increasingly more dangerous encounters with other worlds hidden in the spaces of his own mind, not to mention the dangers of the Wild West. Ovid brings his steady calm and compassion as he helps the people of a broken country, rapidly changing but, like himself, still reeling and wounded from the war. He assists with matters of all sorts, from odd jobs around the house, to guiding children back to their own universe, to hunting down unnatural creatures that stalk the night — all the while seeking his own personal resolution and peace from his visions. Ovid’s epic journey across the American West with a surprising cast of characters blends elements of the classic Western with historical fantasy in a way like no other.

A dazzling docupoetic debut collection interweaving personal loss with the life stories of Aaliyah Haughton, Whitney Houston, Lisa “Left Eye” Lopes, Phyllis Hyman, Selena Quintanilla-Pérez, and others to explore sexuality, survival, queer mourning, and the afterlives of stardom “Poet m. mick powell’s debut collection . . . resurrects their vivid lives and artistry to paint a more humanizing picture of their legacy.”—USA Today “I made, of my bones, an earth for you: turned the oceans your favorite shade of light, that deepened, nearly bruised dusk. Reflected in my palms, what I’ve made into water glows amethyst” In m. mick powell’s polyphonic, haunting debut, a chorus of voices conjures up intimate pop herstories to map how the poet’s queer Black girlhood was molded by their memory. With tender reverence, powell meditates on the deaths of her own beloveds while reflecting on the many stages of an icon’s life: How did these women challenge conventional representations of Black femininity and transform the musical landscape? How did they navigate abuse and alienation in the limelight? How do the mythologies that survive them establish afterlives of queer femme possibility? Through sensual imagery, speculative verse, and splendid wordplay, Dead Girl Cameo takes us beyond the headlines, innovating a Black feminist poetic that traverses the richly textured realms of grief, girlhood, love, widowing, femme friendship, and queer fandom.
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A dazzling docupoetic debut collection interweaving personal loss with the life stories of Aaliyah Haughton, Whitney Houston, Lisa “Left Eye” Lopes, Phyllis Hyman, Selena Quintanilla-Pérez, and others to explore sexuality, survival, queer mourning, and the afterlives of stardom “Studded with perfect little jewels of looking, of feeling, of deep knowing . . . These poems haunt, and celebrate, and mourn.”—Safia Elhillo, author of Girls That Never Die “I made, of my bones, an earth for you: turned the oceans your favorite shade of light, that deepened, nearly bruised dusk. Reflected in my palms, what I’ve made into water glows amethyst” In m. mick powell’s polyphonic, haunting debut, a chorus of voices conjures up intimate pop herstories to map how the poet’s queer Black girlhood was molded by their memory. With tender reverence, powell meditates on the deaths of her own beloveds while reflecting on the many stages of an icon’s life: How did these women challenge conventional representations of Black femininity and transform the musical landscape? How did they navigate abuse and alienation in the limelight? How do the mythologies that survive them establish afterlives of queer femme possibility? Through sensual imagery, speculative verse, and splendid wordplay, Dead Girl Cameo takes us beyond the headlines, innovating a Black feminist poetic that traverses the richly textured realms of grief, girlhood, love, widowing, femme friendship, and queer fandom.

Preorder now and receive the stunning DELUXE LIMITED EDITION while supplies last―featuring a special alternate cover design on the hardcover case, gorgeous sprayed edges, and exclusive endpapers. This breathtaking edition is only available on a limited first print run. "Her best work yet... about fame and family, culture and change, the power of story, the writer's life... and robots. This one has it all." -- George R.R. Martin In this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative--a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you've read before. The future of storytelling is here. Disabled, disinclined to marry, and more interested in writing than a lucrative career in medicine or law, Zelu has always felt like the outcast of her large Nigerian family. Then her life is upended when, in the middle of her sister's lavish Caribbean wedding, she's unceremoniously fired from her university job and, to add insult to injury, her novel is rejected by yet another publisher. With her career and dreams crushed in one fell swoop, she decides to write something just for herself. What comes out is nothing like the quiet, literary novels that have so far peppered her unremarkable career. It's a far-future epic where androids and AI wage war in the grown-over ruins of human civilization. She calls it Rusted Robots. When Zelu finds the courage to share her strange novel, she does not realize she is about to embark on a life-altering journey--one that will catapult her into literary stardom, but also perhaps obliterate everything her book was meant to be. From Chicago to Lagos to the far reaches of space, Zelu's novel will change the future not only for humanity, but for the robots who come next. A book-within-a-book that blends the line between writing and being written, Death of the Author is a masterpiece of metafiction that manages to combine the razor-sharp commentary of Yellowface with the heartfelt humanity of Tomorrow and Tomorrow and Tomorrow. Surprisingly funny, deeply poignant, and endlessly discussable, this is at once the tale of a woman on the margins risking everything to be heard and a testament to the power of storytelling to shape the world as we know it.

An Instant New York Times, USA Today, and Indie Bestseller A brand-new epic fantasy from New York Times bestselling author Joe Abercrombie, featuring a notorious band of anti-heroes on a delightfully bloody and raucous journey Holy work sometimes requires unholy deeds. Brother Diaz has been summoned to the Sacred City, where he is certain a commendation and grand holy assignment awaits him. But his new flock is made up of unrepentant murderers, practitioners of ghastly magic, and outright monsters. The mission he is tasked with will require bloody measures from them all in order to achieve its righteous ends. Elves lurk at our borders and hunger for our flesh, while greedy princes care for nothing but their own ambitions and comfort. With a hellish journey before him, it's a good thing Brother Diaz has the devils on his side. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
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Europa steht am Abgrund. Krankheiten und Hunger raffen die Bevölkerung dahin, Monster lauern in den Schatten und gierige Prinzen nehmen sich rücksichtslos alles, was sie wollen. Nur eins ist sicher: Die Elfen werden zurückkehren und alles vernichten. Manchmal sind es die dunkelsten Pfade, die uns ins Licht führen. Pfade, auf denen nur die Gerechten wandeln können. Unter dem Prunk des Himmlischen Palastes liegt die geheime Kapelle eines Ordens, der aus Monstern besteht. Sie haben jede Sünde begangen, jede Grenze überschritten und im Blute Unschuldiger gebadet. Bruder Diaz muss nun versuchen, diese Kreaturen dazu zu bringen, eine heilige Mission zu erfüllen und die drohende Apokalypse aufzuhalten. Es wird ein Ritt durch die Hölle – doch um zu überleben, braucht Diaz ein paar Teufel an seiner Seite.

"G.W. Pabst, one of cinema's greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels--the minister of propaganda in Berlin--sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels's thinly veiled order"--

"One of the best books of the year.” —Booklist, starred review “Brilliant; thoughtful; inspiring but impossible to imitate. A complete original.” —Mike Mignola Jesse Lonergan rewrites the rules of graphic novels with Drome, a visually mind-blowing epic about war, love, and death in a fledgling world. First, there was nothing. Then, humanity was born, and an endless cycle of violence began. From the depths of the ocean, a mighty demigoddess is called forth to rein in humankind’s destructive impulses, and teach a language of peace and harmony. Civilization quickly takes root, a great city rising from the desert. But the balance between chaos and order is a fragile one, and there are higher powers at work in this strange new world. Creator Jesse Lonergan pushes the boundaries of the comics medium in this visually spectacular epic. In turns pulse-pounding and heart-wrenching, Drome is a creation myth for the modern age.

