The 100 Must-Read Books of 2025

Award­-winning author Ken Liu returns with his first scifi thriller in a brand-new series following former “orphan hacker” Julia Z as she is thrust into a high-stakes adventure where she must use her AI-whispering skills to unravel a virtual reality mystery, rescue a kidnapped dream artist, and confront the blurred lines between technology, selfhood, and the power of shared dreams. Julia Z, a young woman who gained notoriety at fourteen as the “orphan hacker,” is trying to live a life of digital obscurity in a quiet Boston suburb. But when a lawyer named Piers—whose famous artist wife, Elli, has been kidnapped by dangerous criminals—barges into her life, Julia decides to put the solitary life she has painstakingly created at risk as she can’t walk away from helping Piers and Elli, nor step away from the challenge of this digital puzzle. Elli is an oneirofex, a dream artist, who can weave the dreams of an audience together through a shared virtual landscape, live, in a concert-like experience by tapping into each attendee’s memories and providing an emotionally resonant narrative experience. While these collective dreams are anonymous, Julia discovers that Elli was also dreaming one-on-one with the head of an international criminal enterprise, and he’s demanding the return of his dreams in exchange for Elli. Unraveling the real and unreal leads Julia on an adventure that takes her across the country and deep into the shadows of her psyche.

FINALIST FOR THE NATIONAL BOOK AWARD • NATIONAL BESTSELLER • THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • From Pulitzer finalist, MacArthur Fellowship recipient, and bestselling author of Swamplandia! and Vampires in the Lemon Grove Karen Russell: a gripping dust bowl epic about five characters whose fates become entangled after a storm ravages their small Nebraskan town NAMED A NOTABLE BOOK OF THE YEAR: THE WASHINGTON POST, NPR, KIRKUS, BOOKPAGE The Antidote opens on Black Sunday, as a historic dust storm ravages the fictional town of Uz, Nebraska. But Uz is already collapsing—not just under the weight of the Great Depression and the dust bowl drought but beneath its own violent histories. The Antidote follows a "Prairie Witch,” whose body serves as a bank vault for peoples’ memories and secrets; a Polish wheat farmer who learns how quickly a hoarded blessing can become a curse; his orphan niece, a basketball star and witch’s apprentice in furious flight from her grief; a voluble scarecrow; and a New Deal photographer whose time-traveling camera threatens to reveal both the town’s secrets and its fate. Russell's novel is above all a reckoning with a nation’s forgetting—enacting the settler amnesia and willful omissions passed down from generation to generation, and unearthing not only horrors but shimmering possibilities. The Antidote echoes with urgent warnings for our own climate emergency, challenging readers with a vision of what might have been—and what still could be.
===
Aurian and Jin Koch are trying, very hard, to be peaceful. They're doing a terrible job. Owning a shiny new Inn in a boring Gold Road village might be Aurian's dream, but the world has other ideas. When Aurian and Jin Koch leave Morda Bonemaker's funeral procession to attempt a peaceful life, they underestimate how difficult their singular history of violence and mayhem will make getting along with the neighbors. Will their history follow them, even into retirement? For that matter--is Evinanjin Koch, veteran hero, capable of retirement? An Aurian and Jin novelette--NOT the second book in the Sundering Trilogy.

From the #1 New York Times bestselling author of The Seven Husbands of Evelyn Hugo and Daisy Jones & The Six comes an epic new novel set against the backdrop of the 1980s space shuttle program, about the extraordinary lengths we go to live and love beyond our limits. Joan Goodwin has been obsessed with the stars for as long as she can remember. She is content with her life as a professor of physics and astronomy and as aunt to her precocious niece, Frances, until she comes across an advertisement seeking the first women scientists to join NASA's space shuttle program. Suddenly, Joan burns to go to space. Selected from a pool of thousands of applicants in the summer of 1980, Joan begins training at Houston's Johnson Space Center, alongside an exceptional group of fellow candidates: Top Gun pilot Hank Redmond and scientist John Griffin, easygoing even when the stakes are high; mission specialist Lydia Danes, who has worked too hard to play nice; warmhearted Donna Fitzgerald, navigating her own secrets; and Vanessa Ford, the magnetic and mysterious aeronautical engineer who can fix any engine and fly any plane. As they become unlikely friends and prepare for their first flights, Joan finds a love she never imagined. In this new light, Joan begins to question everything she thinks she knows about her place in the observable universe. Then, in December of 1984, on mission STS-LR9, it all changes in an instant. Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: telling a passionate and soaring story about the transformative power of love–this time among the stars.
===
***THE NUMBER ONE SUNDAY TIMES AND NEW YORK TIMES BESTSELLER*** 'This summer's biggest read' SUNDAY TIMES 'A richly drawn page-turner' OBSERVER 'Beautifully written, immersive' THE TIMES 'Our favourite TJR novel yet' COSMOPOLITAN 'I absolutely adored this' BRYONY GORDON READERS ARE SAYING... 'So emotional by the end that I could hardly speak' - Reader Review, 5***** 'Melted my heart by the end' - Reader Review, 5***** 'Taylor Jenkins Reid is the master of a really great love story' - Reader Review, 5***** 'Taylor Jenkins Reid's best book yet' - Reader Review, 5***** An epic novel set against the backdrop of the 1980s space shuttle program about the extraordinary lengths we go to live and love beyond our limits. In the summer of 1980, Joan Goodwin begins training to be an astronaut at Houston's Johnson Space Centre, alongside an exceptional group of fellow candidates. As the new astronauts prepare for their first flights, Joan finds a passion and a love she never imagined and begins to question everything she believes about her place in the observable universe. Then, in December of 1984, on mission STS-LR9, everything changes in an instant. Atmosphere is a soaring story about the transformative power of love - this time among the stars. 'Is there a popular fiction writer alive who conveys falling in love better than Taylor Jenkins Reid?' DAILY MAIL 'Thrilling ... heartbreaking ... uplifting. ... I loved it' KRISTIN HANNAH, author of The Women 'NASA? Space missions? The 80s? This is a collection of all the things I love. ... Thrilling' ANDY WEIR, author of Project Hail Mary and The Martian 'Packs a hefty emotional punch' MAIL ON SUNDAY 'Breathtaking' HEAT 'Unputdownable' GRAZIA
===
***THE NUMBER ONE BESTSELLER*** 'Tipped to be this summer's biggest read' SUNDAY TIMES 'A richly drawn page-turner' OBSERVER 'Quite possibly our favourite TJR novel yet' COSMOPOLITAN 'I absolutely adored this' BRYONY GORDON 'A breathtaking, quietly staggering tale of female empowerment, desire, and our place in the universe' HEAT 'Unputdownable' GRAZIA READERS ARE SAYING... 'So emotional by the end that I could hardly speak' - Reader Review, 5***** 'Melted my heart by the end' - Reader Review, 5***** 'Taylor Jenkins Reid is the master of a really great love story' - Reader Review, 5***** 'Taylor Jenkins Reid's best book yet' - Reader Review, 5***** An epic novel set against the backdrop of the 1980s space shuttle program about the extraordinary lengths we go to live and love beyond our limits. In the summer of 1980, astrophysics professor Joan Goodwin begins training to be an astronaut at Houston’s Johnson Space Center, alongside an exceptional group of fellow candidates: Top Gun pilot Hank Redmond; mission specialists John Griffin and Lydia Danes; warmhearted Donna Fitzgerald; and Vanessa Ford, the magnetic and mysterious aeronautical engineer. As the new astronauts prepare for their first flights, Joan finds a passion and a love she never imagined and begins to question everything she believes about her place in the observable universe. Then, in December of 1984, on mission STS-LR9, everything changes in an instant. Atmosphere is Taylor Jenkins Reid at her best: transporting readers to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love – this time among the stars. 'Is there a popular fiction writer alive who conveys falling in love better than Taylor Jenkins Reid?' DAILY MAIL 'Packs a hefty emotional punch' MAIL ON SUNDAY 'Thrilling ... heartbreaking ... uplifting. Taylor Jenkins Reid's novel Atmosphere is the fast-paced, emotionally-charged story of one ambitious young woman, finding both her voice and her passion ... I loved it' KRISTIN HANNAH, author of The Women 'NASA? Space missions? The 80s? This is a collection of all the things I love. Great story, excellent research and accuracy, and a thrilling conclusion.' ANDY WEIR, author of Project Hail Mary and The Martian

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, TIME MAGAZINE, MARIE CLAIRE, BOOK RIOT, ESQUIRE, KIRKUS, PUBLISHERS WEEKLY AND MORE! ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR SHORTLISTED FOR THE 2025 BOOKER PRIZE INSTANT NATIONAL BESTSELLER “A tightly wound family drama that reads like a psychological thriller."—NPR “Bold, stark, genre-bending, Audition will haunt your dreams.”—The Boston Globe One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love. Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.
===
**SHORTLISTED FOR THE BOOKER PRIZE 2025** A GUARDIAN, OBSERVER, FINANCIAL TIMES, BBC, TIME, VOGUE, MARIE CLAIRE, ESQUIRE and ROLLING STONE BOOK TO READ IN 2025 'Slick, sharp, strange and singular . . . You’ll gulp this novel down in one in-breath' SAMANTHA HARVEY, Booker Prize-winning author of Orbital 'A lightning bolt of a novel' FINANCIAL TIMES 'I’m not sure there’s anyone better writing in America today' ALEX PRESTON, Observer One woman, the performance of a lifetime. Or two. An exhilarating, destabilising novel that asks whether we ever really know the people we love Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young – young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.

The award-winning author of The Resisters returns with an engrossing, blisteringly funny-sad autobiographical novel tracing a tumultuous mother-daughter relationship. My mother had died, but still I heard her voice. . . Gish’s mother, Loo Shu-hsin, is born in 1924 to a wealthy Shanghai family whose girls are expected to restrain themselves. Her beloved nursemaid—far more loving to than her real mother—is torn from her even as she is constantly reprimanded: “Bad bad girl! You don’t know how to talk!” Sent to a modern Catholic school by her progressive father, she receives not only an English name—Agnes—but a first-rate education. To his delight, she excels. But even then he can only sigh, “Too bad. If you were a boy, you could accomplish a lot.” Agnes finds solace in books and, in 1947, announces her intention to pursue a PhD in America. As the Communist revolution looms, she sets sail—never to return. Lonely and adrift in New York, she begins dating Jen Chao-Pe, an engineering student. They do their best to block out the increasingly dire plight of their families back home and successfully establish a new American life: Marriage! A house in the suburbs! A number one son! By the time Gish is born, though, the news from China is proving inescapable; their marriage is foundering; and Agnes, confronted with a strong-willed, outspoken daughter distinctly reminiscent of herself, is repeating the refrain—“Bad bad girl! You don’t know how to talk!”—as she recapitulates the harshness of her own childhood. Spanning continents, generations, and cultures, Bad Bad Girl is a novel only Gish Jen could have written: genre-bending, courageous, wise, and as immensely incisive as it is compassionate.
===
Growing up in 1920s Shanghai, Gish Jen's mother was told every day it was 'no good for a girl be too smart' -a silencing message she attempts to escape yet brings with her to New York. In this riveting portrayal of a Chinese woman desiring emancipation but also control, Gish Jen gives us a heartbreaking mother-daughter relationship, saved by writing.
===
"Gish's mother--Loo Shu-hsin--is born in 1925 to a wealthy Shanghai family where girls are expected to behave and be quiet. Every act of disobedience prompts the same reprimand: "Bad bad girl! You don't know how to talk!" She gets sent to Catholic school, where she is baptized, re-named for St. Agnes, and, unusually for a girl, given an internationally-minded education. Still, her father would say, "Too bad. If you were a boy, you could accomplish a lot." Aggie finds solace in books, reading every night with a flashlight and an English-Chinese dictionary, before announcing her intention to pursue a Ph.D in America. It is 1947, and with the forces of Communist revolution on the horizon, she leaves--never to return. Lonely and adrift in Manhattan, Aggie begins dating Chao-Pei, an engineering student also from Shanghai. While news of their country and their families grows increasingly dire, they set out to make a new life together: marriage, a number one son, a small house in the suburbs. By the time Gish is born, her parents' marriage is unraveling, and her mother, struggling to understand her strong-willed American daughter, is repeating the refrain that punctuated her own childhood: "Bad bad girl! You don't know how to talk!" Bad Bad Girl is a novel about a mother and a daughter forced to reckon with one another across decades of curiosity and ambition, elation and disappointment, intense intimacy and misunderstanding. Spanning continents and generations, this is a rich, heartbreaking portrait of two fierce women locked in a complicated life-long embrace"--

#1 New York Times bestselling author and “queen of royal fiction” (USA Today) Philippa Gregory returns with a dazzling historical novel of ambition, betrayal, and survival in the court of Henry VIII. “Gregory skillfully captures the lust for power and wealth that overcomes those who serve a mentally unstable ruler.”--Library Journal “Richly atmospheric, Gregory’s novel delivers a riveting portrait of Jane and drama of the cunning stakes involved in trying to survive Henry’s reign.”--Booklist Jane Boleyn watches from the shadows of the Tudor court, where secrets are currency, every choice is dangerous, and even the faintest whisper can seal the fate of queens. For Jane, survival demands playing every role required of her: a loving wife who conceals her doubts, a devoted sister to Anne Boleyn at the height of her power, and an obedient spy who carefully wields her words. But in a court ruled by ambition and a tyrant’s sword, Jane must rely on her sharp wit and skillful maneuvering to outthink those around her, knowing that one wrong move could cost her everything. Philippa Gregory masterfully shines a spotlight on the untold story of Jane Boleyn, peeling back the myths to reveal a complex portrait of a woman who dared to survive at any cost. Perfect for fans of thrilling historical drama and readers captivated by the intrigue of the Tudor period, Boleyn Traitor is a must-read.
===
Sister. Pawn. Liar. Traitor. Her words sent two queens to the scaffold. Her secrets shaped a kingdom. But her true story was hidden. Until now. Philippa Gregory brings the Boleyn traitor out of the shadows in a groundbreaking tale of love, betrayal -- and survival.

One of Barack Obama's Favorite Books of the Summer A Literary Hub, Esquire, and Washington Post Most Anticipated Book of 2025 One of Time's and People's Best Books of May A Los Angeles Times and A. V. Club Top 10 Book to Read in May "A beautiful fable about migration, memory, and the struggle to recognize our common humanity." —Barack Obama A novel that leaps across centuries past and future, as if different eras were separated by only a door. Lina and her father arrive at an enclave called The Sea, a staging post between migrations, with only a few possessions. In this mysterious and shape-shifting place, a building made of time, pasts and futures collide. Lina befriends her neighbors: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China. Memory, political revolution, generational change, and the ethical imagination are at the heart of Lina’s illuminating conversations with her fellows in the Sea: how we come to believe what we believe, and how every person is an irreplaceable, unique vessel of history. Through the guidance of these great thinkers, Lina equips herself to reckon with difficult questions of guilt, responsibility, and the possibility of redemption when her ailing father begins to reveal his role in their family’s tragic past. As Lina confronts her father’s troubling admissions, she begins to reconceptualize the world around her, gaining a deeper understanding of how our individual futures are shaped by our political circumstances, and she relies on the collective joy of art and intellectual endeavors to carry her through difficulty. A novel that voyages between centuries, generations, and ideas, The Book of Records is an indelible testament to the migratory nature of humanity and our ceaseless search for a home—in the physical world, in cyberspace, in history, and in the imagination—in the wake of catastrophe.
===
INSTANT NATIONAL BESTSELLER • WINNER OF THE QUEBEC WRITERS’ FEDERATION AWARDS PARAGRAPHE HUGH MACLENNAN PRIZE FOR FICTION • LONGLISTED FOR THE 2025 NATIONAL BOOK CRITICS CIRCLE AWARD FOR FICTION • One of Barack Obama’s Favorite Books of the Summer • TIME’s 100 Must-Read Books of 2025 • Named a Best Book of 2025 by The Globe and Mail • The New Yorker • Vulture • New York Public Library • The Guardian • Esquire • The Boston Globe An “incandescent” (The New York Times), “evocative and buoyant” (Toronto Star) page turner from the beloved author of Do Not Say We Have Nothing—this “rich and beautiful” (The Guardian) father–daughter saga leaps across centuries past and future, as if different eras were separated by only a door • “Reading Thien is to admire how she brush-strokes language to create beauty. . . . Full of unexpected moments of beauty and pleasure.” (Los Angeles Times) Why did people, who lived so briefly in this universe, contain so much time? Lina and her ailing father have taken refuge at an enclave called the Sea, a staging post between migrations, with only a few possessions, among them three volumes from The Great Lives of Voyagers encyclopaedia series. In this mysterious and shape-shifting building, pasts and futures collide. Lina befriends her unusual neighbours: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China, and through their stories, she comes to understand the role of fate in history and the way that ideas can shape the world, and to face up to the cost wrought on her family and others by her father's betrayals. Exquisitely written with extraordinary subtlety of thought, The Book of Records leaps across centuries as if eras were separated by only a door. This is Madeleine Thien at her most exciting, sublime and engaging.