A dazzling, surrealist fairy tale of a young woman's quest for house and home—from New York to the Texas hinterlands and, maybe, back again. The world is ending. It has been ending for some time. When did the ending begin? Perhaps when Evie’s mother died, or when her father died soon after. Perhaps when her sister, Elena, was forcibly institutionalized in a psychiatric hippie commune in Colorado. Certainly at some point over the last year, as New York City spun down the tubes, as bedbugs and vultures descended, as apartments crumbled to the ground and no one had the time or money to fight it, or even, really, to notice. And then, one day, the ending is complete. Every renter is evicted en masse, leaving only the landlords and owners—the demented, the aristocratic, the luckiest few. Evie—parentless, sisterless, basically friendless, underemployed—has nothing and no one. Except, she remembers, a second cousin in Texas, in a strange town called Gulluck, where nothing is as it seems. And so, in the surreal, dislodged landscape, beyond the known world, a place of albino cicadas and gardeners and thieves, of cobblers and shoemakers and one very large fish, a place governed by mysterious logic and perhaps even miracles, Evie sets out in search of a home. A wry and buoyant fairy tale set at the apex of the housing crisis, Emily Hunt Kivel’s Dwelling takes us on a hapless hero’s journey to the end of the world and back again. Madcap and magical, hilarious and existential, Dwelling holds a funhouse mirror to our moment—for anyone in search of space, belonging, and some semblance of justice.
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The world is ending. It has been ending for some time. When did the ending begin? Perhaps when Evie's mother died, or when her father died soon after. Perhaps when her sister, Elena, was forcibly institutionalized in a psychiatric hippie commune in Colorado. Certainly at some point over the last year, as New York City spun down the tubes, as bedbugs and vultures descended, as apartments crumbled to the ground and no one had the time or money to fight it, or even, really, to notice. And then, one day, the ending is complete. Every renter is evicted en masse, leaving only the landlords and owners--the demented, the aristocratic, the luckiest few. Evie--parentless, sisterless, basically friendless, underemployed--has nothing and no one. Except, she remembers, a second cousin in Texas, in a strange town called Gulluck, where nothing is as it seems. And so, in the surreal, dislodged landscape, beyond the known world, a place of albino cicadas and gardeners and thieves, of cobblers and shoemakers and one very large fish, a place governed by mysterious logic and perhaps even miracles, Evie sets out in search of a home. A wry and buoyant fairy tale set at the apex of the housing crisis, Emily Hunt Kivel's Dwelling takes us on a hapless hero's journey to the end of the world and back again. Madcap and magical, hilarious and existential, Dwelling holds a funhouse mirror to our moment--for anyone in search of space, belonging, and some semblance of justice.

NAMED A BEST BOOK OF 2025 BY: The New Yorker • The New York Public Library • The Times Literary Supplement (London) Jill Bialosky, the poet behind the “tender, absorbing, and deeply moving memoir” (Entertainment Weekly) History of a Suicide, returns with a lyrical portrait of her mother’s life, told in reverse order from burial to birth. Iris Yvonne Bialosky’s death in March 2020 unleashed a torrent of emotions in her daughter Jill—grief, guilt, confusion, doubt. Now, with her poet’s eye for detail and novelist’s flair for storytelling, Jill Bialosky presents a profoundly moving elegy of her mother’s life—telling Iris’s story in reverse order. Starting with her mother’s end and the physical/cognitive decline that led her to a care home, Bialosky traces Iris through her battle with depression, the tragedy of her youngest daughter’s suicide, her strained and short second marriage, the death of her beloved first husband, which left her, at twenty-five years old, to care for three daughters under the age of three. We experience her joyful first marriage and busy teenage years, as well as the trauma of losing her own mother at just eight years old. As Iris grows younger and younger, she becomes a multidimensional woman and we come to understand her difficulties and triumphs, her neediness and her generosity, her pride and her despair. The End Is the Beginning is a brave and compassionate celebration of a woman’s life and a window into a daughter’s inextricable bond to her mother.
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Jill Bialosky, the poet behind the “tender, absorbing, and deeply moving memoir” (Entertainment Weekly) History of a Suicide, returns with a lyrical portrait of her mother’s life, told in reverse order from burial to birth. When Iris Yvonne Bialosky died in an assisted care facility on March 29, 2020, it unleashed a torrent of emotions in her daughter, Jill Bialosky. Grief, of course, but also guilt, confusion, and doubt, all of which were compounded by the arrival of the COVID-19 pandemic which made it impossible for Jill to be with her mother as she was dying and to attend her mother’s funeral. Now, with a poet’s eye for detail and a novelist’s flair for storytelling, Jill presents a profoundly moving elegy unlike any other. Starting with her mother’s end and the physical/cognitive decline that led her to a care home, The End Is the Beginning explores Iris’s battle with depression, the tragedy of a daughter’s suicide, a failed second marriage, the death of her beloved first husband only five years into their young marriage, her joyful teenage years, and the trauma of losing her own mother at just eight years old. Compounding her challenges of raising four daughters without a livelihood or partner, Iris’s life coincided with an age of unstoppable social change and reinvention, when the roles of wife and mother she was raised to inhabit ceased to be the guarantors of stability and happiness. As we see Iris become younger and younger, we learn how we are all the sum of our experiences. Iris becomes a multi-dimensional, fascinating woman. We come to understand her difficulties and shortcomings, her neediness and her generosity, her pride and her despair. The End Is the Beginning is not just a family memoir, it is a brave and compassionate celebration of a woman’s life and death and a window into a daughter’s inextricable bond to her mother.

“Louise Hegarty’s genre-splicing debut is a treat—clever, confident, and always surprising, a mystery story that ingeniously escapes the locked room of the genre to take on the biggest questions of life and death.”—Paul Murray, author of The Bee Sting For fans of Anthony Horowitz and Lucy Foley, a wonderfully original, genre-breaking literary debut from Ireland that’s an homage to the brilliant detective novels of the early twentieth century, a twisty modern murder mystery, and a searing exploration of grief and loss. A group of friends gather at an Airbnb on New Year’s Eve. It is Benjamin’s birthday, and his sister Abigail is throwing him a jazz-age Murder Mystery themed party. As the night plays out, champagne is drunk, hors d’oeuvres consumed, and relationships forged, consolidated or frayed. Someone kisses the wrong person; someone else’s heart is broken. In the morning, all of them wake up—except Benjamin. As Abigail attempts to wrap her mind around her brother’s death, an eminent detective arrives determined to find Benjamin's killer. In this mansion, suddenly complete with a butler, gardener and housekeeper, everyone is a suspect, and nothing is quite as it seems. Will the culprit be revealed? And how can Abigail, now alone, piece herself back together in the wake of this loss? Gripping and playful, sharp and profoundly moving, Fair Play plumbs the depths of the human heart while subverting one of our most popular genres.