An instant New York Times bestseller, a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

NAMED ONE OF THE BEST BOOKS OF THE YEAR (SO FAR) BY THE NEW YORK TIMES A NEW YORK TIMES BOOK REVIEW BOOK CLUB SELECTION Best Books of Summer: Washington Post, TIME, USA Today, Forbes Most Anticipated Books of 2025: TIME, Publishers Weekly, Lit Hub, We Are Bookish, The Millions and Book Riot A Belletrist (Emma Roberts) Featured Book A Prose Hose (Eli Rallo) Book Club Selection The inaugural novel in the Well-Read Black Girl Books series, The Catch is a darkly whimsical tale of women daring to live and create with impunity. Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. As infants they were adopted into different families, Clara sent to live with a successful, upper-class couple, and Dempsey with a sullen, unaffectionate city councilor. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life—the very life, it seems, she might have had if the girls had never been born. As with most things, Clara and Dempsey cannot see eye to eye on the confounding appearance of this woman. Clara, a celebrity author with a penchant for excessive drinking and one-night stands, is all too willing to welcome the confident and temperamental Serene into her home. But cloistered Dempsey, who makes a modest living doing menial data entry work from the confines of her apartment, is dubious of the whole situation, believing this all to be the insidious ruse of a con woman. Clashing over this stranger who burrows deeper and deeper into their lives, the sisters hurtle toward an altercation that threatens their very existence, forcing them to finally confront their pasts—together. In her riveting first foray into fiction, Yrsa Daley-Ward conjures a kaleidoscopic multiverse of daughterhood and mother-want, exploring the sacrifices that women must make for self-actualization. The result is a marvel of a debut novel that boldly asks, “How can it ever, ever be a crime to choose yourself?”
===
'Totally original, entirely compelling and astonishingly well crafted, The Catch solidifies Yrsa Daley-Ward as one of Britain's best and boldest voices. A dark and lyrical debut that's well worth the wait.' Yomi Adegoke, author of Slay in Your Lane and The List 'A fantastic, shimmering work. Ysra Daley-Ward's rich exploration of Black womanhood and familial complexities is a must read.' Irenosen Okojie 'From one of my favourite living writers, The Catch is a slippery shape-shifting delight. Yrsa's novel is fluorescently dark and winding; brilliant in its investigation of refractions and meaning.' Eloghosa Osunde, author of VAGABONDS! 'Yrsa's work is like holding the truth in your hands. A glorious living thing' FLORENCE WELCH A darkly whimsical debut about women daring to live and create with impunity. Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life. Clara, a celebrity author in desperate need of validation, believes Serene is their mother, while Dempsey, isolated and content to remain so, believes she is a con woman. As they clash over this stranger, the sisters hurtle toward an altercation that threatens their very existence, forcing them to finally confront their pasts--together. In her riveting first foray into fiction, Yrsa Daley-Ward conjures a kaleidoscopic multiverse of daughterhood and mother-want, exploring the sacrifices that Black women must make for self-actualization. The result is a marvel of a debut novel that boldly asks, "How can it ever, ever be a crime to choose yourself?"

Named a Best Book of 2025 by TIME, Elle, and Marie Claire “Ada Calhoun writes with absolute clarity about the giddiest and most destabilizing feeling—the crush. This novel made me feel dizzy and I loved every second. Calhoun can seduce me any day of the week.” —Emma Straub, New York Times bestselling author of This Time Tomorrow When a husband asks his wife to consider what might be missing from their marriage, what follows surprises them both—sex, heartbreak and heart rekindling, and a rediscovered sense of all that is possible She’s happy and settled and productive and content in her full life—a child, a career, an admirable marriage, deep friendships, happy parents, and a spouse she still loves. But when her husband urges her to address what the narrow labels of “husband” and “wife” force them to edit out of their lives, the very best kind of hell breaks loose. Using the author’s personal experiences as a jumping-off point, Crush is about the danger and liberation of chasing desire, the havoc it can wreak, and most of all the clear sense of self one finds when the storm passes. Destined to become a classic novel of marriage, and tackling the big questions being asked about partnership in postpandemic relationships, Crush is a sharp, funny, seductive, and revelatory novel about holding on to everything it’s possible to love—friends, children, parents, passion, lovers, husbands, all of the world’s good books, and most of all one’s own deep sense of purpose.

A young woman must shake off a family curse and the widely held belief that she is the reincarnation of her dead cousin in this wickedly funny, brilliantly perceptive novel about love, female rivalry, and superstition from the author of the smash hit My Sister, the Serial Killer ("A bombshell of a book. . . . Sharp, explosive, hilarious." —New York Times) When Ebun gives birth to her daughter, Eniiyi, on the day they bury her cousin Monife, there is no denying the startling resemblance between the child and the dead woman. So begins the belief, fanned by the entire family, that Eniiyi is the actual reincarnation of Monife, fated to follow in her footsteps. There is also the matter of the family curse: "No man will call your house his home. And if they try, they will not have peace"—which has broken numerous hearts and caused three generations of abandoned Falodun women to live under the same roof. When Eniiyi falls in love she can no longer run from her family’s history. Is she destined to live out the habitual story of love and heartbreak? Or can she break the pattern, not only avoiding the spiral that led Monife to her lonely death, but liberating herself from all the family secrets and unspoken traumas that have dogged her steps since before she could remember? Cursed Daughters is a brilliant cocktail of vibrant humor and hard-won wisdom, romantic love and familial obligation. It asks us what it means to be given a second chance and how to live both wisely and well with what we’ve been given.
===
CURSES ARE LIKE HEARTS. SOME ARE MORE EASILY BROKEN THAN OTHERS... the twist-filled, spooky heartbreaker from the global-bestselling author of My Sister, the Serial Killer -- 'A haunting, twisty tale of curses and romance' Ayòbámi Adébáyò 'A sweeping love story... I lost myself within its gorgeous pages' Jennie Godfrey 'Funny and fearless, soaked in secrets, spirit, heartbreak, and love... Impossible to put down' Abi Daré No man will call your house his home. And if they try, they will not have peace... So goes the family curse, handed down from generation to generation, ruining families and breaking hearts as it goes. And now it's calm, rational Eniiyi's turn - who, due to her uncanny resemblance to her dead aunt, Monife, and her family's insistence that she must be a reincarnation, has long been used to some strange familial beliefs. Still, when she falls in love with the handsome boy she saves from drowning, she can no longer run from her family's history. Is she destined to live out the habitual story of love and heartbreak, or can she escape the family curse and the mysterious fate that befell her aunt? -- Readers are falling hard for Cursed Daughters... 'Everyone's going to fall in love with this book' 'A stunning read. Possibly my book of the year so far' 'One of the best endings of a book I've read in a long time. So satisfying' 'Sharp, brilliantly written...and broke my heart on more than one occasion' 'I cannot express how much I adored this book - like truly, madly, deeply adored it'

“A gripping thriller that pulls back the curtain on the secret world of tech billionaires.”—Time (100 Must-Read Books of 2025) “A stone-cold banger of a novel—a twisty journey through Silicon Valley’s dark side, wrapped in a stunning mystery package with some wild surprises along the way.”—Blake Crouch, New York Times bestselling author of Dark Matter A WASHINGTON POST AND CRIMEREADS BEST BOOK OF THE YEAR DON’T CALL ME A FIXER. THIS ISN’T HBO. As the unofficial “problem solver” for Silicon Valley’s most ruthless venture capitalist, Mackenzie Clyde’s an expert at wrangling tech bros and their multimillions—even as her own shot at a windfall remains just out of reach. But now she’s playing for higher stakes. Because the lightning-rod CEO of tech’s hottest startup has just been murdered, leaving behind billions in “dead money” frozen in his will—and Mackenzie’s boss is the company’s chief investor. With a fortune on the line and the official investigation going nowhere, it’s up to Mackenzie to step in and resolve things, fast. Mackenzie’s a lawyer, not a detective. Cracking this fiendishly clever killing, with its list of suspects that reads like a who’s-who of Valley power players, should be way out of her league. Except Mackenzie’s used to being underestimated. In fact, she’s counting on it. “Terrific . . . filled with jaw-dropping twists and turns . . . an unpredictable nesting-box of surprises.”—The New York Times Book Review (Best Thrillers of the Year So Far)

Preorder now and receive the stunning DELUXE LIMITED EDITION while supplies last―featuring a special alternate cover design on the hardcover case, gorgeous sprayed edges, and exclusive endpapers. This breathtaking edition is only available on a limited first print run. "Her best work yet... about fame and family, culture and change, the power of story, the writer's life... and robots. This one has it all." -- George R.R. Martin In this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative--a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you've read before. The future of storytelling is here. Disabled, disinclined to marry, and more interested in writing than a lucrative career in medicine or law, Zelu has always felt like the outcast of her large Nigerian family. Then her life is upended when, in the middle of her sister's lavish Caribbean wedding, she's unceremoniously fired from her university job and, to add insult to injury, her novel is rejected by yet another publisher. With her career and dreams crushed in one fell swoop, she decides to write something just for herself. What comes out is nothing like the quiet, literary novels that have so far peppered her unremarkable career. It's a far-future epic where androids and AI wage war in the grown-over ruins of human civilization. She calls it Rusted Robots. When Zelu finds the courage to share her strange novel, she does not realize she is about to embark on a life-altering journey--one that will catapult her into literary stardom, but also perhaps obliterate everything her book was meant to be. From Chicago to Lagos to the far reaches of space, Zelu's novel will change the future not only for humanity, but for the robots who come next. A book-within-a-book that blends the line between writing and being written, Death of the Author is a masterpiece of metafiction that manages to combine the razor-sharp commentary of Yellowface with the heartfelt humanity of Tomorrow and Tomorrow and Tomorrow. Surprisingly funny, deeply poignant, and endlessly discussable, this is at once the tale of a woman on the margins risking everything to be heard and a testament to the power of storytelling to shape the world as we know it.

"From Laila Lalami-the Pulitzer Prize and National Book Award finalist and a "maestra of literary fiction" (NPR)-comes a riveting and utterly original novel about one woman's fight for freedom, set in a near future where even dreams are under surveillance. Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA's algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes. With every deviation from the strict and ever-shifting rules of the facility, their stay is extended. Months pass and Sara seems no closer to release. Then one day, a new resident arrives, disrupting the order of the facility and leading Sara on a collision course with the very companies that have deprived her of her freedom. Eerie, urgent, and ceaselessly clear-eyed, The Dream Hotel artfully explores the seductive nature of technology, which puts us in shackles even as it makes our lives easier. Lalami asks how much of ourselves must remain private if we are to remain free, and whether even the most invasive forms of surveillance can ever capture who we really are"--
===
* LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2025 * * A READ WITH JENNA BOOK CLUB PICK MARCH 2025 * Sara is returning home from a conference abroad when agents from the Risk Assessment Administration pull her aside at the airport. Using data from her dreams, their algorithm has determined that she is at imminent risk of harming her husband. For his safety, she must be transferred to a retention centre, and kept under observation for twenty-one days. But as Sara arrives to be monitored alongside other dangerous dreamers, she discovers that with every deviation from the facility's strict and ever-shifting rules, their stays can be extended - and that getting home to her family is going to cost much more than just three weeks of good behaviour . . . The Dream Hotel is a gripping speculative mystery about the seductive dangers of the technologies that are supposed to make our lives easier. As terrifying as it is inventive, it explores how well we can ever truly know those around us - even with the most invasive surveillance systems in place.

Winner of the Westport Prize for Literature Finalist for New American Voices Award and Pacific Northwest Book Award Best Book of the Year at TIME, Apple, Debutiful, Electric Literature, and Goodreads Best Book of the Month at Oprah Daily, Apple Books, Alta Journal, Ms. Magazine, Book Riot, The Roots, Write or Die, and Southern Review of Books Set between Nigeria and New Orleans, The Edge of Water tells the story of a young woman who dreams of life in America, as the collision of traditional prophecy and individual longing tests the bonds of a family during a devastating storm. In Ibadan, Nigeria, a mother receives a divination that foretells danger for her daughter in America. In spite of this warning, she allows her to forge her own path, and Amina arrives in New Orleans filled with hope. But just as Amina begins to find her way, a hurricane threatens to destroy the city, upending everything she’d dreamed of and the lives of all she holds dear. Years later, her daughter is left with questions about the mother she barely knew, and the family she has yet to discover in Nigeria. Exploring the love of a determined mother and dreaming daughter who do not say enough to each other until it is too late, the detangling of Yoruba Christianity, traditional religion, and folklore, and the tellings of three generations of daring women—through times of longing, promise, and romance, as well as heartbreak—Olufunke Grace Bankole’s The Edge of Water is a luminous debut novel about a young woman brave enough to leave all she knows behind, and the way her fate transforms a family destined to stay together.

Short-listed for the Booker Prize Long-listed for the National Book Award “The first major American novel to be published this year.” —Sam Sacks, The Wall Street Journal “Gorgeous . . . Almost impossibly heartbreaking.” —Sam Worley, New York Magazine A Must-Read: The New York Times, New York Magazine, Time, The Washington Post, Los Angeles Times, The Boston Globe, Entertainment Weekly, USA Today, The Chicago Review of Books, Forbes, Literary Hub, and Town & Country “A major world writer . . . Choi is in thrilling command.” ―Dwight Garner, The New York Times “Devastating.” —Ron Charles, The Washington Post “Ranks among her best work.” —Hamilton Cain, Los Angeles Times A Dakota Johnson x TeaTime Book Club Pick A novel tracing a father’s disappearance across time, nations, and memory, from the author of Trust Exercise. One summer night, Louisa and her father take a walk on the breakwater. Her father is carrying a flashlight. He cannot swim. Later, Louisa is found on the beach, soaked to the skin, barely alive. Her father is gone. She is ten years old. Louisa is an only child of parents who have severed themselves from the past. Her father, Serk, is Korean, but was born and raised in Japan; he lost touch with his family when they bought into the promises of postwar Pyongyang and relocated to North Korea. Her American mother, Anne, is estranged from her Midwestern family after a reckless adventure in her youth. And then there is Tobias, Anne’s illegitimate son, whose reappearance in their lives will have astonishing consequences. But now it is just Anne and Louisa, Louisa and Anne, adrift and facing the challenges of ordinary life in the wake of great loss. United, separated, and also repelled by their mutual grief, they attempt to move on. But they cannot escape the echoes of that night. What really happened to Louisa’s father? Shifting perspectives across time and character and turning back again and again to that night by the sea, Flashlight chases the shock waves of one family’s catastrophe, even as they are swept up in the invisible currents of history. A monumental new novel from the National Book Award winner Susan Choi, Flashlight spans decades and continents in a spellbinding, heart-gripping investigation of family, loss, memory, and the ways in which we are shaped by what we cannot see.
===
**SHORTLISTED FOR THE BOOKER PRIZE 2025** 'Ferociously smart and full of surprises' Eleanor Catton 'Instantly bewitching' Jennifer Egan 'A rich generational saga that teems with intelligence' Financial Times The astonishing story of one family swept up in the tides of the twentieth century, ranging from post-war Japan to suburban America and the North Korean regime One evening, ten-year-old Louisa and her father take a walk out on the breakwater. They are spending the summer in a coastal Japanese town while her father Serk, a Korean émigré, completes an academic secondment from his American university. When Louisa wakes hours later, she has washed up on the beach and her father is missing, probably drowned. The disappearance of Louisa’s father shatters their small family unit. As Louisa and her American mother Anne return to the US, this traumatic event reverberates across time and space, and the mystery of what really happened to Serk slowly unravels. 'Big, bold and surprising' Guardian ‘Engrossing... Choi is an astute, convincing writer’ Sunday Telegraph 'Susan Choi is a master of rendering relationships with utter particularity' Raven Leilani, author of Luster 'I couldn’t put it down, and once I finished, I couldn’t stop thinking about it' Barbara Demick, author of Nothing to Envy

For readers of Elif Batuman and Sally Rooney, a beguiling debut novel about finding oneself after heartbreak. After suffering her first big heartbreak two years earlier, Penelope Lin has built a quiet life with no romantic entanglements. She spends her days cataloging a museum’s vast collection of Qing Dynasty bound-foot shoes and in the comfortable company of close friends. One day, she happens to meet Hoang, who confesses to releasing mice from the cancer research lab where he works. Hoang’s openness catches Penelope off guard; from then on, she finds her carefully constructed life slowly start to unravel. Told in Penelope’s witty, vulnerable, and thoroughly endearing voice, Gingko Season captures three seasons of reawakening, challenges, and transformation. This wise and tenderhearted novel explores the nature of our deepest friendships as seriously as it does the dizzying terror and thrill of falling in love, and the complications of trying to live a life that matches your ideals.

NATIONAL BESTSELLER • The daughter of an affluent Black family pieces together the connection between a childhood tragedy and a beloved heirloom in this moving novel from the bestselling author of Black Cake, a Read with Jenna Book Club Pick “Engrossing . . . Wilkerson masterfully weaves these threads of love, loss and legacy [into] a thoroughly researched and beautifully imagined family saga.”—The New York Times When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well. The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart without any explanation, that's exactly what they get. So Ebby flees to France, only for her past to follow her there. And as she tries to process what's happened, she begins to think about the other loss her family suffered on that day eighteen years ago—the stoneware jar that had been in their family for generations, brought North by an enslaved ancestor. But little does she know that the handcrafted piece of pottery held more than just her family's history—it might also hold the key to unlocking her own future. In this sweeping, evocative novel, Charmaine Wilkerson brings to life a multi-generational epic that examines how the past informs our present.
===
FROM THE NEW YORK TIMES BESTSELLING AUTHOR OF BLACK CAKE COMES A GRIPPING TALE OF LOVE, FAMILY, AND THE SEARCH FOR A NEW BEGINNING. A family full of secrets. A chance to set them all free. — When Ebby Freeman travels to France to take a three-month hiatus from her complicated home life, the last person she expects to find is her ex-fiancé Henry, with his new girlfriend in tow. Nearly twenty years earlier, the Freemans were the only African American family living in a wealthy coastal enclave in Connecticut when armed robbers invaded their home and tragedy changed their lives forever. Then, just as Ebby thought she had a new chance at happiness, her storybook romance with Henry fell apart. Now, this unexpected encounter with Henry will force Ebby to reckon with her past and to think on the other loss her family suffered that day – the destruction of a beloved stoneware jar crafted by an enslaved ancestor and passed down through the generations. A piece that might hold not only her family history, but also the key to reclaiming her future. -- 'A sensational story about hidden heartbreak, hope, and the power of embracing one's ancestry' JESSICA GEORGE, author of MAAME 'Will be every reader's highlight of 2025' ETHAN JOELLA, author of THE SAME BRIGHT STARS 'Glittering and discerning prose, poignant yet hopeful' NIKKI MAY, author of WAHALA 'One of the great multi-generational storytellers of our time' ABI DARE, author of THE GIRL WITH THE LOUDING VOICE 'I'm in utter awe of Charmaine - she is the real real' HARRIET CONSTABLE, author of THE INSTRUMENTALIST 'Her brilliance knows no adequate words' ORE AGBAJE WILLIAMS, author of THE THREE OF US Praise for Charmaine Wilkerson and Black Cake: 'Completely blew me away' Red 'Unputdownable. Astonishing. Twists and turns so shocking they will leave your head spinning and your heart aching' Grazia 'You can't help but fall in love with this book' Stylist 'A novelist to watch' Independent 'Beautiful, deeply resonant . . . A story that is as meaningful as it is delicious' Taylor Jenkins Reid
===
NATIONAL BESTSELLER • The daughter of an affluent Black family pieces together the connection between a childhood tragedy and a beloved heirloom in this moving novel from the bestselling author of Black Cake, a Read with Jenna Book Club Pick “Engrossing . . . Wilkerson masterfully weaves these threads of love, loss and legacy [into] a thoroughly researched and beautifully imagined family saga.”—The New York Times LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • A BEST BOOK OF THE YEAR: TIME, NPR, Marie Claire, People, Chicago Public Library, Christian Science Monitor, Denver Public Library When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well. The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart without any explanation, that's exactly what they get. So Ebby flees to France, only for her past to follow her there. And as she tries to process what's happened, she begins to think about the other loss her family suffered on that day eighteen years ago—the stoneware jar that had been in their family for generations, brought North by an enslaved ancestor. But little does she know that the handcrafted piece of pottery held more than just her family's history—it might also hold the key to unlocking her own future. In this sweeping, evocative novel, Charmaine Wilkerson brings to life a multi-generational epic that examines how the past informs our present.

“An exhilarating debut novel” (R.O. Kwon, The New York Times Book Review) about the daughter of Afghan refugees and her year of self-discovery—a portrait of the artist as a young woman set in a Berlin that can’t escape its history A girl can get in almost anywhere, even if she can’t get out. SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION • LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • A BEST BOOKS OF THE YEAR: Time, Elle, Electric Lit, The Skinny “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic, full of style and soul.”—Raven Leilani “Aber writes with . . . masterful precision.”—Leila Lalami, The Atlantic "Once in a blue moon a debut novel comes along, announcing a voice quite unlike any other, with a layered story and sentences that crackle and pop, begging to be read aloud. Aria Aber’s splendid Good Girl introduces just such a voice . . . Aber, an award-winning poet, strikes gold here, much like Kaveh Akbar did in last year’s acclaimed Martyr!"—Los Angeles Times In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.
===
**Shortlisted for the Women's Prize for Fiction 2025** A portrait of the artist as a young woman in a Berlin that can't escape its history: an electric debut novel about the daughter of Afghan refugees and her year of nightclubs, bad romance, and self-discovery 'Kaleidoscopic, full of style and soul' Raven Leilani 'A must-read ... Dark, breathtaking, profound, so fresh' Guardian 'A no-bullshit must-read debut' Kaveh Akbar 'Delicious, propulsive reading' Vogue In Berlin's underground, where techno rattles buildings still scarred with the violence of the last century, nineteen-year-old Nila finds her tribe. In their company she can escape the parallel city that made her, the public housing block packed with refugees and immigrants, where the bathrooms are infested with silverfish and the walls outside are graffitied with swastikas. Escaping into the clubs, Nila tries to outrun the shadow of her dead mother, once a feminist revolutionary; her catatonic, defeated father; and the cab-driver uncles who seem to idle on every corner. To anyone who asks, her family is Greek, not Afghani. And then Nila meets American writer Marlowe Woods, whose literary celebrity, though fading, opens her eyes to a world of patrons and festivals, one that imbues her dreams of life as an artist with new possibility. But as she finds herself drawn further into his orbit and ugly, barely submerged tensions begin to roil and claw beneath the city's cosmopolitan veneer, everything she hopes for, hates, and believes about herself will be challenged. 'Rarely has the wildness and bewilderment of youth been conveyed with such richly textured heat' Garth Greenwell
===
**Shortlisted for the Women's Prize for Fiction 2025** **A Time Book of the Year 2025** A portrait of the artist as a young woman in a Berlin that can't escape its history: an electric debut novel about the daughter of Afghan refugees and her year of nightclubs, bad romance, and self-discovery 'Kaleidoscopic, full of style and soul' Raven Leilani 'A must-read ... Dark, breathtaking, profound, so fresh' Guardian 'A no-bullshit must-read debut' Kaveh Akbar 'Delicious, propulsive reading' Vogue Born in Germany to Afghan parents, Nila has spent her adolescence disappointing her family while searching for her voice. Now in Berlin's techno-filled warehouses, their walls still scarred by the ravages of the last century, she has found her tribe. Then Nila meets American writer Marlowe. As she is sucked into his seductive but controlling orbit, and ugly racial tensions begin to roil through Germany, she is forced to ask herself the question she's been running from: who does she want to be? 'Rarely has the wildness and bewilderment of youth been conveyed with such richly textured heat' Garth Greenwell
===
UN DEBUT PODEROSO, ENFURECIDO Y NECESARIO. «UN ÉXITO TOTAL» PUBLISHERS WEEKLY. NOMINADO AL WOMEN'S PRIZE FOR FICTION 2025 Con una conmovedora perspectiva sobre nuestros tiempos, Good Girl huele a resaca química y cemento mojado, como un domingo cualquiera en Berlín En el universo underground y artístico de Berlín, donde el techno y las drogas palpitan en antiguos almacenes atravesados por las guerras del siglo XX, Nila lucha por entender quién quiere ser. Nacida en Alemania de padres afganos, criada en viviendas públicas cubiertas de esvásticas y magnetizada por la filosofía, la fotografía y el sexo, Nila se mueve en una huida hacia adelante dando forma a un Bildungsroman intoxicado y poético. Aber construye un mundo implacable en un Berlín mugriento y desenreda historias y legados con una pluma hábil que respeta y admite la autodestrucción como herramienta efectiva de autodescubrimiento. La crítica ha dicho: «Un debut poderoso que sumerge al lector en una batalla feroz entre la identidad cultural de una joven afgana y su anhelo de libertad. [...] Profunda e innovadora, Good Girl es un libro imprescindible». The Guardian «Abrid Good Girl por cualquier página y os engullirá su belleza magnética y la forma en la que el deseo se abre paso a través de las grietas de la desesperación». Ron Charles, The Washington Post «Se parece de una manera inesperada y gratificante a varios clásicos del género - Los años de aprendizaje de Wilhelm Meister de Goethe o Jane Eyre de Charlotte Brontë-. [...] Poderosísima». Anahid Nersessian, The New Yorker «Un coming of age sorprendente. [...] Un éxito total». Publishers Weekly, reseña destacada «Deliciosa y apremiante. [...] La descripción del deseo -hacia los amantes, el arte y una vida diferente- es muy conmovedora». Vogue «El coming of age que debes leer y que vibra igual que los bajos de un bafle berlinés. No pierdan de vista a Aria Aber». Glamour «Asombroso, cautivador y convincente: [...] una revelación». Harper's Bazaar «Una lectura vertiginosa [en la que] cada frase brilla con luz propia y cuya textura visceral confirma que detrás de Good Girl tenemos a una auténtica poeta». Los Angeles Review of Books «A caballo entre Una educación y En el camino, Aber nos ofrece una novela cautivadora escrita con herencia oscura y aplomo poético». The Irish Times «Una odisea por el mundo underground de la cultura de club berlinesa con todo lo salvaje de la juventud, los excesos y el autodescubrimiento». Service95 (plataforma de estilo de vida de Dua Lipa) «Un debut maravilloso, me ha encantado. [...] Felicidades por este precioso logro, Aria Aber». Sarah Jessica Parker «Luminosa. Una historia muy tierna sobre la identidad y el autodescubrimiento». Elle, "Los libros de culto que no podemos esperar a leer en 2025" «Un debut impresionante que nos ofrece un vívido retrato de una vida plagada de inestabilidad y claustrofobia, [ ] Aber construye un mundo duro e implacable en un Berlín mugriento y desenreda historias y legados -de gente, lugares y política- con una pluma hábil». Financial Times

‘A beautifully expansive novel about race and class... Franklin's emotional and intellectual range is vast... An exceptional debut’ – Katie Kitamura, author of Intimacies ‘So smart, so moving, so earned; as soon as I finished, I started reading it again’ – Kaveh Akbar, author of Martyr! ‘The precision and ecstasy of Rob Franklin's prose had me entranced. Great Black Hope marks the arrival of a breathtakingly talented writer’ – Megha Majumdar, author of A Burning ‘Great Black Hope will allow you to vicariously experience a sweltering summer in the city – though this debut is much more than a simple tale of hedonism’ - BBC Culture ‘Perfectly captures the heady atmosphere of a New York summer’ - Dazed ‘A new voice in fiction to be reckoned with’ Harper’s Bazaar ‘Best Books of 2025’ ‘A book about New York that’s part love letter, part reckoning’ – Guardian ‘Gripping’ – Daily Mail An arrest for cocaine possession in the Hamptons on the last day of a sweltering summer leaves Smith, a young Black queer graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him but his race does not. It is just weeks after the death of his beloved roommate Elle, a glamorous member of the Black elite, and he is still reeling from the tabloid spectacle - as well as the lingering question of how well he really knew his closest friend and what happened to her the night she died. When he flees to his hometown of Atlanta and generations of his family of doctors and college presidents and lawyers - the weight of expectations haunts him. Then Carolyn, the closest friend he has left, goes off the rails, Smith returns to New York only to lose himself in his old life, drawn back into the city's underworld. Will his search for the truth about Elle cost him his freedom and his future? Smith goes on a dizzying journey through the New York City nightlife circuit, anonymous recovery rooms, Atlanta's Black society set, police investigations and courtroom dramas, and a circle of friends coming of age in a new era. Great Black Hope is a propulsive, glittering story about what it means to exist between worlds, to be upwardly mobile yet spiralling downward and how to find a way back to hope.
===
NATIONAL BESTSELLER “Cool and concise; a talent to watch.” —Jay McInerney author of Bright Lights, Big City “You’re going to get papercuts, you’re going to turn the pages so fast.” —Brad Thor, Today A gripping debut from an electrifying new voice about an upwardly mobile and downwardly spiraling Black man caught between worlds of race and class, glamourous parties and sudden consequences, a friend’s mysterious death and his own arrest. An arrest for cocaine possession on the last day of a sweltering New York summer leaves Smith, a queer Black Stanford graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him, but his race does not. It’s just weeks after the death of his beloved roommate Elle, the daughter of a famous soul singer, and he’s still reeling from the tabloid spectacle—as well as lingering questions around how well he really knew his closest friend. He flees to his hometown of Atlanta, only to buckle under the weight of expectations from his family of doctors and lawyers and their history in America. But when Smith returns to New York, it’s not long before he begins to lose himself to his old life—drawn back into the city’s underworld, where his search for answers may end up costing him his freedom and his future. Smith goes on a dizzying journey through the nightlife circuit, anonymous recovery rooms, Atlanta’s Black society set, police investigations and courtroom dramas, and a circle of friends coming of age in a new era. Great Black Hope is a propulsive, glittering story about what it means to exist between worlds, to be upwardly mobile yet spiraling downward, and how to find a way back to hope.
===
A young Black man is caught between worlds of race and class, glamour and tragedy a friend's mysterious death and his own arrest.

OPRAH'S BOOK CLUB PICK TIME MUST-READ BOOK SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION FINALIST FOR THE KIRKUS PRIZE ‘An indictment of this moment and a timeless parable about the lengths we go to for love and self-preservation, written in exuberant prose - this is a novel that will burrow its way into your soul and remain there forever’ Tahmima Anam Megha Majumdar’s electrifying new novel, following her acclaimed New York Times Bestseller A Burning—longlisted for the National Book Award—is set in a near-future Kolkata, India, ravaged by climate change and food scarcity, in which two families seeking to protect their children must battle each other—a piercing and propulsive tour de force. In a near-future Kolkata beset by flooding and famine, Ma, her two-year-old daughter Mishti, and her elderly father Dadu are just days from leaving the collapsing city behind to join Ma’s husband in Ann Arbor, Michigan. After procuring long-awaited visas from the consulate, they pack their bags for the flight to America. But in the morning they awaken to discover that Ma’s purse, with all the treasured immigration documents within it, has been stolen. Set over the course of one week, A Guardian and a Thief tells two stories: the story of Ma’s frantic search for the thief while keeping hunger at bay during a worsening food shortage; and the story of Boomba, the thief, whose desperation to care for his family drives him to commit a series of escalating crimes whose consequences he cannot fathom. With stunning control and command, Megha Majumdar paints a kaleidoscopic portrait of two families, each operating from a place of ferocious love and undefeated hope, each discovering how far they will go to secure their children’s future as they stave off encroaching catastrophe. A masterful new work from one of the most exciting voices of her generation. ‘A true literary achievement… Majumdar creates a tense and deeply compassionate portrait of desperation, fear and the combined selflessness and selfishness of parenthood… Detail is the strongest thing in A Guardian and a Thief. It conveys the nuances of not only love but also wisdom… a true joy to read.’ New York Times
===
A Simon & Schuster eBook. Simon & Schuster has a great book for every reader.

INSTANT NEW YORK TIMES BESTSELLER “Lily King has written another masterpiece. This book overflows with her brilliance and her heart. We are so lucky.” —Emma Straub, New York Times bestselling author of This Time Tomorrow From the New York Times bestselling author of Writers & Lovers comes a magnificent and intimate new novel of desire, friendship, and the lasting impact of first love You knew I’d write a book about you someday. Our narrator understands good love stories—their secrets and subtext, their highs and free falls. But her greatest love story, the one she lived, never followed the simple rules. In the fall of her senior year of college, she meets two star students from her 17th-Century Lit class: Sam and Yash. Best friends living off campus in the elegant house of a professor on sabbatical, the boys invite her into their intoxicating world of academic fervor, rapid-fire banter and raucous card games. They nickname her Jordan, and she quickly discovers the pleasures of friendship, love and her own intellectual ambition. But youthful passion is unpredictable, and soon she finds herself at the center of a charged and intricate triangle. As graduation comes and goes, choices made will alter these three lives forever. Decades later, the vulnerable days of Jordan's youth seem comfortably behind her. But when a surprise visit and unexpected news bring the past crashing into the present, she returns to a world she left behind and must confront the decisions and deceptions of her younger self. Written with the superb wit and emotional sensitivity fans and critics of Lily King have come to adore, Heart the Lover is a deeply moving love story that celebrates literature, forgiveness, and the transformative bonds that shape our lives. Wise, unforgettable, and with a delightful connective thread to Writers & Lovers, this is King at her very best, affirming her as a masterful chronicler of the human experience and one of the finest novelists at work today.
===
"Lily King is one of our great literary treasures."--Madeline Miller From the New York Times bestselling author of Writers & Lovers comes an intimate and sweeping new novel of love and friendship--a journey into the heart of youth and middle age, desire and loss, and the intricate bonds that shape our lives Our bright narrator is a college senior quietly dreaming of becoming a writer when she meets Sam and Yash, best friends and the golden boys of the English Department. Top-of-the-class Honors students, they live at the stately home of a favorite professor on sabbatical and can banter about Joyce and Fitzgerald like a game of rapid-fire tennis. The two nickname her Jordan and invite her into their magnetic world where her college experience is forever altered. As graduation approaches, the lines between love and friendship blur, and Jordan finds herself caught in a life-changing triangle. Decades later, her writing career is thriving, but motherhood is full of challenges. When she receives unexpected news that brings the past crashing into the present, Jordan returns to a world she thought she left behind. Written with the superb wit and emotional sensitivity fans and critics have come to adore, King explores a tangled lattice of friendship, love, family and uncertainty that celebrates how we love, who we love, and all the complexity a single heart can hold.