"The epic, true story of the Abuelas de Plaza de Mayo, grandmothers who fought to find their stolen grandchildren during Argentina's brutal dictatorship"--Provided by publisher.
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NATIONAL BESTSELLER • A NEW YORK TIMES NOTABLE BOOK OF 2025 • THE WASHINGTON POST’S 5 BEST NONFICTION BOOKS OF 2025 • THE ATLANTIC’S 10 BEST BOOKS OF 2025 • THE NEW YORK PUBLIC LIBRARY'S BEST BOOKS OF 2025 • TIME MAGAZINE’S BEST BOOKS OF 2025 • NPR’S BEST BOOKS OF 2025 “[An] astonishing story…Powerful…Harrowing…Absorbing and lucid…You would have to harden your heart to be unmoved by the Abuelas’ quest.” —Jennifer Szalai, The New York Times Book Review (front-cover review) “Inspiring…A triumphant saga of ordinary people doing extraordinary things in the face of pure malevolence.” —Hampton Sides • “Enthralling…Written with the nail-biting verve of a thriller.” —Publishers Weekly (starred review) • “Extraordinary...A harrowing and timely reminder of what happens when democracy succumbs to despotism.” —Adam Higginbotham • “[A] cinematically detailed, deeply researched narrative.” —The Washington Post • “Piercing, emotional...Will resonate for generations.” —Kirkus Reviews (starred review) A remarkable new talent in narrative nonfiction delivers the epic true story of a group of courageous grandmothers who fought to find their grandchildren who were stolen. In the early hours of March 24, 1976, the streets of Buenos Aires rumble with tanks as soldiers seize the presidential palace and topple Argentina’s leader. The country is now under the control of a military junta, with army chief Jorge Rafael Videla at the helm. With quiet support from the United States and tacit approval from much of Argentina’s people, who are tired of constant bombings and gunfights, the junta swiftly launches the National Reorganization Process or El Proceso—a bland name masking their ruthless campaign to crush the political left and instill the country with “Western, Christian” values. The junta holds power until 1983 and decimates a generation. One of the military’s most diabolical acts is kidnapping hundreds of pregnant women. After giving birth in captivity, the women are “disappeared,” and their babies secretly given to other families—many of them headed by police or military officers. For mothers of pregnant daughters and daughters-in-law, the source of their grief is twofold—the disappearances of their children, and the theft of their grandchildren. A group of fierce grandmothers forms the Abuelas de Plaza de Mayo, dedicated to finding the stolen infants and seeking justice from a nation that betrayed them. At a time when speaking out could mean death, the Abuelas confront military officers and launch protests to reach international diplomats and journalists. They become detectives, adopting disguises to observe suspected grandchildren, and even work alongside a renowned American scientist to pioneer groundbreaking genetic tests. A Flower Traveled in My Blood is the rarest of nonfiction that reads like a novel and puts your heart in your throat. It is the product of years of extensive archival research and meticulous, original reporting. It marks the arrival of a blazing new talent in narrative journalism. In these pages, a regime tries to terrorize a country, but love prevails. The grandmothers’ stunning stories reveal new truths about memory, identity, and family.

“The Forgotten Sense leaves us with the hope of new discoveries and new recoveries—so that we may once again revel in the glorious, fragrant world around us.”—Wall Street Journal By one of the world’s leading researchers into the science of smell, a fascinating exploration of our most essential yet least understood sense—enabling us to appreciate food and drink, warning us of dangers, and even influencing who we fall in love with Our sense of smell guides our lives far more than our screen-heavy, sight-privileged era would suggest. It animates our experience of food and drink, helps us access memories, and strengthens our intimacy with each other. But, long considered our most “beastly” sense, the inner workings of smell have stumped scientists for centuries. Now, cognitive scientist and leading smell researcher Jonas Olofsson uncovers the sophisticated processes that drive our olfactory system, with profound implications for how we perceive the world around us. Drawing from cutting-edge original research, Olofsson shows that not only is our sense of smell extraordinarily sensitive, its process of chemical exchange shaped human evolution on its most fundamental level. From the pheromones, environmental signals, and emotions we process with each breath, olfaction makes us the individuals we are. Moreover, smelling is an intellectual exercise, Olofsson argues, one that we have the remarkable capacity to strengthen and, with some effort, even regain after illness. With infectious curiosity and a host of applications—from emotional health and gastronomy to literature and even politics—The Forgotten Sense is a wide-ranging and entertaining look at this most understudied function of human life.

After a year of self-imposed exile, a young writer attends a New Year’s Eve party in hopes of reconnecting with old classmates in a blackly humorous tale set on a single snowy night After experiencing a mysterious heart-related health scare, our narrator, Sebastian Castillo, who shares his name with this book’s author, resolves to spend a year alone in self-imposed exile, passing the time by exercising each day and watching self-improvement videos. But come New Year’s Eve, Sebastian will break his expulsion from everyday life by accepting an invitation to the home of a former philosophy professor for a reunion with his cohort, one decade after graduating. This invitation surely would have been ignored if not for the promised attendance of Maria, Sebastian’s former classmate and love interest. What follows is an inexplicable series of fascinating events charting the erosion of young, bookish hope. Fresh, Green Life is a meditation on literature, education, and philosophy, a trek through the past that forecasts a mediocre future, and a compact miracle of the fake-real.

NEW YORK TIMES BESTSELLER • From the author of Salt, Fat, Acid, Heat—and one of America’s most beloved chefs and teachers—125 meticulously tested, flavor-forward, soul-nourishing recipes that bring joy and a sense of communion With all the generosity of spirit that has endeared her to millions of fans, Samin Nosrat offers more than 125 of her favorite recipes—simply put, the things she most loves to cook for herself and for friends—and infuses them with all the beauty and care you would expect from the person Alice Waters called “America’s next great cooking teacher.” As Samin says, "Recipes, like rituals, endure because they’re passed down to us—whether by ancestors, neighbors, friends, strangers on the internet, or me to you. A written recipe is just a shimmering decoy for the true inheritance: the thread of connection that cooking it will unspool." Good Things is an essential, joyful guide to cooking and living, whether you’re looking for a comforting tomato soup to console a struggling friend, seeking a deeper sense of connection in your life, or hosting a dinner for ten in your too-small dining room. Here you’ll find go-to recipes for ricotta custard pancakes, a showstopping roast chicken burnished with saffron, a crunchy, tingly Calabrian chili crisp, super-chewy sky-high focaccia, and a decades-in-the-making, childhood-evoking yellow cake with chocolate frosting. Along the way, you’ll also find plenty of tips, techniques, and lessons, from how to buy olive oil (check the harvest date) to when to splurge (salad dressing is where you want to use your best ingredients) to the best uses for your pressure cooker (chicken stock and dulce de leche, naturally). Good Things captures, with Samin’s trademark blend of warmth, creativity, and precision, what has made cooking such an important source of delight and comfort in her life.
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Once I hand them off to you, these recipes are no longer mine. They're yours, to do with as you please. And maybe, in the act of receiving, a little thread of connection will be woven between me and each of you. How can a recipe express the joy of sharing a meal in person? This is the feeling that Samin Nosrat sets out to capture in Good Things, offering more than 125 recipes for the things she most loves to cook. You'll find go-to recipes for ricotta custard pancakes, chicken braised with apricots and harissa, a crunchy Calabrian chili crisp, super-chewy sky-high focaccia and a decades-in-the-making, childhood-evoking yellow cake. Samin also shares tips and techniques, from how to buy olive oil (check the harvest date) to when to splurge on the best ingredients (salad dressing) to the one acceptable substitute for Parmigiano Reggiano (Grana Padano, if you must). Good Things captures, with Samin's trademark blend of warmth and precision, the essence of what makes cooking such an important source of comfort and delight, and invites you to join her at the table.
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HET LANGVERWACHTE NIEUWE KOOKBOEK VAN DE BESTSELLERAUTEUR VAN ZOUT, VET, ZUUR, HITTE 'Recepten, net als rituelen, blijven bestaan omdat ze doorgegeven worden - of dat nu door onze voorouders, buren, vrienden, vreemden op het internet of door mij aan jou is. Een geschreven recept is slechts een sprankje van de ware erfenis: de verbondenheid die je voelt tijdens het koken.' Samin Nosrat In Good things staan meer dan 125 favoriete recepten om te maken en te delen van chef-kok Samin Nosrat. Het is een essentiële gids voor koken en tafelen: of je nu zoekt naar een tomatensoep om een vriend te troosten, verbondenheid voelt tijdens een gedeelde maaltijd, of een dinertje voor tien organiseert in je knusse, te kleine appartement. In dit kookboek vind je go-to recepten als romige ricottapancakes, gestoofde kip met abrikozen en harissa, Calabrische crispy chiliolie, een torenhoge focaccia en een bonte karnemelkcake. Daarnaast deelt Samin tips en technieken, van het kopen van olijfolie (controleer de oogstdatum), tot hoe je écht kunt uitpakken (gebruik de beste ingrediënten voor je dressing), tot de enige acceptabele vervanging voor Parmigiano Reggiano (Grana Padano, als het echt moet). In Good things legt Samin, met haar kenmerkende gezelligheid, de essentie vast van hoe koken een belangrijke bron van troost en plezier kan zijn, en nodigt je uit om aan te schuiven aan de keukentafel. Samin Nosrat is chef-kok, leraar en auteur van de James Beard Award-winnende bestseller Zout, vet, zuur, hitte. Ze is de co-host van de podcast Home Cooking, voormalig eetcolumnist van The New York Times Magazine, en host van de originele Netflix-documentaireserie gebaseerd op haar boek. Samin woont, kookt en tuiniert in Oakland, Californië, met haar geliefde pup, Fava Bean. Bron: Flaptekst

The winner of the 2023 Fonograf Editions Open Genre Book Prize contest, as chosen by Srikanth Reddy, Groceries is a book-length poem about what to do about objects. On earth everyone is worried about objects?getting them, naming them, maintaining them, destroying them, getting rid of them. Some people say objects will be the end of life on earth. Other people say objects will save us, if we get the right ones. But as we reckon with these object-mediated futures, we live on an earth full of the stuff itself: fax machines, horseshoes, waves. Groceries is a guide for what to do about these objects?how to speak to them and how to listen for a reply.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping....

On the heels of Sho (winner, Griffin Poetry Prize) and Optic Subwoof (Pegasus Award in Poetry Criticism), Douglas Kearney's visual poetry masterpiece, I Imagine I Been Science Fiction Always, pushes further into Kearney's long-time practices of performance typography, collaging pre-existing media sources to create singular, multiplicitous texts that defy neat categorization. Through AfroFuturistic exploration of these techniques, Kearney presents a sustained consideration of precarious Black subjectivity, cultural production as self-defense, the transhistoric emancipatory logics of the preposition over, Anarcho-Black temporal disruption, and seriocomic meditations on the material and metaphysical nature of shadow. Engaging a rich history of visual poetics, I Imagine I Been Science Fiction Always almost predicts its endurance as a visionary work of genius.

A powerful, incisive reckoning with the impacts of school desegregation that traces four generations of the author’s family to show how the implementation of integration decimated Black school systems and did much of the Black community a disservice On May 17, 1954 the landmark case Brown v. Board of Education determined that racial segregation in schools was unconstitutional. Heralded as a massive victory for civil rights, the decision's goal was to give Black children equitable access to educational opportunities and clear a path to a better future. Yet in the years following the ruling, schools in predominantly Black neighborhoods were shuttered or saw their funding dwindle, Black educators were fired en masse, and Black children faced discrimination and violence from their white peers as they joined resource-rich schools that were ill-prepared for the influx of new students. Award-winning interdisciplinary scholar of education and Black history Noliwe Rooks weaves together sociological data and cultural history to challenge the idea that integration was a boon for Black children. She tells the story of her grandparents, who were among the thousands of Black teachers fired following the Brown decision; her father, who was traumatized by his experiences at an almost exclusively-white school; her own experiences moving from a flourishing, racially diverse school to an underserved inner-city one; and finally her son and his Black peers, who over half-century after Brown still struggle with hostility and prejudice from white teachers and students alike. She also shows how present-day discrimination lawsuits directly stem from the mistakes made during integration. At once assiduously researched and deeply engaging, Integrated tells the story of how education has remained both a tool for community progress and a seemingly inscrutable cultural puzzle. Rooks' deft hand turns the story of integration's past and future on it's head, and shows how we may better understand and support generations of students to come.

“Duncan’s story is so incredible it strains belief. It is so heartwarming and hopeful that it will stay with you for a long time.” —John Grisham "This brilliantly told story—at once maddening and miraculous—is among the most powerful indictments of our criminal justice system I’ve ever read.” —James Forman, Jr. A searing and ultimately hopeful account of Calvin Duncan, “the most extraordinary jailhouse lawyer of our time” (Sister Helen Prejean), and his thirty-year path through Angola after a wrongful murder conviction, his coming-of-age as a legal mind while imprisoned, and his continued advocacy for those on the inside Calvin Duncan was nineteen when he was incarcerated for a 1981 New Orleans murder he didn’t commit. The victim of a wildly incompetent public defense system and a badly compromised witness, Duncan was left to rot in the waking nightmare of confinement. Armed with little education, he took matters into his own hands. At twenty-one, he filed his first motion from prison: “Motion for a Law Book,” which launched his highly successful, self-taught legal career. Trapped within this wholly corrupted system, Duncan became a legal advocate for himself and his fellow prisoners as an inmate counsel at the infamous Louisiana State Penitentiary, Angola. Literature sustained his hope, as he learned the law in its shadow. During his decades of incarceration, Duncan helped hundreds of other prisoners navigate their cases, advocating for those the state had long since written off. He taught a class in the midst of Angola to empower other incarcerated men to fight for their own justice under the law. But his own case remained stalled. A defense lawyer once responded to Duncan’s request for documents: “You are not a person.” Criminal justice reform advocate Sophie Cull met Duncan after he was finally released from prison; he began to tell her his story. Together, they’ve written a bracing condemnation of the criminal legal system, and an intimate portrait of a heroic and brilliant man’s resilience in the face of injustice.

A startling new dream-like vision of Jamaica—a work of surreal poetic fiction, lavishly studded with ecological prayers, drawings, and footnotes about healing herbs, disappearing flora-fauna, and buried herstories—by Whiting Award winner Marcia Douglas Zooming into tight focus on present-day life and dashing deep into the past in turns, the pace is fast and fierce in The Jamaica Kollection of the Shante Dream Arkive, which continues Marcia Douglas’ “speculative ancestral project” (The Whiting Foundation) begun with The Marvellous Equations of the Dread. Her new poetic and eco-spiritual book carries further the cultural preservation so central to Douglas’ vision. The Shante Dream Arkive brings alive a mosaic of characters—all searching through history for something or someone lost to the island: a mother searches for her missing child through time and space; an undocumented migrant’s struggles with loss while living in the US; a youth wanders through dream-gates seeking liberation and the lost parts of himself. And one key to the whole is Zora Neale Hurston’s left-behind camera. Each chapter/poem opens like an aperture onto another aspect of the dream story. And, each and every potent dream story contains the spirit, beauty, and riddim of Jamaica: For after three hundred years of slaughter, monk seals know better than to reveal themselves to humans. These days, they stay low, adapting to below surface conditions and establishing habitat with the underwater spirits of drowned horses and slaves disappeared overboard. For things happen below sea that have never been told. There is wheelin there and turnin; and far-far down past brochure azure, cerulean and indigo, there is a vast dark ink and vortices of voices caught up in such a trumpet of rah- &-glory bottomsea sound as to move earth’s axis. And after that, more ink blue, and cobalt and sapphire and a calm-calm wata— velvet and kin to the moon brand new. The monk seals dare not go this far. But the spirits do.