The Crucible meets The Virgin Suicides in this haunting debut about five sisters in a small village in eighteenth-century England whose neighbors are convinced they’re turning into dogs. Even before the rumors about the Mansfield girls begin, Little Nettlebed is a village steeped in the uncanny, from strange creatures that wash up on the riverbank to portentous ravens gathering on the roofs of people about to die. But when the villagers start to hear barking, and one claims to see the Mansfield sisters transform before his very eyes, the allegations spark fascination and fear like nothing has before. The truth is that though the inhabitants of Little Nettlebed have never much liked the Mansfield girls—a little odd, think some; a little high on themselves, perhaps—they’ve always had plenty to say about them. As the rotating perspectives of five villagers quickly make clear, now is no exception. Even if local belief in witchcraft is waning, an aversion to difference is as widespread as ever, and these conflicting narratives all point to the same ultimate conclusion: Something isn’t right in Little Nettlebed, and the sisters will be the ones to pay for it. A richly atmospheric parable of the pleasures and perils of female defiance, The Hounding considers whether in any age it might be safer to be a dog than an unusual young girl.
===
'Extraordinary . . . clever, strange and beautifully written' THE TIMES 'Prompts thoughts of both THE CRUCIBLE and THE VIRGIN SUICIDES . . . Purvis is an exquisitely accomplished wordsmith.' DAILY TELEGRAPH 'A taut, tense tale, impeccably told' FINANCIAL TIMES 'Feverish, finely wrought and unforgettable.' DAILY MAIL 'An unflinchingly strange and savage novel – a rare and twisted pleasure, and an unmissable must-read for every girl who has ever been made to feel strange.' LUCY ROSE, Sunday Times bestselling author of THE LAMB 'Haunting and beguiling, this fever dream of a novel draws you in and colours your mind all shades of doubt and suspicion.' STACEY HALLS, Sunday Times bestselling author of THE FAMILIARS 'Melancholy and bittersweet.' OTEGHA UWAGBA, Sunday Times bestselling author of LITTLE BLACK BOOK 'A novel of rare grace and skill, exquisitely wrought and simmering with feral violence.' ROWE IRVIN, author of LIFE CYCLE OF A MOTH Many stories are told about the five Mansfield sisters. They are haughty, thinking themselves better than their neighbours in the picturesque village of Little Nettlebed. They have taken the death of their grandmother hard. They are liars, troublemakers, untamed and dangerous... Accounts of their behaviour differ, but the villagers all agree that the girls are odd. One long summer, a heatwave descends. Bloated sea creatures wash up along the parched riverbed, animals grow frenzied, ravens gather on the roofs of those about to die. As the stifling heat grips the village, so does a strange rumour: the Mansfield sisters have been seen transforming into a pack of dogs. With the witch trials only a recent memory, hysteria sets in. Slowly but surely, the villagers become convinced that something strange is taking root in Little Nettlebed. And when a bark finally leads to a bite, the sisters will be the ones to pay for it. Visceral and richly atmospheric, The Hounding plunges its reader into 18th century Oxfordshire, where the power of a man’s word is absolute, and it is safer to be a wild animal than an unconventional young woman. *** 'Utterly bizarre in the best way possible' ⭐ ⭐ ⭐ ⭐ ⭐ BOOK REVIEWER 'A glorious shimmering heat mirage of a novel' ⭐ ⭐ ⭐ ⭐ ⭐ BOOK REVIEWER 'A visceral and consuming fever dream of a book' ⭐ ⭐ ⭐ ⭐ ⭐ BOOK REVIEWER 'Tense, almost claustrophobic' ⭐ ⭐ ⭐ ⭐ ⭐ BOOK REVIEWER 'Sharp and extremely enjoyable' ⭐ ⭐ ⭐ ⭐ ⭐ BOOK REVIEWER

A REESE’S BOOK CLUB PICK The New York Times ‘Best Books of the Year (So Far)' A young woman and her lover are marooned on an island in a deeply moving novel of love, faith and survival, for readers of Jessie Burton’s The Miniaturist and Anthony Doerr’s All The Light We Cannot See ‘This made me cry on an airplane but it was worth it! A luscious, rich and moving novel, a beautiful, careful and profound book about survival and hope’ Alice Winn, bestselling author of In Memoriam ‘An extraordinary book that reads like a thriller, written with the care of the most delicate psychological and historical fiction’ Vogue ‘Best Books of 2025’ ‘A shocking story, made all the more stunning by the fact that it has its roots in true history’ Jodi Picoult, author of My Sister's Keeper In sixteenth-century France, as the heiress to an aristocratic fortune, Marguerite is destined for a life of privilege. Then she is orphaned, and her enigmatic and volatile guardian squanders her inheritance and insists she accompany him on an expedition to the new French colonies of North America. Isolated and afraid, Marguerite befriends her guardian’s servant and the two develop an intense attraction. But when their relationship is discovered, they are brutally punished, abandoned on a small island with no hope for rescue. From a childhood dressed in gowns with laced pearls in her hair, Marguerite finds herself at the mercy of nature. As the weather turns, blanketing the island in ice, she discovers a faith she had never before needed… Inspired by the real life of a sixteenth-century heroine, Isola tells the timeless story of a woman fighting for survival.

'a formidable, timeless work, destined to be a modern classic' OLIVIE BLAKE 'A novel to savour. This book is an experience. I envy those who get to read it for the first time' REBECCA ROSS 'A witty, gory, harrowing ride' LEIGH BARDUGO 'Literary super-stardom doesn't seem too far out of her reach now' THE HERALD ‘Mind-bending fantasy’ GRAZIA
===
Dante’s Inferno meets Susanna Clarke’s Piranesi in this all-new dark academia fantasy from R. F. Kuang, the #1 New York Times bestselling author of Babel and Yellowface, in which two graduate students must put aside their rivalry and journey to Hell to save their professor’s soul—perhaps at the cost of their own. Katabasis, noun, Ancient Greek: The story of a hero’s descent to the underworld Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality: her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world. That is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands and even death is not going to stop the pursuit of her dreams…. Nor will the fact that her rival, Peter Murdoch, has come to the very same conclusion. With nothing but the tales of Orpheus and Dante to guide them, enough chalk to draw the Pentagrams necessary for their spells, and the burning desire to make all the academic trauma mean anything, they set off across Hell to save a man they don’t even like. But Hell is not like the storybooks say, Magick isn’t always the answer, and there’s something in Alice and Peter’s past that could forge them into the perfect allies…or lead to their doom.
===
"Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality: her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world. That is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she's going in after him. Because his recommendation could hold her very future in his now incorporeal hands and even death is not going to stop the pursuit of her dreams"--Page 4 of cover.

Award-winning, New York Times bestselling author S. A. Cosby returns with King of Ashes, a Godfather-inspired Southern crime epic and dazzling family drama. When eldest son Roman Carruthers is summoned home after his father’s car accident, he finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident and Dante’s recklessness has placed them all in real danger. Roman, a financial whiz with a head for numbers and a talent for making his clients rich, has some money to help buy his brother out of trouble. But in his work with wannabe tough guys, he’s forgotten that there are real gangsters out there. As his bargaining chips go up in smoke, Roman realizes that he has only one thing left to offer to save his brother: himself, and his own particular set of skills. Roman begins his work for the criminals while Neveah tries to uncover the long-ago mystery of what happened to their mother, who disappeared when they were teenagers. But Roman is far less of a pushover than the gangsters realize. He is willing to do anything to save his family. Anything. Because everything burns.
===
'S. A. Cosby's novels always hit the grand slam of crime fiction' MICHAEL CONNELLY 'American crime fiction has found its future and his name is S.A. Cosby' DENNIS LEHANE A son returning home. A dangerous debt. Secrets about to ignite . . . and a family consumed by flames. Roman Carruthers left the smoke and fire of his family's crematory business behind in his hometown of Jefferson Run, Virginia. He is enjoying a life of shallow excess as a financial adviser in Atlanta until he gets a call from his sister, Neveah, telling him their father is in a coma after a hit-and-run accident. When Roman goes home, he learns the accident may not be what it seems. His brother, Dante, is deeply in debt to dangerous, ruthless criminals. And Roman is willing to do anything to protect his family. Anything. A financial whiz with a head for numbers and a talent for making his clients rich, Roman must use all his skills to try to save his family while dealing with a shadow that has haunted them all for twenty years: the disappearance of their mother when Roman and his siblings were teenagers. It's a mystery that Neveah, who has sacrificed so much of her life to hold her family together, is determined to solve once and for all. As fate and chance and heartache ignite their lives, the Carruthers family must pull together to survive or see their lives turn to ash. Because, as their father counseled them from birth, nothing lasts forever. Everything burns. Praise for S. A. Cosby: 'Sensationally good' LEE CHILD 'Exhilarating' STEPHEN KING 'Stunning. Can't remember the last time I read such a powerful crime novel' MARK BILLINGHAM 'S. A. Cosby is a welcome, refreshing new voice in crime literature' DENNIS LEHANE 'Every once in a while a writer comes along with an incredible voice...add S. A. Cosby to that list' STEVE CAVANAGH 'Elegant, fierce storytelling at its absolute best.' DAILY MAIL

A love story about the almost crossovers of our lives... 1972. On a quiet summer night in Newcastle, Australia, two teenage girls must each make a choice: to act upon their desires or suppress them? To live an openly queer life or to try desperately not to? Over the following three decades, these girls grow into women and live out their decisions, always almost crossing paths at pivotal moments. In an era that spans Australia's first Mardi Gras and the AIDS pandemic, there is joy and grief and loss and desire for each of them – but will their lives ever collide? A Language of Limbs is about love and how it's policed, friendship and how it transcends, and hilarity in the face of heartbreak. A celebration of queer life in all its vibrancy and colour, this story finds the humanity in all of us and demands we claim our futures for ourselves. Perfect for readers who loved Chloe Michelle Howarth's Sunburn, Carol Rifka Brunt's Tell the Wolves I’m Home and Joseph Cassara's The House of Impossible Beauties, as well as fans of Pose, Call Me By Your Name and Angels in America. 'Hardcastle imbues the book with poetry, history and visual art, offering a love letter to the Australian queer community' - TIME (The 100 Must-Read Books of 2025) 'The queer Australian working-class novel you didn't know you needed - a heart-rending exploration of modern Australian gay history through the eyes of two women' - Soula Emmanuel, Irish Independent 'Immersive and vividly descriptive... instances of queer joy in the novel, and moments of hardship are written with such grace. I will be thinking about this book for a long time' - Chloe Michelle Howarth, author of Sunburn 'Wholly original... Heartbreaking and poignant, not to be forgotten' - USA Today 'A luminous exploration of desire, resistance and the architectures of connection' - Scene Magazine 'A life-affirming, deeply-felt novel of the decisions we make and the lives that unspool from them. To read A Language of Limbs is to be reminded of the power of queer joy and community. I loved it' - Hannah Kent, author of Burial Rights 'Hardcastle's novel carried me away like a tidal current. Expansive across time, yet intimate in its focus, A Language of Limbs is that rare book that's equally poetic and propulsive... Nothing short of an instant queer classic' - Benjamin Law, author of The Family Law 'An epic tale of sapphic pleasure, pain and activism in the face of police brutality' - Big Issue 'Formally inventive... It's like gay, literary Sliding Doors. And its told in gorgeous, often fragmentary prose' - Autostraddle 'Poetic, fresh and mesmerising, Hardcastle's work is like nothing I have ever read. A Language of Limbs is full of feeling; a love story about the family we make ourselves... I am desperate for more stories like this' - Jessie Stephens, author of Something Bad is Going to Happen This novel contains depictions of family violence, overt transphobia, homophobia, racism and physical violence. This novel portrays the AIDS pandemic. This novel also depicts a stillbirth.
===
1972. On a quiet summer night in Newcastle, Australia, two teenage girls must each make a choice: to act upon their desires or suppress them? To live an openly queer life or to try desperately not to? Over the following three decades, these girls grow into women and live out their decisions, always almost crossing paths at pivotal moments. In an era that spans Australia's first Mardi Gras and the AIDS pandemic, there is joy and grief and loss and desire for each of them - but will their lives ever collide? A Language of Limbs is about love and how it's policed, friendship and how it transcends, and hilarity in the face of heartbreak. A celebration of queer life in all its vibrancy and colour, this story finds the humanity in all of us and demands we claim our futures for ourselves.

BOOKER PRIZE SHORTLIST • KIRKUS PRIZE FINALIST A spellbinding story of two young people whose fates intersect and diverge across continents and years—an epic of love and family, India and America, tradition and modernity, by the Booker Prize–winning author of The Inheritance of Loss “A transcendent triumph . . . not so much a novel as a marvel.”—The New York Times Book Review “A spectacular literary achievement. I wanted to pack a little suitcase and stay inside this book forever.”—Ann Patchett “Devastating, lyrical, and deeply romantic . . . an unmitigated joy to read.”—Khaled Hosseini One of the Most Anticipated Books of the Fall: The New York Times, Oprah Daily, Time, The Boston Globe, The Washington Post, The Associated Press, Book Riot, Publishers Weekly, and more When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that served only to drive Sonia and Sunny apart. Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India. She fears that she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world. The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their lives: country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by one of our greatest novelists.
===
Shortlisted for the Booker Prize 2025 A spellbinding story of two young people whose fates intersect and diverge across continents and years—an epic of love and family, India and America, tradition and modernity, by the Booker Prize-winning author of The Inheritance of Loss When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated, yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that only served to drive Sonia and Sunny apart. Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world. The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their lives: country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by one of our greatest novelists. ‘I wanted to pack a little suitcase and stay inside this book forever’ Ann Patchett Profound, sparkling, funny, exquisitely written, [The Loneliness of Sonia and Sunny] teaches us how to live in full-throated exultation for the astonishments of this world’ Lauren Groff
===
ONE OF BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR ONE OF THE NEW YORK TIMES BOOK REVIEW’S 10 BEST BOOKS OF THE YEAR ONE OF PEOPLE’S TOP 5 BOOKS OF THE YEAR BOOKER PRIZE SHORTLIST KIRKUS PRIZE FINALIST NEW YORK TIMES BESTSELLER A BEST BOOK OF THE YEAR: The New Yorker, The Washington Post, NPR, Time, Oprah Daily, The Guardian, The Financial Times, The Economist, Harper’s Bazaar, The Globe and Mail, BBC, New York Post, Kirkus Reviews, Elle, Library Journal, Libby, Chicago Public Library, Lit Hub ONE OF BOOKPAGE’S 10 BEST BOOKS OF THE YEAR A spellbinding story of two young people whose fates intersect and diverge across continents and years—an epic of love and family, India and America, tradition and modernity, by the Booker Prize–winning author of The Inheritance of Loss “A transcendent triumph . . . not so much a novel as a marvel.”—The New York Times Book Review (Editors’ Choice) “A magnificent saga.”—Washington Post “Lavish, funny, smart, and wise, this is a novel that will last.”—The Boston Globe “A spectacular literary achievement. I wanted to pack a little suitcase and stay inside this book forever.”—Ann Patchett “A novel so wonderful, when I got to the last page, I turned to the first and began again.”—Sandra Cisneros “Devastating, lyrical, and deeply romantic . . . an unmitigated joy to read.”—Khaled Hosseini “A masterpiece.”—Kirkus Reviews, starred review “A sweeping page-turner, The Loneliness of Sonia and Sunny is a kind of Romeo and Juliet story for a modern, globalized age.”—Publishers Weekly (Top 10 New Fall Books) When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that served only to drive Sonia and Sunny apart. Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India. She fears that she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world. The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their lives: country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by one of our greatest novelists.

Luster meets The Idiot in this riveting debut novel about a volatile friendship between two outsiders who escape their bleak childhoods and enter the glamorous early '90s art world in New York City, where only one of them can make it. Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.
===
Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl's school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria's orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.

A New York Times Notable Book. One of Time’s 100 Must-Read Book of 2025. Summer’s Best Beach Reads by The New York Times • Books You Should Read This July by New York magazine • Books We’re Most Excited About by Today • Best Beach Reads by Harper’s Bazaar • Best Books of Summer by ELLE • Most Anticipated Books of the Summer by Time • Best Summer Reads by Oprah Daily • Books to Read this Summer by The Washington Post “As with Nora Ephron’s Heartburn…you read Maggie to spend time with its author.” —The Washington Post A Chinese American woman spins tragedy into comedy when her life falls apart in a taut, wry debut novel, “as playful as it is profound” (Alison Espach, author of The Wedding People)—perfect for fans of Joan Is Okay and Crying in H Mart. A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie. A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie. Unfolding in fragments over the course of the ensuing months, Maggie; Or, a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation. She starts talking to Maggie (the tumor), getting acquainted with her body’s new inhabitant. She overgenerously creates a “Guide to My Husband: A User’s Manual” for Maggie (the other woman), hoping to ease the process of discovering her ex-husband’s whims and quirks. She turns her children’s bedtime stories into retellings of Chinese folklore passed down by her own mother, in an attempt to make them fall in love with their shared culture—and to maybe save herself in the process. In the style of Jenny Offill and the tradition of Nora Ephron’s hilarious and devastating writing on heartbreak and womanhood, Maggie is a master class in transforming personal tragedy into a form of defiant comedy.