Award-winning, New York Times bestselling author S. A. Cosby returns with King of Ashes, a Godfather-inspired Southern crime epic and dazzling family drama. When eldest son Roman Carruthers is summoned home after his father’s car accident, he finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident and Dante’s recklessness has placed them all in real danger. Roman, a financial whiz with a head for numbers and a talent for making his clients rich, has some money to help buy his brother out of trouble. But in his work with wannabe tough guys, he’s forgotten that there are real gangsters out there. As his bargaining chips go up in smoke, Roman realizes that he has only one thing left to offer to save his brother: himself, and his own particular set of skills. Roman begins his work for the criminals while Neveah tries to uncover the long-ago mystery of what happened to their mother, who disappeared when they were teenagers. But Roman is far less of a pushover than the gangsters realize. He is willing to do anything to save his family. Anything. Because everything burns.
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'S. A. Cosby's novels always hit the grand slam of crime fiction' MICHAEL CONNELLY 'American crime fiction has found its future and his name is S.A. Cosby' DENNIS LEHANE A son returning home. A dangerous debt. Secrets about to ignite . . . and a family consumed by flames. Roman Carruthers left the smoke and fire of his family's crematory business behind in his hometown of Jefferson Run, Virginia. He is enjoying a life of shallow excess as a financial adviser in Atlanta until he gets a call from his sister, Neveah, telling him their father is in a coma after a hit-and-run accident. When Roman goes home, he learns the accident may not be what it seems. His brother, Dante, is deeply in debt to dangerous, ruthless criminals. And Roman is willing to do anything to protect his family. Anything. A financial whiz with a head for numbers and a talent for making his clients rich, Roman must use all his skills to try to save his family while dealing with a shadow that has haunted them all for twenty years: the disappearance of their mother when Roman and his siblings were teenagers. It's a mystery that Neveah, who has sacrificed so much of her life to hold her family together, is determined to solve once and for all. As fate and chance and heartache ignite their lives, the Carruthers family must pull together to survive or see their lives turn to ash. Because, as their father counseled them from birth, nothing lasts forever. Everything burns. Praise for S. A. Cosby: 'Sensationally good' LEE CHILD 'Exhilarating' STEPHEN KING 'Stunning. Can't remember the last time I read such a powerful crime novel' MARK BILLINGHAM 'S. A. Cosby is a welcome, refreshing new voice in crime literature' DENNIS LEHANE 'Every once in a while a writer comes along with an incredible voice...add S. A. Cosby to that list' STEVE CAVANAGH 'Elegant, fierce storytelling at its absolute best.' DAILY MAIL

One cold December day, two men are blindsided by a hockey trade; one is the most decorated goalie in the league, while the other one is the youngest coach in the majors. Jethro Hale is the last player Coach Clay Powers wants to see on his roster, but the G.M. pulls a fast one. And it's not like he can even explain why. Nobody knows about their love affair fifteen years ago. Cue the all-star awkwardness, the painful memories and the reawakening of deep feelings on both sides. Unfortunately, their attraction still burns brightly. But it can never be. A player and a coach? The scandal would overshadow the team’s banner year. If only they could resist each other… If you love grumpy heroes, high stakes hockey, struggling single parents and smoldering kisses, grab your copy of The Last Guy on Earth.

“Cross J.M. Coetzee with Gabriel García Márquez and you've got José Eduardo Agualusa, Portugal's next candidate for the Nobel Prize” — Alan Kaufman, author of Matches A thrilling tale that considers how the mind bends when the known world ends in a storm’s flash A Financial Times Fiction in Translation Book of the Year and Winner of the Portuguese PEN Prize A funny and lively tale about a group of writers stranded at a literary festival turns increasingly ominous as it explores the nature of life and of time, and the extraordinary power of imagination and the written word. Writers from across Africa descend on the Isle of Mozambique to participate in the island’s first literary festival. When a sudden cyclone strikes the land, they are cut off from the mainland. One writer wakes from sleep with lines running through her head, reaching for a small red notebook with dream trash written on the cover. Another posts a picture of a writing desk gleaming in the ancient light of the Captains-General Palace, now a museum. The caption: “If I had a desk like this, I’m sure I’d write more. I’m sure I’d write better.” Agualusa traces their conversations as they wonder together whether the world they know has ended, and what, real or imagined, might come next. They talk, and set pens to paper, in this sometimes-surreal tale of how the physical world is changing rapidly around us and how we can (and must) forge new contexts.

NEW YORK TIMES BESTSELLER • An explosive, deeply reported exposé of Johnson & Johnson, one of America’s oldest and most trusted pharmaceutical companies—from an award-winning investigative journalist “A damning portrait.”—Associated Press “A page-turning drama that raises life-or-death questions about the world’s largest healthcare conglomerate.”—Jonathan Eig, Pulitzer Prize–winning author of King: A Life LONGLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • A CHICAGO PUBLIC LIBRARY AND NEW YORK PUBLIC LIBRARY BEST BOOK OF THE YEAR One day in 2004, Gardiner Harris, a pharmaceutical reporter for The New York Times, was early for a flight and sat down at an airport bar. He struck up a conversation with the woman on the barstool next to him, who happened to be a drug sales rep for Johnson & Johnson. Her horrific story about unethical sales practices and the devastating impact they’d had on her family fundamentally changed the nature of how Harris would cover the company—and the entire pharmaceutical industry—for the Times. His subsequent investigations and ongoing research since that very first conversation led to this book—a blistering exposé of a trusted American institution and the largest healthcare conglomerate in the world. Harris takes us light-years away from the company’s image as the child-friendly “baby company” as he uncovers reams of evidence showing decades of deceitful and dangerous corporate practices that have threatened the lives of millions. He covers multiple disasters: lies and cover-ups regarding the link of Johnson’s Baby Powder to cancer, the surprising dangers of Tylenol, a criminal campaign to sell antipsychotics that have cost countless lives, a popular drug used to support cancer patients that actually increases the risk that cancer tumors will grow, and deceptive marketing that accelerated opioid addictions through their product Duragesic (fentanyl) that rival even those of the Sacklers and Purdue Pharma. Filled with shocking and infuriating but utterly necessary revelations, No More Tears is a landmark work of investigative journalism that lays bare the deeply rooted corruption behind the image of babies bathing with a smile.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an empire that doesn’t consider you fully human. On October 25th, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it's safe, when there's no personal downside to calling a thing what it is, when it's too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed more than ten million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture that has occurred for Black, brown, Indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in Western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the West, and what it means to live in a world run by a small group of countries—America, the UK, France, and Germany. It will be The Fire Next Time for a generation that understands we're undergoing a shift in the so-called “rules-based order,” a generation that understands the West can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar's own story as an emigrant who grew up believing in the Western project, who was catapulted into journalism by the rupture of 9/11. This book is El Akkad's heartsick breakup letter with the West. It is a breakup we are watching all over the United States, on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the West has served up. This is the book for our time.