A rich and nuanced story beginning with a moment of fear and abandonment that will reverberate across decades and change the course of many lives, by a beloved PEN/Faulkner and National Book Critics Circle Award–winning author In the gritty East Village of 1970s New York, Ivan and his best friend, Eddie, a popular local bartender, are dabbling in drugs following a short tour of Europe. One night, as Ivan and Eddie experiment with heroin, things go horribly wrong. In a panic, Ivan rushes Eddie to a crowded local ER and, believing his friend is about to die, makes the awful choice to leave him there. This one act of abandonment haunts Ivan his entire life. He keeps this secret from his friends and later his family, forever searching for mercy from “a remorse that never dies.” Ivan’s decision also ripples across time through an extended community, affecting a host of other people unknowingly connected to that night. Following a bold cast of characters across decades, and set against the changing social and sexual mores from the 1970s onward, Mercy is Silber’s most ambitious and expansive novel yet, proving once again how we are all connected in mysterious and often unknown ways.

Gilt-edged stories that slice clean through the mundanity of modern life, from the author of Same Bed Different Dreams, a finalist for the Pulitzer Prize and winner of the Los Angeles Times Book Prize “Ed Park is one of the funniest writers working today, and among the most humane.”—Kaveh Akbar, author of Martyr! In “Machine City” a college student’s chance role in a friend’s movie blurs the line between his character and his true self. (Is he a robot?) In “Slide to Unlock” a man comes to terms with his life via the passwords he struggles to remember in extremis. (What’s his mom’s name backward?) And in “Weird Menace” a director and faded movie star gab about science fiction, bad costume choices, and lost loves on a commentary track for a B-film from the ’80s that neither remembers all that well. In Ed Park’s utterly original collection, An Oral History of Atlantis, characters bemoan their fleeting youth, focus on their breathing, meet cute, break up, write book reviews, translate ancient glyphs, bid on stuff online, whale watch, and once in a while find solace in the sublime. Throughout, Park deploys his trademark wit to create a world both strikingly recognizable and delightfully other. Spanning a quarter century, these sixteen stories tell the absurd truth about our lives. They capture the moment when the present becomes the past—and are proof positive that Ed Park is one of the most imaginative and insightful writers working today.

In this “engrossing” (Los Angeles Times) novel that sweeps from present-day California to the Vietnam War and back, a grieving young man is drawn into the orbit of a charismatic cult leader who forces him to reconsider why people give up control—and what it takes, ultimately, to find one’s place in the world. FINALIST FOR THE WESTPOINT PRIZE FOR LITERATURE • A TIME BEST BOOK OF THE YEAR • ONE OF THE SEASON’S MOST ANTICIPATED BOOKS: Time, Rolling Stone, Vulture, Men’s Health, WNYC, Electric Lit, Feminist Book Club, Lit Hub “A gorgeously written literary excavation of belonging and belief.”—Emma Donoghue, The Boston Globe After the death of his father, a young journalist named Faruq Zaidi takes the opportunity to embed himself in a mysterious cult based in the California redwoods and known as “the nameless,” whose strikingly attractive members adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.” Shepherding them is Odo, an enigmatic Vietnam War veteran who received “the sight”—the movement’s foundational principles—during his time as an infantryman. Through flashbacks that recount the cult’s wartime origins, we see four soldiers contend with the existential struggles of combat and with their responsibilities to each other, and by the end of the novel we learn which one becomes Odo. Faruq, skeptical but committed to unraveling the mystery of both “the nameless” and Odo, extends his stay by months, and as he gets deeper into the cult’s inner workings and alluring teachings, he begins to lose his grip on reality. Faruq is forced to come to terms with the memories he has been running from while trying to resist Odo’s spell. Ultimately this immersive and unsettling novel asks: What does it take to find one’s place in the world? And what exactly do we seek from one another?

New York Times bestselling author Clare Mackintosh is back with another unputdownable installment in the DC Morgan series.You want what they have, but what price would you pay?The Hill is the kind of place everyone wants to live: luxurious, exclusive and safe. But now someone is breaking and entering these Cheshire homes one by one, and DS Leo Brady suspects the burglar is looking for something, or someone, in particular.Over the border in Wales, DC Ffion Morgan recovers the body of an estate agent from the lake. There's no love lost between Ffion and estate agents, but who hated this one enough to want her dead - and why?As their cases collide, Ffion and Leo discover people will pay a high price to keep their secrets behind closed doors . . .
===
Even on the most desirable street, there's a dark side . . . The Hill is the kind of place everyone wants to live: luxurious, exclusive and safe. But now someone is breaking and entering these Cheshire homes one by one, and DS Leo Brady suspects the burglar is looking for something, or someone, in particular. Over the border in Wales, DC Ffion Morgan recovers the body of an estate agent from the lake. There's no love lost between Ffion and estate agents, but who hated this one enough to want her dead - and why? As their cases collide, Ffion and Leo discover people will pay a high price to keep their secrets behind closed doors . . .

Finalist for the National Book Award for Fiction "A heart-wrenchingly honest, often luminescent exploration of how to find and cultivate true connections, sometimes in the unlikeliest of places . . . [Palaver is] an unshakable triumph.”—The Washington Post One of TIME's Must-Read Books of 2025 and Kirkus' Best of Fiction 2025 One of The Washington Post's Best Fiction Books of the Year Named a Most Anticipated Book by the New York Times, New York, Time, the Boston Globe, the Los Angeles Times, Rolling Stone, People, Harper's Bazaar, Bustle, and Town & Country A life-affirming novel of family, mending, and how we learn to love, from the award-winning Bryan Washington. In Tokyo, the son works as an English tutor and drinks his nights away with friends at a gay bar. He’s entangled in a sexual relationship with a married man, and while he has built a chosen family in Japan, he is estranged from his mother in Houston, whose preference for the son’s oft-troubled homophobic brother, Chris, pushed him to leave home. Then, in the weeks leading up to Christmas, ten years since they last saw each other, the mother arrives uninvited on his doorstep. With only the son’s cat, Taro, to mediate, the two of them bristle at each other immediately. The mother, wrestling with memories of her youth in Jamaica and her own complicated brother, works to reconcile her good intentions with her missteps. The son struggles to forgive. But as life steers them in unexpected directions—the mother to a tentative friendship with a local bistro owner and the son to a cautious acquaintance with a new patron of the bar—they begin to see each other more clearly. During meals and conversations and an eventful trip to Nara, mother and son try as best they can to determine where “home” really is—and whether they can even find it in one another. Written with understated humor and an open heart, moving through past and present and across Houston, Jamaica, and Japan, Bryan Washington’s Palaver is an intricate story of family, love, and the beauty of a life among others.
===
A modern literary romcom and a life-affirming novel of family, mending, and how we learn to love, from the award-winning Bryan Washington.

Longlisted for The Center for Fiction's 2025 First Novel Prize “Deliciously observed, ferociously strange . . . Reading his experience of these raptures is invigorating and often hilarious . . . Like a great painter, Clune can show us the mind, the world, with just a few well-placed verbs.” —Kaveh Akbar, The New York Times Book Review “With prose as strange as it is hypnotizing, Pan will leave you breathless and wanting for more.” —Harper’s Bazaar “Pan is remarkable for the honesty of its treatment of both mental illness and adolescence . . . when we close the book, we find ourselves in a larger world.” —The Guardian A strange and brilliant teenager's first panic attacks lead him down the rabbit hole in this wild, highly anticipated debut novel from one of our most distinctive literary minds Nicholas is fifteen when he forgets how to breathe. He had plenty of reason to feel unstable already: He’s been living with his dad in the bleak Chicago suburbs since his Russian-born mom kicked him out. Then one day in geometry class, Nicholas suddenly realizes that his hands are objects. The doctor says it’s just panic, but Nicholas suspects that his real problem might not be a psychiatric one: maybe the Greek god Pan is trapped inside his body. As his paradigm for his own consciousness crumbles, Nicholas; his best friend, Ty; and his maybe-girlfriend, Sarah, hunt for answers why—in Oscar Wilde and in Charles Baudelaire, in rock and roll and in Bach, and in the mysterious, drugged-out Barn, where their classmate Tod’s charismatic older brother Ian leads the high schoolers in rituals that might end up breaking more than just the law. Thrilling, cerebral, and startlingly funny, Pan is a new masterpiece of the coming-of-age genre by Guggenheim fellow and literary scholar Michael Clune, whose memoir of heroin addiction, White Out—named one of The New Yorker’s best books of the year—earned him a cult readership. Now, in Pan, the great novel of our age of anxiety, Clune drops us inside the human psyche, where we risk discovering that the forces controlling our inner lives could be more alien than we want to let ourselves believe.
===
'There is no other writer like him' MAGGIE NELSON 'I steal language and ideas from Michael Clune' BEN LERNER A strange and brilliant teenager's first panic attacks lead him down the rabbit hole in this wild, highly anticipated debut novel from one of our most distinctive literary minds Nicholas is fifteen when he forgets how to breathe. He already has plenty of reasons to feel unstable: he's been living with his dad in the bleak Chicago suburbs since his mum kicked him. Then one day in geometry class, Nicholas suddenly realises that his hands are objects. The doctor says it's just panic, but Nicholas suspects that his real problem might not be a psychiatric one: maybe the Greek god Pan is trapped inside his body. As his paradigm for his own consciousness crumbles, Nicholas, his best friend, Ty, and his maybe-girlfriend, Sarah, hunt for answers why - in Oscar Wilde and in Charles Baudelaire, in rock 'n' roll and in Bach, and in the mysterious, drugged-out barn where their classmate Tod's charismatic older brother Ian leads the high schoolers in rituals that might end up breaking more than just the law. Thrilling, cerebral and startlingly funny, Pan is a new masterpiece of the coming-of-age genre by Guggenheim fellow and literary scholar Michael Clune, whose memoir of heroin addiction, White Out - named one of the New Yorker's best books of the year - earned him a cult readership. Now, in Pan, the great novel of our age of anxiety, Clune drops us inside the human psyche, where we risk discovering that the forces controlling our inner lives could be more alien than we want to let ourselves believe.

One of USA Today’s 15 Books You Should Read This Summer One of Atlanta Journal-Constitution’s Hot New Summer Reads One of People's Most Anticipated Summer Books One of Lit Hub’s Most Anticipated Books of 2025 The riveting new novel by the author of the 2021 National Book Award winner and bestseller Hell of a Book People Like Us is Jason Mott’s electric new novel. It is not memoir, yet it has deeply personal connections to Jason’s life. And while rooted in reality, it explodes with dreamlike experiences that pull a reader in and don’t let go, from the ability to time travel to sightings of sea monsters and peacocks, and feelings of love and memory so real they hurt. In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds. People Like Us is wickedly funny and achingly sad all at once. It is an utter triumph bursting with larger-than-life characters who deliver a very real take on our world. This book contains characters experiencing deep loss and longing; it also is buoyed by riotous humor and characters who share the deepest love. It is the newest creation of a writer whose work amazes, delivering something utterly new yet instantly recognizable as a Jason Mott novel. Finishing the novel will leave you absolutely breathless and, at the same time, utterly filled with joy for life, changed forever by characters who are people like us.

“A touching and generous romp of a novel . . . Wilson makes a bold and convincing case that every real family is one you have to find and, at some point, choose, even if it’s the one you’re born into.” — New York Times Book Review An unexpected road trip across America brings a family together, in this raucous and moving new novel from the bestselling author of Nothing to See Here. Ever since her dad left them twenty years ago, it’s been just Madeline Hill and her mom on their farm in Coalfield, Tennessee. While it’s a bit lonely, she sometimes admits, and a less exciting life than what she imagined for herself, it’s mostly okay. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister. Reuben—left behind by their dad thirty years ago—has hired a detective to track down their father and a string of other half siblings. And he wants Mad to leave her home and join him for the craziest kind of road trip imaginable to find them all. As Mad and Rube—and eventually the others—share stories of their father, who behaved so differently in each life he created, they begin to question what he was looking for with every new incarnation. Who are they to one another? What kind of man will they find? And how will these new relationships change Mad’s previously solitary life on the farm? Infused with deadpan wit, zany hijinks, and enormous heart, Run for the Hills is a sibling story like no other—a novel about a family forged under the most unlikely circumstances and united by hope in an unknown future.

A New York Times Bestseller • A New York Times, Washington Post, and Associated Press Notable Book • Named a Best Book of the Year by The Los Angeles Times, Vulture, TIME, The Guardian, The New Republic, and LitHub The new novel from Thomas Pynchon, author of Gravity's Rainbow, The Crying of Lot 49, Vineland, and Inherent Vice. “A masterpiece.” —The Telegraph “Bonkers and brilliant fun.” —The Washington Post “Late Pynchon at his finest. Dark as a vampire’s pocket, light-fingered as a jewel thief, Shadow Ticket capers across the page with breezy, baggy-pants assurance — and then pauses on its way down the fire escape just long enough to crack your heart open.” —The Los Angeles Times Milwaukee 1932, the Great Depression going full blast, repeal of Prohibition just around the corner, Al Capone in the federal pen, the private investigation business shifting from labor-management relations to the more domestic kind. Hicks McTaggart, a onetime strikebreaker turned private eye, thinks he’s found job security until he gets sent out on what should be a routine case, locating and bringing back the heiress of a Wisconsin cheese fortune who’s taken a mind to go wandering. Before he knows it, he’s been shanghaied onto a transoceanic liner, ending up eventually in Hungary where there’s no shoreline, a language from some other planet, and enough pastry to see any cop well into retirement—and of course no sign of the runaway heiress he’s supposed to be chasing. By the time Hicks catches up with her he will find himself also entangled with Nazis, Soviet agents, British counterspies, swing musicians, practitioners of the paranormal, outlaw motorcyclists, and the troubles that come with each of them, none of which Hicks is qualified, forget about being paid, to deal with. Surrounded by history he has no grasp on and can’t see his way around in or out of, the only bright side for Hicks is it’s the dawn of the Big Band Era and as it happens he’s a pretty good dancer. Whether this will be enough to allow him somehow to Lindy-hop his way back again to Milwaukee and the normal world, which may no longer exist, is another question.

“[A] bizarre and endearing debut . . . We can’t remember the last time we met a character this singular or read a book this funny.”—Oprah Daily (Best New Books to Read This Spring) “Sleek and darkly comical . . . with the melancholic wit and whimsy of Miranda July.”—The Boston Globe Cross the jet bridge with Linda, a frequent flyer with an unusual obsession, in this “audaciously imagined and surprisingly tender” (Rachel Yoder, author of Nightbitch) debut novel by the acclaimed author of Out There. A BEST BOOK OF THE YEAR: Time, Oprah Daily, Vulture, Publishers Weekly, Electric Lit, Debutiful, Book Riot, The Skinny • LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE Linda is doing her best to lead a life that would appear normal to the casual observer. Weekdays, she earns $20 an hour moderating comments for a video-sharing platform, then rides the bus home to the windowless garage she rents on the outskirts of San Francisco. But on the last Friday of each month, she indulges her true passion, taking BART to SFO for a round-trip flight to a regional hub. The destination is irrelevant, because each trip means a new date with a handsome stranger—a stranger whose intelligent windscreens, sleek fuselages, and powerful engines make Linda feel a way that no human ever could. . . . Linda knows that she can’t tell anyone she’s sexually obsessed with planes. Nor can she reveal her belief that it’s her destiny to “marry” one of her suitors, uniting with her soulmate plane for eternity. But when an opportunity arises to hasten her dream of eternal partnership, and the carefully balanced elements of her life begin to spin out of control, she must choose between maintaining the trappings of normalcy and launching herself headlong toward the love she’s always dreamed of. Both subversive and unexpectedly heartwarming, Sky Daddy hijacks the classic love story, exploring desire, fate, and the longing to be accepted for who we truly are.
===
'Audaciously imagined. Slyly executed. Surprisingly tender. Deliciously weird' RACHEL YODER, author of NIGHTBITCH 'Get your boarding pass out and get ready for some turbulence. Sky Daddy is insane' GARY SHTEYNGART, author of OUR COUNTRY FRIENDS 'This book is a dog whistle for the true freaks - never have I felt so seen! I loved it' RITA BULLWINKEL, author of the Booker Prize-longlisted HEADSHOT 'Hilarious, refreshing, and perverse . . . Do not miss this flight' HENRY HOKE, author of OPEN THROAT Linda makes $20 an hour as a content moderator, flagging comments that violate a tech conglomerate's terms and conditions. Each night, she returns to the windowless room in a garage that she rents from a family who pretend she isn't there. But once a month, she escapes to San Francisco International Airport for a clandestine meeting on the cheapest flight out that night. Linda's secret is that she's sexually attracted to planes: their intelligent windscreens, sleek fuselages and powerful engines make her feel a way that no human lover ever could. Linda believes her destiny is to someday 'marry' one of her suitors by dying in a plane crash, a catastrophic event that would unite her with her soulmate plane for eternity. So when her co-worker Karina invites her to join a group of women using vision boards to manifest their desires, she can't resist the chance to hasten her romantic fate. However, as the vision boards seem to manifest items more quickly - and more literally - than Linda had expected, the carefully balanced elements of her life begin to spin out of her control, and she must choose between maintaining the trappings of normalcy or launching herself headlong towards her greatest dream.