A New York Times Notable Book of 2025 A 2025 International Booker Prize Shortlist Nominee Longlisted for the 2025 National Book Award for Translated Literature Winner of AIRMAIL's Inaugural Tom Wolfe Literary Prize for Fiction A scathing, provocative novel about contemporary existence by a rising star in Italian literature. Anna and Tom, an expat couple, have fashioned a dream life for themselves in Berlin. They are young digital "creatives" exploring the excitements of the city, freelancers without too many constraints, who spend their free time cultivating house plants and their images online. At first, they reasonably deduce that they've turned their passion for aesthetics into a viable, even enviable career, but the years go by, and Anna and Tom grow bored. As their friends move back home or move on, so their own work and sex life—and the life of Berlin itself—begin to lose their luster. An attempt to put their politics into action fizzles in embarrassed self-doubt. Edging closer to forty, they try living as digital nomads only to discover that, wherever they go, "the brand of oat milk in their flat whites was the same." Perfection—Vincenzo Latronico's first book to be translated into English—is a scathing novel about contemporary existence, a tale of two people gradually waking up to find themselves in various traps, wondering how it all came to be. Was it a lack of foresight, or were they just born too late?

How do you find yourself after you lose the one you loved the most? NATIONAL BESTSELLER • Grieving the loss of her best friend, a young woman’s life is turned upside down when she meets a grumpy stranger who swears he can help her live again, in this heartwarming, slow-burn romance by the author of Ready or Not. Lenny’s a bit of a mess at the moment. Ever since cancer stole away her best friend, she has been completely lost. She’s avoiding her concerned parents, the apartment she shared with her best friend, and the ever-laminated “live again” list of things she’s promised to do to survive her grief. But maybe if she acts like she has it all together, no one will notice she’s falling apart. The only gigs she can handle right now are temporary babysitting jobs, and she just landed a great one, helping overworked, single mom Reese and her precocious daughter, Ainsley. The only catch: Ainsley’s uncle, Miles, always seems to be around, and is kind of. . . a walking version of the grumpy cat meme. Worse – he seems to be able to see right through her. Surprisingly, Miles knows a lot about grief and he offers Lenny a proposition. He’ll help her complete everything on her “live again” list if she’ll help him connect with Ainsley and overcome his complicated relationship with Reese. Lenny doubts anything can fill the void her best friend has left behind, but between late night ferry rides, midnight ramen, and a well-placed shoulder whenever she needs it, Miles just won’t stop showing up for her. Turns out, sometimes your life has to end to find your new beginning.

A NEW YORK TIMES TOP TEN BOOK OF THE YEAR A WASHINGTON POST TOP TEN BOOK OF THE YEAR A LOS ANGELES TIMES TOP FIFTEEN BOOK OF THE YEAR Shortlisted for the 2024 Booker Prize, a novel about forgiveness, grief, and what it means to be good, from the award-winning author of The Weekend. “Stone Yard Devotional is as extraordinary as you’ve heard.” —The Washington Post “An exquisite, wrenching novel of leaving your life behind.” —New York Times Book Review "Meditative (but by no means uneventful)." —New York Times "Riveting prose about how humans beat back despair."—Los Angeles Times Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident. But disquiet interrupts this secluded life with three visitations. First comes a terrible mouse plague, each day signaling a new battle against the rising infestation. Second is the return of the skeletal remains of a sister who disappeared decades before, presumed murdered. And finally, a troubling visitor plunges the narrator further back into her past. Meditative, moving, and finely observed, Stone Yard Devotional is a seminal novel from a writer of rare power, exploring what it means to retreat from the world, the true nature of forgiveness, and the sustained effect of grief on the human soul.
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The new Booker-longlisted novel by Charlotte Wood, the Stella Prize-winning author of The Natural Way of Things and The Weekend. A fearless exploration of forgiveness, grief and the complicated beauty of female friendship.[Bokinfo].
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A deeply moving novel about forgiveness, grief, and what it means to be 'good', from the award-winning author of The Natural Way of Things and The Weekend. SHORTLISTED FOR THE BOOKER PRIZE SHORTLISTED FOR THE PRIME MINISTER'S LITERARY AWARD SHORTLISTED FOR THE VICTORIAN PREMIER'S LITERARY AWARD SHORTLISTED FOR THE AGE BOOK OF THE YEAR SHORTLISTED FOR THE ABIA AWARD FOR LITERARY FICTION SHORTLISTED FOR THE BARBARA JEFFERIS AWARD LONGLISTED FOR THE MILES FRANKLIN LITERARY AWARD BOOK OF THE YEAR, SYDNEY MORNING HERALD BOOK OF THE YEAR, ABC A woman abandons her city life and marriage to return to the place of her childhood, holing up in a small religious community hidden away on the stark plains of the Monaro. She does not believe in God, doesn't know what prayer is, and finds herself living this strange, reclusive life almost by accident. As she gradually adjusts to the rhythms of monastic life, she finds herself turning again and again to thoughts of her mother, whose early death she can't forget. Disquiet interrupts this secluded life with three visitations. First comes a terrible mouse plague, each day signalling a new battle against the rising infestation. Second is the return of the skeletal remains of a sister who left the community decades before to minister to deprived women in Thailand - then disappeared, presumed murdered. Finally, a troubling visitor to the monastery pulls the narrator further back into her past. With each of these disturbing arrivals, the woman faces some deep questions. Can a person be truly good? What is forgiveness? Is loss of hope a moral failure? And can the business of grief ever really be finished? A meditative and deeply moving novel from one of Australia's most acclaimed and best loved writers. 'Extraordinary ... a stunning work of fiction from a major writer who keeps getting better' THE AUSTRALIAN 'Remarkable ... I'm still trying to figure out how she pulled it off. The best thing she's done' TIM WINTON, author of The Shepherd's Hut 'I have rarely been so absorbed by a novel ... A powerful, generous book' GUARDIAN 'It extends and deepens Wood's already remarkable achievements as a novelist in powerful and often profound ways' THE SATURDAY PAPER 'A beautiful, mature work that does not flinch from life' SUNDAY TIMES 'A book about what it means to be good: simply and with great humility, it asks the big questions, leaving the reader feeling kinder, more brave, enlarged' ANNE ENRIGHT, author of The Wren, The Wren 'Beautiful, strange and otherworldly' PAULA HAWKINS, bestselling author of A Slow Fire Burning 'Both profound and addictively entertaining. I loved it' CLARE CHAMBERS, bestselling author of Small Pleasures 'No words can quite convey how much I loved this book' KAREN JOY FOWLER, author of Booth 'Wood joins the ranks of writers such as Nora Ephron, Penelope Lively and Elizabeth Strout.' THE GUARDIAN UK

One of Esquire's Most Anticipated Books of 2025 One of Literary Hub's Most Anticipated Books of 2025 A family saga following four generations on a time-bending journey from coastal Scotland to a colony on Mars. Hannah is a fusion scientist working alone at a remote cottage off the coast of Scotland when she sees a figure making his way from the sea. It is a visitor from the future, a young man from a human settlement on Mars, traveling backwards through time to try to make a crucial intervention in the fate of our dying planet, and he needs Hannah’s help. Laboring in the warmth of a Scottish summer, Hannah and the stranger are on the path towards a breakthrough—and then things go terribly wrong. Joe Mungo Reed’s intricately crafted novel expands from this extraordinary event, drawing together the stories of four lives reckoning with what it means to take fate into their own hands, moving from the last days of civilization on Earth through the birth of another on Mars. Roban lives in the Colony, one of the first generation born to this sterile new outpost, where he is consumed by longing for the lost wonders of a home planet he never knew. Between Hannah and Roban, two generations, a father and a daughter, face an uncertain future in a world that is falling apart. Andrew is a politician running to be Scotland’s First Minister. Andrew believes there is still time for the human spirit to triumph, if only he can persuade people to band together. For his starkly rationalist daughter Kenzie, this idealism doesn’t offer the hard tools needed to keep the rising floods at bay. And so, she signs on to work for a company that would abandon Earth for the promise of a world beyond—in contravention of all Andrew stands for. In considering which concerns should guide us in a time of crisis—social, technological, or familial—and reckoning with the question of whether there is meaning to be found in the pursuit of salvation beyond success itself, Joe Mungo Reed has written a novel of elegiac wonder and beauty.