An enchanting, highly personal tour of some of the most iconic cemeteries of the world—part travelogue, part memoir, part “excursions through death,” by the author of Our Share of Night and “queen of horror” (Los Angeles Times) “Not a travelogue so much as a grave-a-logue, Somebody is Walking on Your Grave is an exuberant, witty wander among the dead. You could not have a better friend to take you by the hand and lead you for a long traipse among tilting tombstones, dank crypts, and chilling history.”—Joe Hill “Enriquez knows cemeteries are the repositories of life’s pain and beauty. I felt more alive as I read.”—Caitlin Doughty, New York Times bestselling author of Smoke Gets in Your Eyes: And Other Lessons from the Crematory “A perfect book for almost anyone.”—The Washington Post “An immersive testament to [Enriquez’s] genius.”—Los Angeles Times “An eccentric and enlightening peek into how memorialization happens across the world.”—Publishers Weekly, starred review “Fascinating . . . Enriquez hides a celebration of life in a book about death.”—Booklist, starred review One of Publishers Weekly’s Top 10 New Releases of the Fall • A Most Anticipated Book of the Fall: Chicago Tribune, Los Angeles Times, Literary Hub, Ms. Magazine, Bustle, Book Riot, Publishers Lunch Cemeteries have great stories and sometimes I steal some for my books. Mariana Enriquez—called by The New York Times a “sorceress of horror”—has been fascinated by the haunting beauty of cemeteries since she was a teenager. She has visited them frequently, a goth flaneur taking notes on her aesthetic obsession as she walks among the headstones, “where dying seems much more interesting than being alive.” But when the body of a friend’s mother who was disappeared during Argentina’s military dictatorship was found in a common grave, Enriquez began to examine more deeply the complex meanings of cemeteries and where our bodies come to rest. In this rich book of essays—“excursions through death,” she calls them—Enriquez travels through North and South America, Europe and Australia, visiting Paris’s catacombs, Prague’s Old Jewish Cemetery, New Orleans’s aboveground mausoleums, Buenos Aires’s opulent Recoleta, and more. Enriquez investigates each cemetery’s history and architecture, its saints and ghosts, its caretakers and visitors, and, of course, its dead. Weaving personal stories with reportage, interviews, myths, hauntology, and more, Somebody Is Walking on Your Grave is memoir channeled through Enriquez’s passion for cemeteries, revealing as much about her own life and unique sensibility as the graveyards and tombstones she tours. Fascinating, spooky, and unlike anything else, Enriquez’s first work of nonfiction, translated by the award-winning Megan McDowell, is as original and memorable as the stories and novels for which she’s become so beloved and admired.

"When his grandfather dies, Jay travels south with his family to the property they've inherited, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Jay's father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm's manager, different from him in every way except for one. Out in the fields, and on the streets into town, the charge between the boys intensifies. Inside the house, the other family members begin to confront their own secrets and regrets. Jack is a professor at a struggling local college whose failures might have begun when he married his student, Sui Ching. Sui Ching does her best to keep the family together, though she too wonders what her life could have been. And Fong, the manager, refuses to look at what is: at Chuan, at the land, at the global forces that threaten to render his whole life obsolete." --
===
'Shimmeringly intelligent and elegiacally intimate' YIYUN LI 'A mesmerising tale. Both heartbreaking and joyful' MICHAEL CUNNINGHAM A radiant novel of the longing that blooms between two boys over the course of one summer--about family, desire, and what we inherit--from celebrated author Tash Aw.

BOLU BABALOLA IS… “A queen of romantic comedy.” – Oprah Daily • “Incisively funny.” – Entertainment Weekly • “A really great romance writer.” – Quinta Brunson, Harper's Bazaar • “Keeping the hope for true love alive and enjoyable.” –Shondaland • “A rom-com expert.” – New York Times A Rolling Stone Most Anticipated Book of Fall Two exes. One summer wedding. Zero chance of escaping the heat. Prepare to laugh, swoon, and fall head over heels with this irresistible standalone romance from Bolu Babalola, the bestselling author of Honey and Spice, a Reese’s Book Club pick. Twenty-eight-year-old Kiki Banjo hosts the popular podcast The HeartBeat, solving romantic conundrums and dishing out life advice. But behind the mic, career setbacks and a devastating breakup have left her hanging on by a thread. As she’s preparing to be the Maid of Honor in her best friend’s wedding, everything starts to unravel, and Kiki is left wondering if she ever had the answers. Then Kiki finds herself face-to-face with the Best Man, her ex-boyfriend, Malakai—the smooth-talking, absurdly handsome, annoyingly perceptive man who stole her heart and then shattered it. While Kiki’s approaching rock bottom, Malakai’s been on the rise as a filmmaker, and now they have no choice but to play nice until the wedding is over. Both are hell-bent on ignoring the smoldering chemistry between them, but as they navigate the chaos of wedding plans, career ambitions, and Kiki’s growing fears about the future, they can’t ignore the spark that’s only getting hotter. They just have to get through the summer. So why does it feel like playing with fire? “Babalola’s sharp sense of humor, slick pop culture references, and keen sense of the zeitgeist . . . offer a refreshing portrait of what modern love really looks and feels like." — Time “Babalola expertly blends sex with societal discourse in ways that echo Jane Austen and Nora Ephron.” — Vanity Fair "Babalola soars in her rich depictions of intimacy and relationships, in all their grandeur." — The New York Times Book Review
===
'Hilarious, hot and heartfelt' MEG CABOT 'Romantic, sexy, fun, delicious and important' MARIAN KEYES 'A triumph' BETH O'LEARY 🔥🔥🔥 The most hotly-anticipated romcom of 2025, from the author of Reese's Book Club Pick and TikTok Book Awards winner Honey & Spice... Not every relationship makes it out of university. But Kiki and Malakai were supposed to be forever. Everything was perfect, until it all went up in flames. Three years after their epic break-up, Kiki's worked hard to forget her first love. But just as she thinks she's got her life under control - jumping into the distractions of her romance-by-calendar-invite boyfriend, and plans for her best friend, Aminah's, wedding - Kiki's career implodes, the family business teeters on collapse, and Malakai returns . . . As Malakai takes up his role as Best Man opposite her Maid of Honour, suddenly Kiki can think of nothing else: their simmering chemistry, what went wrong, and why it is now impossible to act normal around each other. Juggling a new job, the prospect of her parents' restaurant being sold, and keeping her best friend from going full bridezilla, dealing with The Ex is the last thing she needs. But somehow the spark between them is only getting hotter - and threatening to ruin everything. They just have to get through the wedding, so why does it feel like playing with fire? Heart-melting, hilarious and completely addictive, Kiki and Malakai return in this standalone second novel from Sunday Times bestselling author Bolu Babalola. 💖 LOVE FOR BOLU BABALOLA'S WRITING 💖 'Rarely is love expressed this richly, this vividly, or this artfully' CANDICE CARTY-WILLIAMS 'Bolu understands desire better than anyone else' ANNIE LORD 'Incisively funny' ENTERTAINMENT WEEKLY 'Absolutely intoxicating' CASEY MCQUISTON 'Everything you could ever want from a romance and more - the vibes are simply immaculate' ZOELLA 'Babalola's writing shines' NEW YORK TIMES BOOK REVIEW 'Breathes new life into the genre with its vibrant characters and sexy, authentic voice' RED 'Romance will never be dead, as long as Bolu is writing it' JESSIE BURTON

The new novel from the winner of the 2021 Nobel Prize in Literature - 'a maestro' (Guardian). A captivating story of the intertwined lives of three young people coming-of-age in postcolonial East Africa Selected as a book to look out for in 2025 by the Guardian, Observer, Irish Times and BBC _________________________________________________________ What are we given, and what do we have to take for ourselves? It is the 1990s. Growing up in Zanzibar, three very different young people - Karim, Fauzia and Badar - are coming of age, and dreaming of great possibilities in their young nation. But for Badar, an uneducated servant boy who has never known his parents, it seems as if all doors are closed. Brought into a lowly position in a great house in Dar es Salaam, Badar finds the first true home of his life - and the friendship of Karim, the young man of the house. Even when a shattering false accusation sees Badar sent away, Karim and Fauzia refuse to turn away from their friend. But as the three of them take their first steps in love, infatuation, work and parenthood, their bond is tested - and Karim is tempted into a betrayal that will change all of their lives forever.

NATIONAL BESTSELLER • From author Sarah MacLean, a razor-sharp, wildly sexy novel about a wealthy New England family’s long-overdue reckoning . . . and the one week that threatens to tear them apart. “Deliciously impossible to put down.”—Jodi Picoult “Addictive.”—Ali Hazelwood “A gripping inheritance drama, wrapped around a swoony summer romance.”—The New York Times Book Review A BEST BOOK OF THE YEAR: TIME, THE NEW YORK TIMES BOOK REVIEW, NPR, KIRKUS REVIEWS, LIBRARY JOURNAL Alice Storm hasn’t been welcome at her family’s magnificent private island off the Rhode Island coast in five years—not since she was cast out and built her life beyond the Storm name, influence, and untold billions. But the shocking death of her larger-than-life father changes everything. Alice plans to keep her head down, pay her final respects (such as they are), and leave the minute the funeral is over. Unfortunately, her father had other plans. The eccentric, manipulative patriarch left his family a final challenge—an inheritance game designed to upend their world. The rules are clear: spend one week on the island, complete their assigned tasks, and receive the inheritance. But a whole week on Storm Island is no easy task for Alice. Every corner of the sprawling old house is bursting with chaos: Her older sister’s secret love affair. Her brother’s unyielding arrogance. Her younger sister’s constant analysis of the vibes. Her mother’s cold judgment. And all under the stern, watchful gaze of Jack Dean, her father’s intriguing and too-handsome second-in-command. It will be a miracle if Alice manages to escape unscathed. A smart and tender story about the transformative power of grief, love, and family, this luscious novel explores past secrets, present truths, and futures forged in the wake of wild summer storms.

"Cate Kay knows how to craft a story. As the creator of a bestselling book trilogy that struck box office gold as a film series, she's one of the most successful authors of her generation. The thing is, Cate Kay doesn't really exist. She's never attended author events or granted any interviews. Her real identity had been a closely guarded secret, until now. As a young adult, she and her best friend Amanda dreamed of escaping their difficult homes and moving to California to become movie stars. But the day before their grand adventure, a tragedy shattered their dreams and Cate has been on the run ever since, taking on different names and charting a new future. But after a shocking revelation, Cate understands that returning home is the only way she'll be a whole person again."--Provided by publisher.
===
Friend. Lover. Imposter. Who is Cate Kay? A Reese's Bookclub pick and a must-read book for 2025 in both Stylist and Cosmo 'A standout, multi-layered novel that will have you hooked' Sun 'We were obsessed with this page turner' Closer Cate Kay is the most famous author on the planet. But it's just a name. Somehow, the woman behind the books has remained completely anonymous. Anne Marie Callahan is the name nobody knows. Annie knows there's no one left to connect the dots between the novelist and the girl who ran away all those years ago. If you asked, she'd say her name was Cass Ford. That's what her barista shouts each morning. And it's how she introduces herself to the woman she'll eventually call the love of her life. Three names, three lives. Cate Kay is finally ready to tell you who she really is. And when the truth is out, will everyone's favourite novelist hold on to her place in our hearts or are some betrayals impossible to forgive? 'This story swept me away with its big dreams, love, and unexpected twists.' Reese Witherspoon 'Such clever and multilayered plotting from a highly original storyteller.' Edel Coffey, Irish Times bestselling author of Breaking Point 'Brilliantly entertaining' Good Housekeeping
===
REESE’S BOOK CLUB PICK | NATIONAL BESTSELLER Named a Best Book of 2025 by Time, NPR, Goodreads, and others. “[A] propulsive puzzle of a novel.” —The New York Times Book Review “This story swept me away with its big dreams, love, and unexpected twists.” —Reese Witherspoon In this electric, voice-driven debut novel, an elusive bestselling author decides to finally confess her true identity after years of hiding from her past. Cate Kay knows how to craft a story. As the creator of a bestselling book trilogy that struck box office gold as a film series, she’s one of the most successful authors of her generation. The thing is, Cate Kay doesn’t really exist. She’s never attended author events or granted any interviews. Her real identity had been a closely guarded secret, until now. As a young adult, she and her best friend Amanda fantasized escaping their difficult homes and moving to California to become movie stars. But the day before their grand adventure, a tragedy shattered their dreams and Cate has been on the run ever since, taking on different names and charting a new future. But after a shocking revelation, Cate understands that returning home is the only way she’ll be a whole person again. “An addictive page-turner infused with humor and heart, The Three Lives of Cate Kay balances the dishy allure of The Seven Husbands of Evelyn Hugo with the empathy of Slow Dance. A joy to read from first page to last” (Melissa Albert, New York Times bestselling author).

Longlisted for the Andrew Carnegie Medal of Excellence in Fiction A New York Times Book Review Editors’ Choice A USA TODAY Bestseller A Best Book of 2025 for Vogue Named one of Time’s 100 Must-Read Books of 2025 An NPR favorite fiction read of 2025 Set over the course of a single day, an electrifying debut novel from “a powerful new literary voice” (Vogue) following one woman’s journey across a transformed city, carrying the weight of her past and a fervent hope for the future. “Utterly gripping.” —NPR, All Things Considered Last night, you and I were safe. Last night, in another universe, your father and I stood fighting in the kitchen. Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk. Making her way across the wreckage of Portland, Annie experiences human desperation and kindness: strangers offering help, a riot at a grocery store, and an unlikely friendship with a young mother. As she walks, Annie reflects on her struggling marriage, her disappointing career, and her anxiety about having a baby. If she can just make it home, she’s determined to change her life. “Shocking and full of heart” (Publishers Weekly, starred review), Tilt is a “moving adrenaline rush” (The New York Times Book Review) and “epic odyssey” (NPR) about the disappointments and desires we all carry, and what each of us will do for the people we love.

"To Smithereens is an extraordinarily good book, but then so is everything Rosalyn Drexler ever wrote." --The New York Times A provocative, cheeky romp through the Manhattan art scene and the female wrestling world of the 1970s, from an overlooked star of the Pop Art movement When Rosa, a curious, brash twenty-something flitting aimlessly through the Manhattan avant garde art scene, meets Paul, an art critic who is obsessed with being dominated by physically powerful women, an electric and off-kilter love story commences. On Paul's encouragement, Rosa becomes a professional wrestler and joins the women's wrestling circuit on a tour of the American South. Through wrestling, Rosa learns to articulate what kind of life she wants, and to wriggle free of Paul's attempts to possess her. To Smithereens is a lighthearted reconfiguration of the 1970s American road novel and a delightful satire of the avant garde art world of the same period, in which Rosalyn Drexler was a major figure. Inspired both by Drexler's experiences as one of few women in the Pop Art movement and her own career in the ring (immortalized in Andy Warhol's "Album of a Mat Queen"), and first published in 1972, To Smithereens is an antic, biting portrait of its time from a voice that speaks directly to ours.

WINNER OF THE NATIONAL BOOK AWARD “Alameddine is a writer with a boundless imagination.”—NPR From National Book Award finalist and winner of the PEN/Faulkner Award for Fiction comes a tragicomic love story set in Lebanon, a modern saga of family, memory, and the unbreakable attachment of a son and his mother In a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son’s desire for privacy as a personal affront. She demands to know every detail of Raja’s work life and love life, boundaries be damned. When Raja receives an invite to an all-expenses-paid writing residency in America, the timing couldn’t be better. It arrives on the heels of a series of personal and national disasters that have left Raja longing for peace and quiet away from his mother and the heartache of Lebanon. But what at first seems a stroke of good fortune soon leads Raja to recount and relive the very disasters and past betrayals he wishes to forget. Told in Raja’s irresistible and wickedly funny voice, the novel dances across six decades to tell the unforgettable story of a singular life and its absurdities—a tale of mistakes, self-discovery, trauma, and maybe even forgiveness. Above all, The True True Story of Raja the Gullible (and His Mother) is a wildly unique and sparkling celebration of love.

A poignant, sharp-eyed, and bitterly funny tale of a family struggling to stay together in a country rapidly coming apart, told through the eyes of their wondrous ten-year-old daughter, by the bestselling author of Super Sad True Love Story and Our Country Friends “A novel you can read in one sitting that will stay with you forever.”—Karen Russell “Very funny, very sad, very sharp, and completely delightful.”—Elif Batuman “A brilliant fable about childhood, and so much more, in our broken country.”—Kirkus Reviews (starred review) A MOST ANTICIPATED BOOK: The New York Times, Time, The Washington Post, Vulture, Publishers Weekly, Literary Hub, AV Club The Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love one another deeply but the pressures of life in an unstable America are fraying their bonds. There's Daddy, a struggling, cash-thirsty editor whose Russian heritage gives him a surprising new currency in the upside-down world of twenty-first-century geopolitics; his wife, Anne Mom, a progressive, underfunded blue blood from Boston who's barely holding the household together; their son, Dylan, whose blond hair and Mayflower lineage provide him pride of place in the newly forming American political order; and, above all, the young Vera, half-Jewish, half-Korean, and wholly original. Observant, sensitive, and always writing down new vocabulary words, Vera wants only three things in life: to make a friend at school; Daddy and Anne Mom to stay together; and to meet her birth mother, Mom Mom, who will at last tell Vera the secret of who she really is and how to ensure love's survival in this great, mad, imploding world. Both biting and deeply moving, Vera, or Faith is a boldly imagined story of family and country told through the clear and tender eyes of a child. With a nod to What Maisie Knew, Henry James's classic story of parents, children, and the dark ironies of a rapidly transforming society, Vera, or Faith demonstrates why Shteyngart is, in the words of The New York Times, "one of his generation's most exhilarating writers."