He's not like other dukes… Paris, 1889 Physician Aurora Montalban Wright takes risks in her career, but never with her heart. Running an underground women’s clinic exposes her to certain dangers, but help arrives in the unexpected form of the infuriating Duke of Annan. Begrudgingly, Aurora accepts his protection, then promptly finds herself in his bed. New to his role as a duke, Apollo César Sinclair Robles struggles to embrace his position. With half of society waiting for him to misstep and the other half looking to discredit him, Apollo never imagined that his enthralling bedmate would become his most trusted adviser. Soon, he realizes the rebellious doctor could be the perfect duchess for him. But Aurora won’t give up her independence, and her secrets make her unsuitable for the aristocracy. When dangerous figures from their pasts return to threaten them, Apollo whisks Aurora away to the French Riviera. Far from the reproachful eye of Parisian society, can Apollo convince Aurora that their bond is stronger than the forces keeping them apart? Can't get enough of the Las Leonas? Book 1: A Caribbean Heiress in Paris Book 2: An Island Princess Starts a Scandal Book 3: A Tropical Rebel Gets the Duke

"Anna didn't intend to ride in a high-stakes horse race or start up a betting ring. She certainly didn't mean to find herself in so many darkened corners with Lord Julian Ramsay, quarreling and kissing. But when her grandfather's strange will stipulates that Anna must marry or she'll be left broke, there's nothing she won't do to win her fight for independence. Even go head-to-head with Lord Ramsay, with her own heart as the prize."--

In this darkly humorous and wrenchingly sincere memoir, a young Indian American woman’s dreams of being a well-adjusted college student get wildly derailed when her struggles with mental health land her in the office of a charismatic alternative therapist and his self-help cult. “Honest, brutal, funny, fascinating. A vital reminder of how important it is to trust ourselves.”—Jenny Lawson, New York Times bestselling author of Let’s Pretend This Never Happened and Furiously Happy “Veena Dinavahi is a ferocious writer with a poetic left hook.”—Bethany Joy Lenz, New York Times bestselling author of Dinner for Vampires It is hard for Veena Dinavahi to live while her classmates keep dying. The high-achieving daughter of loving Indian immigrants, Veena lives in a typical white American suburb—except for its unusually high suicide rate. For years, she tries to manage her mental health in all the right ways, but nothing seems to work. Until, on a late-night Google search, Veena’s mom discovers Bob Lyon—a sixty-year-old white man in the backwoods of Georgia who claims he can make her want to live again. He calls himself “The True Happiness Company” and, as their relationship progresses, “Daddy.” Veena becomes increasingly enveloped in his strangely close-knit community, and before she knows it, she’s a college dropout, married mother of three, and Mormon convert who has gotten way too good at dismissing her gut feeling that something is wrong. But when Veena’s treatment goes too far, she slowly begins to question whether true happiness can even exist as an absolute. In this revelatory debut, Veena traces the contours of her life to explore the question that plagued her in the years afterward: how did I fall for that? And what will it mean to move forward? Told with unflinching clarity and shot through with incisive wit, The True Happiness Company is Veena Dinavahi’s singular exploration of what it means to lose and reclaim your identity, rethink mental illness, and learn to trust your intuition in a world determined to annihilate it.

Eye-opening essays about searching for peace in the cacophony of birds and discovering a world of meaning in small moments—from award-winning actor Lili Taylor. “By turns introspective, inquisitive, and funny, the book is a love letter to nature and the solace it can provide.”—The New Yorker A NEW YORKER AND LIBRARY JOURNAL BEST BOOK OF THE YEAR Most people don’t really know birds—or rather, they aren’t aware of them. Lili Taylor used to be one of those people. She knew birds existed. She thought about them, maybe even more than the average person. But she didn’t know them. And then something happened. During a much-needed break from her work as an actor, Lili sought silence and instead found the bustling, symphonic world of birds that had always existed around her. Since then, she has kept a keen eye pressed to her binoculars in search of vivid stories that elevate the everyday, if only one pays attention. Through a series of beautifully crafted essays, Taylor shares her intimate encounters with the birds that have captured her heart and imagination—from tracking flitting woodpeckers through oak trees to spotting majestic blue jays perched on a Manhattan fire escape; from the exhilaration of witnessing a migratory flock from the top of the Empire State Building to the quiet joy of observing a nest of hatchlings in her own backyard. Through simply paying attention to birds, Lili has been shown a parallel world that is wider and deeper, one of constant change and movement, full of life and the will to survive. Throughout Turning to Birds, Taylor encourages mindfulness, inviting readers to be present and fully engaged with the world around them. Taylor's lyrical prose and thoughtful meditations on both the art we make and the art we discover around us create a sense of intimacy and wonder, inviting readers to see the world through new eyes and to find joy in the most unexpected places.
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Discover an eye-opening world of meaning in small moments with this search for peace in a cacophony of birds – from award winning actor Lili Taylor. During a much-needed break from her work as an actor, Lili Taylor sought silence and instead found the bustling, symphonic world of birds that had always existed around her. Since then, she has entered the world of birdwatching and kept a keen eye pressed to her binoculars in search of vivid stories that elevate the everyday, if you only look. Through a series of beautifully crafted essays, Taylor shares her intimate encounters with the birds that have captured her heart and imagination – from learning the virtue of patience from the Gambel’s quail in New Mexico to experiencing a moment of connection with the wonderfully strange woodcock in Ohio; from the exhilaration of witnessing a migratory flock from the top of the Empire State Building to the quiet joy of observing a nest of hatchlings in her own backyard. Through simply paying attention to birds, Lili has seen a parallel world that is wider and deeper, one of constant change and movement, full of life and the will to survive. In Turning to Birds, Taylor encourages mindfulness, inviting you to be present and fully engaged with the world around you. Her beautiful prose and thoughtful meditations on both the art we make and the art we discover around us create a sense of intimacy and wonder, inviting you to see the world through new eyes and to find joy in the most unexpected places.
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Discover an eye-opening world of meaning in small moments with this search for peace in a cacophony of birds - from award winning actor Lili Taylor. During a much-needed break from her work as an actor, Lili Taylor sought silence and instead found the bustling, symphonic world of birds that had always existed around her. Since then, she has entered the world of birdwatching and kept a keen eye pressed to her binoculars in search of vivid stories that elevate the everyday, if you only look. Through a series of beautifully crafted essays, Taylor shares her intimate encounters with the birds that have captured her heart and imagination - from learning the virtue of patience from the Gambel's quail in New Mexico to experiencing a moment of connection with the wonderfully strange woodcock in Ohio; from the exhilaration of witnessing a migratory flock from the top of the Empire State Building to the quiet joy of observing a nest of hatchlings in her own backyard. Through simply paying attention to birds, Lili has seen a parallel world that is wider and deeper, one of constant change and movement, full of life and the will to survive. In Turning to Birds, Taylor encourages mindfulness, inviting you to be present and fully engaged with the world around you. Her beautiful prose and thoughtful meditations on both the art we make and the art we discover around us create a sense of intimacy and wonder, inviting you to see the world through new eyes and to find joy in the most unexpected places.