'Jane Eyre meets American Psycho. Gloriously outrageous, sensationally unhinged' SUNDAY TIMES ‘Simmering with rage, propulsive and laugh-out-loud funny' CATRIONA WARD 'Weird and wonderful' LUCY MANGAN, GUARDIAN
===
SOON TO BE A FEATURE FILM STARRING MAIKA MONROE, THOMASIN MCKENZIE AND JASON ISSACS "This book will be the bloody belle of the 2025 literary ball." (Oprah Daily) Most Anticipated Books of 2025: Vulture, Oprah Daily, Polygon, Reader's Digest, Lit Hub, Men's Health, CrimeReads, The Stacks, LibraryReads, Paste Best Books of the Month: Washington Post, Los Angeles Times, TIME, Goodreads, Gizmodo, Book Riot, The A.V. Club, Apple Books, Amazon The American Booksellers Association's #1 Indie Next Great Read! (Feb 2025) A Matty Maggiacomo Book Club Selection “Simmering with rage, propulsive and laugh out loud funny, Victorian Psycho speaks profoundly of horror both within and without us.” —Catriona Ward From the acclaimed author of Mrs. March comes the riveting tale of a bloodthirsty governess who learns the true meaning of vengeance. Virginia Feito’s Mrs. March was hailed as “a brilliant debut . . . [by] a writer who keeps pace with the grandees she invokes” (Sarah Ditum, Guardian)—from Daphne Du Maurier and Shirley Jackson to Patricia Highsmith. Now, Feito returns with her “silver-polish sentences and her eerie psychological acumen” (Constance Grady, Vox) to unleash an entirely new antihero on us all. Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze. Compounded with her disdain for the entitled Pounds children, Winifred finds herself struggling at every turn to stifle the violent compulsions of her past. French tutoring and needlework are one way to pass the time, as is admiring the ugly portraits in the gallery . . . and creeping across the moonlit lawns. . . . Patience. Winifred must have patience, for Christmas is coming, and she has very special gifts planned for the dear souls of Ensor House. Brimming with sardonic wit and culminating in a shocking conclusion, Victorian Psycho plunges readers into the chilling mind of an iconic new literary psychopath.

NEW YORK TIMES BESTSELLER FINALIST FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION LONGLISTED FOR THE NATIONAL BOOK AWARD “[Han Kang’s] intense poetic prose . . . confronts historical traumas and exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize Han Kang’s most revelatory book since The Vegetarian—and her first published in English since winning the Nobel Prize—We Do Not Part tells the story of a friendship between two women while powerfully reckoning with a hidden chapter in Korean history. A BEST BOOK OF THE YEAR: TIME, KIRKUS REVIEWS, BOOK RIOT, CHICAGO PUBLIC LIBRARY • ONE OF BOOKPAGE’S TEN BEST BOOKS OF THE YEAR “[A] masterpiece.”—The Boston Globe “A haunting exploration of friendship amid historical trauma.”—Time “A novel that is both disquieting and entrancing.”—The Economist One winter morning in Seoul, Kyungha receives an urgent message from her friend Inseon to visit her at the hospital. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn’t yet suspect the vertiginous plunge into darkness that awaits her at her friend’s house. Blurring the boundaries between dream and reality, We Do Not Part powerfully brings to light the lost voices of the past to save them from oblivion. Both a hymn to an enduring friendship and an argument for remembering, it is the story of profound love in the face of unspeakable pain—and a celebration of life, however fragile it might be.

*A MOST ANTICIPATED BOOK OF 2025 BY LITHUB, THE OC REGISTER, THE MILLIONS AND MORE * NAMED A MUST-READ BOOK BY THE CHICAGO REVIEW OF BOOKS * THE STRAND'S AUGUST 2025 PICK-OF-THE-MONTH * SELECTED AS AN AUGUST 2025 READ BY VULTURE * “Delicious, confessional, shocking, and poignant—it's impossible to put this masterful book down.” —Alissa Nutting, author of Made for Love and Tampa “Chou is the rare writer who can serve up dark truths with equal helpings of humor and heart.” —Jean Kyoung Frazier, author of Pizza Girl From the critically-acclaimed author of Disorientation, a multi-genre story collection that explores the limits and possibilities of storytelling A mail order bride from Taiwan is packed up in a cardboard box and sent via express shipping to California, where her much older husband awaits her. Two teenage girls meticulously plan how to kill and cook their downstairs neighbor. An American au pair moves to Paris to find herself, only to find her actual French doppelgänger. A father reunites with his estranged daughter in unusual circumstances: as a background actor on the set of her film. A writer’s affair with a married artist tests the line between fact and fiction, self-victimization and the victimization of others. In these six singular stories and a novella that pivot from the terrible to the beautiful to the surreal, Elaine Hsieh Chou confronts the slipperiness of truth in storytelling. With razor-sharp precision and psychological acuity, she peels back the tales we tell ourselves to peer beneath them: at our treacherous desires, our self-deceptions and our capacity for cruelty, both to ourselves and each other. Expansive and provocative, Where Are You Really From is a visionary achievement.

REESE'S BOOK CLUB PICK • INSTANT NEW YORK TIMES BESTSELLER • #1 AMAZON BEST BOOK OF THE YEAR SO FAR 2025 "A breathtaking novel of ROMANCE, MYSTERY, AND TWISTS that will shock you...I love this book so much." —Reese Witherspoon "A WILDLY TALENTED writer." ―Emily St. John Mandel “SPELLBINDING...Exceptionally imagined, thoroughly humane.” —Washington Post “Abounds with EVOCATIVE nature writing.” —The New York Times Book Review An ENTHRALLING new novel from the NEW YORK TIMES BESTSELLING author of Migrations and Once There Were Wolves A family on a remote island. A mysterious woman washed ashore. A rising storm on the horizon. Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers, but with sea levels rising, the Salts are now its final inhabitants. Until, during the worst storm the island has ever seen, a woman mysteriously washes ashore. Isolation has taken its toll on the Salts, but as they nurse the woman, Rowan, back to strength, it begins to feel like she might just be what they need. Rowan, long accustomed to protecting herself, starts imagining a future where she could belong to someone again. But Rowan isn’t telling the whole truth about why she set out for Shearwater. And when she discovers sabotaged radios and a freshly dug grave, she realizes Dominic is keeping his own secrets. As the storms on Shearwater gather force, they all must decide if they can trust each other enough to protect the precious seeds in their care before it’s too late—and if they can finally put the tragedies of the past behind them to create something new, together. A novel of breathtaking twists, dizzying beauty, and ferocious love, Wild Dark Shore is about the impossible choices we make to protect the people we love, even as the world around us disappears.
===
'At once a gripping mystery, an exquisitely written ode to the natural world, and a taut, psychological thriller, Wild Dark Shore is a triumph. Charlotte McConaghy is masterful in her ability to show the intricate connections between place and the human heart, and Wild Dark Shore shows her at the height of her powers. Breathtaking.' HANNAH KENT Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world's largest seed bank, Shearwater was once full of researchers. But with sea levels rising, the Salts are now its final inhabitants, packing up the seeds before they are transported to safer ground. Despite the wild beauty of life here, isolation has taken its toll on the Salts. Raff, 18 and suffering his first heartbreak, can only find relief at his punching bag; Fen, 17, has started spending her nights on the beach among the seals; 9-year-old Orly, obsessed with botany, fears the loss of his beloved natural world; and Dominic can't stop turning back towards the past, and the loss that drove the family to Shearwater in the first place. Then, during the worst storm the island has ever seen, a woman washes up on shore. As the Salts nurse the woman, Rowan, back to life, their suspicion gives way to affection, and they finally begin to feel like a family again. Rowan, long accustomed to protecting her heart, begins to fall for the Salts, too. But Rowan isn't telling the whole truth about why she set out for Shearwater. And when she discovers the sabotaged radios and a freshly dug grave, she realises Dominic is keeping his own dark secrets. As the storms on Shearwater gather force, the characters must decide if they can trust each other enough to protect the precious seeds in their care before it's too late-and if they can finally put the tragedies of the past behind them to create something new, together. A novel of heartstopping twists, dizzying beauty and ferocious love, Wild Dark Shore is a story about the impossible choices we make to protect the people we love, even as the world around us is ending.

Desiree, Danielle, January, Monique and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood and of big-city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood - overwhelming, mysterious and full of freedom and consequences - swoops in and stays. Desiree and Danielle, sisters whose shared history has done little to prevent their estrangement, nurse bitter family wounds in different ways. January's got a relationship with a 'good' man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends move from the late 2000s into the late 2020s, from young adults to grown women, they must figure out what they mean to one another - amid political upheaval, economic and environmental instability and the increasing volatility of modern life. The Wilderness is Angela Flournoy's masterful and kaleidoscopic follow-up to her critically acclaimed debut The Turner House. A generational talent, she captures with disarming wit and electric language how the most profound connections over a lifetime can lie in the tangled, uncertain thicket of friendship.
===
NATIONAL BESTSELLER FINALIST FOR THE KIRKUS PRIZE FOR FICTION LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION LONGLISTED FOR THE ASPEN WORDS LITERARY PRIZE Named one of the Washington Post's 10 Best Books of the Year One of Barack Obama's "Favorite Books of the Year" Named a Best of the Year by The New Yorker, The Boston Globe, Publishers Weekly, Vogue, Elle, Time, Kirkus Reviews, Electric Literature, Town & Country, Alta Journal, NPR, New York Public Library, Chicago Public Library, Book Riot, Audible "Flournoy has delivered a future classic--the kind of novel that generations to come will read to understand the nuances and peculiarities of this time." -- Harper's Bazaar An era-defining novel about five Black women over the course of their twenty-year friendship, as they move through the dizzying and sometimes precarious period between young adulthood and midlife--in the much-anticipated second book from National Book Award finalist Angela Flournoy. Desiree, January, Monique, and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood, and of big-city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood--overwhelming, mysterious, and full of freedom and consequences--swoops in and stays. Desiree is estranged from her sister Danielle, and the two nurse bitter family wounds in different ways. January's got a relationship with a "good" man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends move from the late 2000's into the late 2020's, from young adults to grown women, they must figure out what they mean to one another--amid political upheaval, economic and environmental instability, and the increasing volatility of modern American life. The Wilderness is Angela Flournoy's masterful and kaleidoscopic follow-up to her critically acclaimed debut The Turner House. A generational talent, she captures with disarming wit and electric language how the most profound connections over a lifetime can lie in the tangled, uncertain thicket of friendship.
===
* ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF 2025 * ‘Humorous yet devastating... I loved this book' - BRIT BENNETT ‘Flournoy is singular' - RAVEN LEILANI 'Flournoy has a long-lens talent' - ELEANOR CATTON 'A triumphant whirlwind of a novel' - NAMWALI SERPELL 'One of the wisest, most talented authors working today' - JUSTIN TORRES In 2008, Desiree, January, Monique and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood and of big city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood – overwhelming, mysterious and full of freedom and consequences – swoops in and stays. Desiree is estranged from her sister Danielle, and the two nurse bitter family wounds in different ways. January's got a relationship with a 'good' man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends transition from young adults to grown women, they must figure out what they mean to one another – amid political upheaval, economic and environmental instability and the increasing volatility of modern life. In The Wilderness, Angela Flournoy captures with disarming wit and electric language how life's most profound connections can lie in the tangled, uncertain thicket of friendship. It's The Vanishing Half meets The Most Fun We Ever Had, with notes of Girl, Woman, Other. 'A future classic' - HARPER'S BAZAAR 'Flournoy inhabits a quartet of shifting perspectives with wit, tenderness and exquisite grace... Evokes the hushed, disconsolate quality of [Toni] Morrison' - NEW YORK TIMES 'A fascinating look at lasting friendships... Vivid' - WASHINGTON POST 'A triumph' - LA TIMES 'Flournoy beautifully renders how love - though at times thorny and confusing - is the one thing that keeps us connected' - TIME (The 100 Must-Read Books of 2025) ***** 5-STAR READER REVIEWS FOR THE WILDERNESS ***** 'Every heartbreak, triumph and turn of the text I actually felt in my body' 'Wow, this book... So real and raw' 'If you believe in the power of sisterhood, this is an unforgettable must-read' 'Will make you laugh, ache and long for your own family and friends' 'Captures the complexities of lifelong friendships with remarkable depth' 'One of my best books of the year, hands down' This novel contains references to assisted dying and drug use, and depictions of violence, death, and police brutality.

»Ich schreibe für alle, die das Gefühl haben, dass es mehr im Leben geben muss. Dieses Buch erzählt davon, wie man auf der Suche nach Liebe und Glück verloren gehen kann. Und wie man aus dieser Verlorenheit wieder zurückfindet.« Elizabeth Gilbert Im Jahr 2000 lernt Elizabeth Rayya kennen. Erst sind sie Freundinnen, dann Seelenverwandte. Die beiden werden ein Paar, leben ihre einzigartige Liebe. Aber sie sind auch zwei Süchtige auf Kollisionskurs in Richtung Katastrophe – und müssen nach einer verheerenden Diagnose den gemeinsamen Weg des Abschieds gehen. »All the Way to the River« ist eine existenzielle Offenbarung, eine bahnbrechende Erzählung von Liebe, Sucht und unermesslichem Verlust – sowie von der unbedingten Sehnsucht nach Befreiung und Heilung. Wie in »Eat Pray Love« erzählt die Nr. 1-Spiegel-Bestseller-Autorin Elizabeth Gilbert zutiefst persönlich und dabei bewegend universell ihre vielleicht wichtigste Geschichte und davon, was im Leben wirklich zählt. Was im Leben wirklich zählt – die Nr. 1-Spiegel-Bestseller-Autorin erzählt ihre wichtigste Geschichte Wie in »Eat Pray Love« erzählt Gilbert zutiefst persönlich und dabei bewegend universell

A “vast, multifaceted and enchanting” (Minneapolis Star-Tribune) meditation on the color blue and its fascinating role in Black history and culture, from National Book Award winner Imani Perry, “the most important interpreter of Black life in our time” (Eddie S. Glaude, Jr.) Throughout history, the concept of Blackness has been remarkably intertwined with another color: blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for that which lies beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong’s question, “What did I do to be so Black and blue?” In this book, celebrated author Imani Perry uses the world’s favorite color as a springboard for a riveting emotional, cultural, and spiritual journey—an examination of race and Blackness that transcends politics or ideology. Perry traces both blue and Blackness from their earliest roots to their many embodiments of contemporary culture, drawing deeply from her own life as well as art and history: The dyed indigo cloths of West Africa that were traded for human life in the 16th century. The mixture of awe and aversion in the old-fashioned characterization of dark-skinned people as “Blue Black.” The fundamentally American art form of blues music, sitting at the crossroads of pain and pleasure. The blue flowers Perry plants to honor a loved one gone too soon. Poignant, spellbinding, and utterly original, Black in Blues is a brilliant new work that could only have come from the mind of one of our greatest writers and thinkers. Attuned to the harrowing and the sublime aspects of the human experience, it is every bit as vivid, rich, and striking as blue itself.