The riveting account of a community from the remote mountains of Colombia whose rare and fatal genetic mutation is unlocking the secrets of Alzheimer’s disease “Powerful. . . . a poignant depiction of a community in crisis.” —Publishers Weekly In the 1980s, a neurologist named Francisco Lopera traveled on horseback into the mountains seeking families with symptoms of dementia. For centuries, residents of certain villages near Medellín had suffered memory loss as they reached middle age, going on to die in their fifties. Lopera discovered that a unique genetic mutation was causing their rare hereditary form of early onset Alzheimer’s disease. Over the next forty years of working with the “paisa mutation” kindred, he went on to build a world-class research program in a region beset by violence and poverty. In Valley of Forgetting, Jennie Erin Smith brings readers into the clinic, the laboratories, and the Medellín trial center where Lopera’s patients receive an experimental drug to see if Alzheimer’s can be averted. She chronicles the lives of people who care for sick parents, spouses, and siblings, all while struggling to keep their own dreams afloat. These Colombian families have donated hundreds of their loved ones’ brains to science and subjected themselves to invasive testing to help uncover how Alzheimer’s develops and whether it can be stopped. Findings from this unprecedented effort could hold the key to understanding and treating the disease, though it is unclear what, if anything, the families will receive in return. Smith’s immersive storytelling brings this complex drama to life, inviting readers on a scientific journey that is as deeply moving as it is engrossing.

Succession meets Megan Abbott in this seductive, technological suspense about the dramatic downfall of one of America’s most affluent families. “Terrifying and uncanny.” —Katy Hays, New York Times bestselling author of The Cloisters The old-money Wieland family has it all: wealth, status, power. They’re also famously cursed. Clara and her brother, Teddy, grew up on a small island in Maine in the shadow of their parents’ tragic deaths, haunted by rumors and paparazzi. Fourteen years later, they’ve mostly put their turbulent past to rest. Teddy has married Clara’s best friend, Jess, and the three of them have moved back home to take over the sprawling, remote family mansion known as Vantage Point. Then Teddy decides to run for the Senate—an unnerving prospect made much worse when intimate videos of Clara are leaked online. The most frightening part is that she doesn’t remember filming any of them. Are the videos real? Or are they deepfakes? Is someone trying to take down the Wielands once and for all? Everyone thinks Clara is losing her grasp on reality. But she knows the truth: the videos are only the beginning. Years ago, the curse destroyed her parents. Now, it’s coming for her. Sara Sligar, the critically acclaimed author of Take Me Apart, returns with a shocking family drama full of suspense. Brimming with palpable tension, Vantage Point carefully unravels a twisted web of family secrets and political ambition that raises questions about the nature of “truth” in our digital age.

Desiree, Danielle, January, Monique and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood and of big-city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood - overwhelming, mysterious and full of freedom and consequences - swoops in and stays. Desiree and Danielle, sisters whose shared history has done little to prevent their estrangement, nurse bitter family wounds in different ways. January's got a relationship with a 'good' man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends move from the late 2000s into the late 2020s, from young adults to grown women, they must figure out what they mean to one another - amid political upheaval, economic and environmental instability and the increasing volatility of modern life. The Wilderness is Angela Flournoy's masterful and kaleidoscopic follow-up to her critically acclaimed debut The Turner House. A generational talent, she captures with disarming wit and electric language how the most profound connections over a lifetime can lie in the tangled, uncertain thicket of friendship.
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NATIONAL BESTSELLER FINALIST FOR THE KIRKUS PRIZE FOR FICTION LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION LONGLISTED FOR THE ASPEN WORDS LITERARY PRIZE Named one of the Washington Post's 10 Best Books of the Year One of Barack Obama's "Favorite Books of the Year" Named a Best of the Year by The New Yorker, The Boston Globe, Publishers Weekly, Vogue, Elle, Time, Kirkus Reviews, Electric Literature, Town & Country, Alta Journal, NPR, New York Public Library, Chicago Public Library, Book Riot, Audible "Flournoy has delivered a future classic--the kind of novel that generations to come will read to understand the nuances and peculiarities of this time." -- Harper's Bazaar An era-defining novel about five Black women over the course of their twenty-year friendship, as they move through the dizzying and sometimes precarious period between young adulthood and midlife--in the much-anticipated second book from National Book Award finalist Angela Flournoy. Desiree, January, Monique, and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood, and of big-city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood--overwhelming, mysterious, and full of freedom and consequences--swoops in and stays. Desiree is estranged from her sister Danielle, and the two nurse bitter family wounds in different ways. January's got a relationship with a "good" man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends move from the late 2000's into the late 2020's, from young adults to grown women, they must figure out what they mean to one another--amid political upheaval, economic and environmental instability, and the increasing volatility of modern American life. The Wilderness is Angela Flournoy's masterful and kaleidoscopic follow-up to her critically acclaimed debut The Turner House. A generational talent, she captures with disarming wit and electric language how the most profound connections over a lifetime can lie in the tangled, uncertain thicket of friendship.
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* ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF 2025 * ‘Humorous yet devastating... I loved this book' - BRIT BENNETT ‘Flournoy is singular' - RAVEN LEILANI 'Flournoy has a long-lens talent' - ELEANOR CATTON 'A triumphant whirlwind of a novel' - NAMWALI SERPELL 'One of the wisest, most talented authors working today' - JUSTIN TORRES In 2008, Desiree, January, Monique and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood and of big city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood – overwhelming, mysterious and full of freedom and consequences – swoops in and stays. Desiree is estranged from her sister Danielle, and the two nurse bitter family wounds in different ways. January's got a relationship with a 'good' man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends transition from young adults to grown women, they must figure out what they mean to one another – amid political upheaval, economic and environmental instability and the increasing volatility of modern life. In The Wilderness, Angela Flournoy captures with disarming wit and electric language how life's most profound connections can lie in the tangled, uncertain thicket of friendship. It's The Vanishing Half meets The Most Fun We Ever Had, with notes of Girl, Woman, Other. 'A future classic' - HARPER'S BAZAAR 'Flournoy inhabits a quartet of shifting perspectives with wit, tenderness and exquisite grace... Evokes the hushed, disconsolate quality of [Toni] Morrison' - NEW YORK TIMES 'A fascinating look at lasting friendships... Vivid' - WASHINGTON POST 'A triumph' - LA TIMES 'Flournoy beautifully renders how love - though at times thorny and confusing - is the one thing that keeps us connected' - TIME (The 100 Must-Read Books of 2025) ***** 5-STAR READER REVIEWS FOR THE WILDERNESS ***** 'Every heartbreak, triumph and turn of the text I actually felt in my body' 'Wow, this book... So real and raw' 'If you believe in the power of sisterhood, this is an unforgettable must-read' 'Will make you laugh, ache and long for your own family and friends' 'Captures the complexities of lifelong friendships with remarkable depth' 'One of my best books of the year, hands down' This novel contains references to assisted dying and drug use, and depictions of violence, death, and police brutality.