How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from one of our most lauded and influential cultural figures. “Every writer is at least two beings: the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same.” Raised by ruggedly independent, scientifically minded parents—entomologist father, dietician mother—Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: “It sounds forlorn. It was forlorn. It gets more forlorn.”), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat’s Eye to the Orwellian 1980s of East Berlin where she wrote The Handmaid’s Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel. As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art—and the workings of one of our greatest imaginations.
===
How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from one of our most lauded and influential cultural figures 'Every writer is at least two beings- the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same.' Raised by ruggedly independent, scientifically minded parents - entomologist father, dietician mother - Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday- 'It sounds forlorn. It was forlorn. It gets more forlorn.'), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat's Eye to divided 1980s Berlin where she began The Handmaid's Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel. As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art - and the workings of one of our greatest imaginations.
===
'Fat and satisfying' Observer * 'I loved it' Dua Lipa * 'Deliciously naughty' iNews * 'Beautifully told' Woman & Home * 'Spellbinding' FT * Book of the Year Guardian, Financial Times, Observer, Belfast Telegraph Immerse yourself in the creative universe of Margaret Atwood for a riot of life, art and everything in between Raised by scientifically minded parents, Atwood spent most of each year in the wild forest of northern Quebec: a vast playground for her entomologist father and independent, resourceful mother. It was an unfettered and nomadic childhood, sometimes isolated but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking key moments to the books that have shaped our literary landscape, from the cruel school year that would become Cat’s Eye to the unease of 1980s Berlin, where she began The Handmaid’s Tale. In pages alive with the natural world, reading and books, major political turning points and her lifelong love for the charismatic writer Graeme Gibson, we meet poets, bears, Hollywood stars and larger-than-life characters straight from the pages of an Atwood novel. As she explores her past, Atwood reveals more and more about her writing, the connections between real life and art – and the workings of one of our boldest imaginations. *Top ten Sunday Times bestseller week of 22 November 2025*

A radiant new memoir from beloved artist and writer Patti Smith, author of the National Book Award winner Just Kids God whispers through a crease in the wallpaper, writes Patti Smith in this indelible account of her life as an artist. A post–World War II childhood unfolds in a condemned housing complex described in Dickensian detail: consumptive children, vanishing neighbors, an infested rat house, and a beguiling book of Irish fairy tales. We enter the child’s world of the imagination where Smith, the captain of her loyal and beloved sibling army, vanquishes bullies, communes with the king of tortoises, and searches for sacred silver pennies. The most intimate of Smith’s memoirs, Bread of Angels takes us through her teenage years when the first glimmers of art and romance take hold. Arthur Rimbaud and Bob Dylan emerge as creative heroes and role models as Smith starts to write poetry, then lyrics, merging both into the iconic recordings and songs such as Horses and Easter, “Dancing Barefoot” and “Because the Night.” She leaves it all behind to marry her one true love, Fred “Sonic” Smith, with whom she creates a life of devotion and adventure on a canal in St. Clair Shores, Michigan, with ancient willows and fulsome pear trees. She builds a room of her own, furnished with a pillow of Moroccan silk, a Persian cup, inkwell and fountain pen. The couple spend nights in their landlocked Chris-Craft studying nautical maps and charting new adventures as they start their family. As Smith suffers profound losses, grief and gratitude are braided through years of caring for her children, rebuilding her life, and, finally, writing again—the one constant on a path driven by artistic freedom and the power of the imagination to transform the mundane into the beautiful, the commonplace into the magical, and pain into hope. In the final pages, we meet Patti Smith on the road again, the vagabond who travels to commune with herself, who lives to write and writes to live.
===
'Smith's eye for life's everyday transcendence rarely fails her' Sunday Times, 'Books of the Year' 'A triumph' Joseph O'Connor, Irish Times, 'Books of the Year' 'Quietly sacred, utterly beautiful' Service95 A radiant new memoir from beloved artist and writer Patti Smith, author of the National Book Award Winner Just Kids. God whispers through a crease in the wallpaper, writes Patti Smith in this indelible account of her life as an artist. A post-Second World War childhood unfolds in a condemned housing complex described in Dickensian detail: consumptive children, vanishing neighbours, an infested rat house, and a beguiling book of Irish fairytales. We enter the child's world of the imagination where Smith, the captain of her loyal and beloved sibling army, vanquishes bullies, communes with the king of tortoises and searches for sacred silver pennies. The most intimate of Smith's memoirs, Bread of Angels takes us through her teenage years where the first glimmers of art and romance take hold. Arthur Rimbaud and Bob Dylan emerge as creative heroes and role models as Patti starts to write poetry, then lyrics, merging both into the iconic songs and recordings such as Horses and Easter, 'Dancing Barefoot' and 'Because the Night'. She leaves it all behind to marry her one true love, Fred Sonic Smith, with whom she creates a life of devotion and adventure on a canal in St. Clair Shores, Michigan with ancient willows and fulsome pear trees. She builds a room of her own, furnished with a pillow of Moroccan silk, a Persian cup, inkwell and fountain pen. The couple spend nights in their landlocked Chris-Craft studying nautical maps and charting new adventures as they start their family. As Smith suffers profound losses, grief and gratitude are braided through years of caring for her children, rebuilding her life and, finally, writing again -- the one constant in a life driven by artistic freedom and the power of the imagination to transform the mundane into the beautiful, the commonplace into the magical, and pain into hope. In the final pages, we meet Patti on the road again, the vagabond who travels to commune with herself, who lives to write and writes to live.

#1 New York Times Bestseller “Careless People is darkly funny and genuinely shocking...Not only does [Sarah Wynn-Williams] have the storytelling chops to unspool a gripping narrative; she also delivers the goods." -Jennifer Szalai, The New York Times “When one of the world’s most powerful media companies tries to snuff out a book — amid other alarming attacks on free speech in America like this — it’s time to pull out all the stops.” –Ron Charles, The Washington Post An explosive memoir charting one woman’s career at the heart of one of the most influential companies on the planet, Careless People gives you a front-row seat to Facebook, the decisions that have shaped world events in recent decades, and the people who made them. From trips on private jets and encounters with world leaders to shocking accounts of misogyny and double standards behind the scenes, this searing memoir exposes both the personal and the political fallout when unfettered power and a rotten company culture take hold. In a gripping and often absurd narrative where a few people carelessly hold the world in their hands, this eye-opening memoir reveals what really goes on among the global elite. Sarah Wynn-Williams tells the wrenching but fun story of Facebook, mapping its rise from stumbling encounters with juntas to Mark Zuckerberg’s reaction when he learned of Facebook’s role in Trump’s election. She experiences the challenges and humiliations of working motherhood within a pressure cooker of a workplace, all while Sheryl Sandberg urges her and others to “lean in.” Careless People is a deeply personal account of why and how things have gone so horribly wrong in the past decade—told in a sharp, candid, and utterly disarming voice. A deep, unflinching look at the role that social media has assumed in our lives, Careless People reveals the truth about the leaders of Facebook: how the more power they grasp, the less responsible they become and the consequences this has for all of us.
===
The #1 global bestseller with a new foreword for paperback A Book of the Year for Audible, The Times, Financial Times, The New York Times, Time, Cosmopolitan, The Economist, Spectator and more Shortlisted for the Westminster Book Awards 2025 Shortlisted for the Hatchards First Biography Prize 2025 Winner of the Blueprint Asia-Pacific Whistleblowing Prize 2025 ‘How else to put this? Bloody hell’ – The Guardian ‘Devastating . . . Funny . . . Highly enjoyable’ – The Times ‘Jaw-dropping . . . A tell-all tome’ – Financial Times Sarah Wynn-Williams joined Facebook believing the company could change things for the better. Instead, what she encountered over seven years was so shocking that Meta obtained a legal order to silence her. Now you can read her award-winning story. Candid and entertaining, Wynn-Williams’ account pulls back the curtain on Mark Zuckerberg, Sheryl Sandberg and the global elite. She exposes the true cost of Silicon Valley’s ambition, from outrageous schemes cooked up on private jets to the alarming consequences of Facebook’s aggressive pursuit of global dominance. Careless People is an ordinary woman's gripping and darkly funny memoir that will forever change how you view the technology that runs our lives – and the unchecked power of those who control it. ‘A Bridget Jones’s Diary-style tale of a young woman thrown into a series of improbable situations’ – The Times ‘Amazing: of all the books in all the world Mr Free Speech Zuckerberg wants to ban, it’s the one about him’ – Marina Hyde
===
‘Als een van de machtigste mediabedrijven ter wereld probeert een boek te laten verbieden – terwijl er in Amerika almaar meer alarmerende aanvallen worden gedaan op het vrije woord – is het tijd om alle registers open te trekken.’ The Washington Post ‘Mark Zuckerberg wil niet dat u dit boek leest.’ Financieel Dagblad ‘Oud-medewerker Sarah Wynn Williams doet in Careless People een boekje open over hoe Facebook van onschuldig sociaal medium tot een politiek wapen verwerd.’ Trouw Careless People is het explosieve verhaal van een vrouw in die jarenlang in het hart van een van de invloedrijkste bedrijven ter wereld werkte. Het geeft je een diepgravende inkijk in Facebook, in de beslissingen die de afgelopen decennia gebeurtenissen wereldwijd hebben bepaald en in de mensen die ze hebben genomen. Van privéjets en ontmoetingen met wereldleiders tot schokkende verhalen over vrouwenhaat en het meten met twee maten achter de schermen – Careless People is een bijzonder persoonlijk verhaal over het hoe en waarom dingen in het afgelopen decennium zo vreselijk verkeerd hebben kunnen gaan. Met haar scherpe, gevatte en bijzonder ontwapenende stem biedt Sarah Wynn-Williams niet alleen haar onverschrokken visie op de rol die sociale media in ons leven zijn gaan spelen, maar onthult zij ook de waarheid over de bazen van Facebook – hoe meer macht ze grijpen, des te minder verantwoordelijkheid ze aanvaarden – en de gevolgen die dit voor ieder van ons heeft.
===
«Ero tra i consulenti dei massimi dirigenti dell'azienda, Mark Zuckerberg e Sheryl Sandberg, mentre escogitavano il modo in cui l'organizzazione avrebbe interagito con i governi di tutto il mondo. Alla fine, li ho guardati, senza più speranze, fare la corte a regimi autoritari come quello cinese e, con assoluta noncuranza, ingannare l'opinione pubblica. Ero su un jet privato con Mark il giorno in cui finalmente capì che con ogni probabilità Facebook aveva contribuito a portare Donald Trump alla Casa Bianca, e ne trasse le sue personali e oscure conclusioni. Quasi sempre, però, lavorando alle politiche di Facebook, più che assistere alla messa in scena di un capitolo di Machiavelli, sembrava di guardare un gruppo di quattordicenni a cui sono stati dati dei superpoteri e una quantità spropositata di denaro andare in giro per il mondo per capire cosa possono comprare e ottenere con quel potere. Questa è la storia che intendo raccontare qui.»

The riveting hidden history of Claire McCardell, the most influential fashion designer you’ve never heard of. Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.” After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.” Filled with personal drama and industry secrets, this story reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live.

From the award-winning biographer of Elvis Presley, a groundbreaking dual portrait of the relationship between the iconic artist and his legendary manager—drawing on a wealth of the Colonel's never-before-seen correspondence to reveal that this oft-reviled figure was in fact a confidant, friend, and architect of his client’s success In early 1955, Colonel Tom Parker—manager of the number-one country music star of the day—heard that an unknown teenager from Memphis had just drawn a crowd of more than eight hundred people to a Texas schoolhouse, and headed south to investigate. Within days, Parker was sending out telegrams and letters to promoters and booking agents: “We have a new boy that is absolutely going to be one of the biggest things in the business in a very short time. His name is ELVIS PRESLEY.” Later that year, after signing with RCA, the young man sent a telegram of his own: “Dear Colonel, Words can never tell you how my folks and I appreciate what you did for me.... I love you like a father.” The close personal bond between Elvis and the Colonel has never been fully portrayed before. It was a relationship founded on mutual admiration and support. From the outset, the Colonel defended Elvis fiercely and indefatigably against RCA executives, Elvis’s own booking agents, and movie moguls. But in their final years together, the story grew darker, as the Colonel found himself unable to protect Elvis from himself or control growing problems of his own. Featuring troves of previously unpublished correspondence, revelatory for both its insights and emotional depth, The Colonel and the King provides a unique perspective on not one but two American originals. A tale of the birth of the modern-day superstar (an invention almost entirely of Parker’s making) by Peter Guralnick, the most acclaimed music writer of his generation, it presents these two misunderstood icons as they’ve never been seen before: with all of their brilliance, humor, and flaws on full display.

A profound and unparalleled literary voice, Zadie Smith returns with a resounding collection of essays In the past two decades, few writers have been able to master the craft and art of the essay in the way that Zadie Smith has. Her discerning eye and singularly intimate perspective emblazon Smith as a preeminent critic of our generation, society, and culture. In her inimitable honesty and poignant voice, Smith studies the fault lines that divide us and consistently finds within them grounds for solidarity and compassion. This eagerly awaited new collection brings Zadie Smith's unique skills as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five sections--eyeballing, considering, reconsidering, mourning, and confessing--she unspools personal dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk when researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to look at the young Michael Jackson and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. And she shows us once again in Dead and Alive her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times. A master of perception always in search of a lesser-known reality, Smith continually assesses, and reassesses, what it means to identify with the contemporary world, and how we choose to remember the history that brought us here.

From Melissa Febos, the national bestselling author of Girlhood, comes an examination of the solitude, freedoms, and feminist heroes she discovered during a year of celibacy and a wise and transformative look at relationships and self-knowledge. “Only Melissa Febos could convince us of the ecstasy of abstinence. She never fails in her candor and precision.”—Katherine May, author of Wintering In the wake of a catastrophic two-year relationship, Melissa Febos decided to take a break: For three months she would abstain from dating, relationships, and sex. Her friends were amused. Did she really think three months was a long time? But to Febos, it was. Ever since her teens, she had been in one relationship after another with men and women. As she puts it, she could trace a “daisy chain of romances” from her adolescence to her midthirties. Finally, she would carve out time to focus on herself and examine the patterns that had produced her midlife disaster. Over those first few months, she gleaned insights into her past and awoke to the joys of being single. She decided to extend her celibacy, not knowing it would become the most fulfilling and sensual year of her life. No longer defined by her romantic pursuits, she learned to relish the delights of solitude, the thrill of living on her own terms, the distinct pleasures unmediated by lovers, and the freedom to pursue her ideals without distraction or guilt. Bringing her own experiences into conversation with those of women throughout history—from eleventh-century mystic Hildegard von Bingen, Virginia Woolf, and Octavia Butler to the Shakers and Sappho—Febos situates her story within a newfound lineage of role models who unapologetically pursued their ambitions and ideals. By abstaining from all forms of romantic entanglement, Febos began to see her life and her self-worth in a radical, new way. Her year of divestment transformed her relationships with friends and peers, her spirituality, her creative practice, and, most of all, her relationship to herself. Blending intimate personal narrative and incisive cultural criticism, The Dry Season tells a story that’s as much about celibacy as its inverse: pleasure, desire, fulfillment. Infused with fearless honesty and keen intellect, it’s the memoir of a woman learning to live at the center of her own story, and a much-needed catalyst for a new conversation around sex and love.
===
'Compelling' OBSERVER'Bold' NEW YORK TIMES'Refreshing' SUNDAY TIMESEver since her teens, Melissa had been in one relationship or another until, in the wake of a disastrous break-up, she vowed to a period of celibacy. She had no idea that this year would become the most fulfilling and sensual of her life.The Dry Season is a memoir of Melissa's year of celibacy, and a profound exploration of independence, sexuality and deep self-knowledge.

"The epic, true story of the Abuelas de Plaza de Mayo, grandmothers who fought to find their stolen grandchildren during Argentina's brutal dictatorship"--Provided by publisher.
===
NATIONAL BESTSELLER • A NEW YORK TIMES NOTABLE BOOK OF 2025 • THE WASHINGTON POST’S 5 BEST NONFICTION BOOKS OF 2025 • THE ATLANTIC’S 10 BEST BOOKS OF 2025 • THE NEW YORK PUBLIC LIBRARY'S BEST BOOKS OF 2025 • TIME MAGAZINE’S BEST BOOKS OF 2025 • NPR’S BEST BOOKS OF 2025 “[An] astonishing story…Powerful…Harrowing…Absorbing and lucid…You would have to harden your heart to be unmoved by the Abuelas’ quest.” —Jennifer Szalai, The New York Times Book Review (front-cover review) “Inspiring…A triumphant saga of ordinary people doing extraordinary things in the face of pure malevolence.” —Hampton Sides • “Enthralling…Written with the nail-biting verve of a thriller.” —Publishers Weekly (starred review) • “Extraordinary...A harrowing and timely reminder of what happens when democracy succumbs to despotism.” —Adam Higginbotham • “[A] cinematically detailed, deeply researched narrative.” —The Washington Post • “Piercing, emotional...Will resonate for generations.” —Kirkus Reviews (starred review) A remarkable new talent in narrative nonfiction delivers the epic true story of a group of courageous grandmothers who fought to find their grandchildren who were stolen. In the early hours of March 24, 1976, the streets of Buenos Aires rumble with tanks as soldiers seize the presidential palace and topple Argentina’s leader. The country is now under the control of a military junta, with army chief Jorge Rafael Videla at the helm. With quiet support from the United States and tacit approval from much of Argentina’s people, who are tired of constant bombings and gunfights, the junta swiftly launches the National Reorganization Process or El Proceso—a bland name masking their ruthless campaign to crush the political left and instill the country with “Western, Christian” values. The junta holds power until 1983 and decimates a generation. One of the military’s most diabolical acts is kidnapping hundreds of pregnant women. After giving birth in captivity, the women are “disappeared,” and their babies secretly given to other families—many of them headed by police or military officers. For mothers of pregnant daughters and daughters-in-law, the source of their grief is twofold—the disappearances of their children, and the theft of their grandchildren. A group of fierce grandmothers forms the Abuelas de Plaza de Mayo, dedicated to finding the stolen infants and seeking justice from a nation that betrayed them. At a time when speaking out could mean death, the Abuelas confront military officers and launch protests to reach international diplomats and journalists. They become detectives, adopting disguises to observe suspected grandchildren, and even work alongside a renowned American scientist to pioneer groundbreaking genetic tests. A Flower Traveled in My Blood is the rarest of nonfiction that reads like a novel and puts your heart in your throat. It is the product of years of extensive archival research and meticulous, original reporting. It marks the arrival of a blazing new talent in narrative journalism. In these pages, a regime tries to terrorize a country, but love prevails. The grandmothers’ stunning stories reveal new truths about memory, identity, and family.

“An antidote to the loneliness of our species.”—ROBIN WALL KIMMERER “A master class in how to love the world.”—MARGARET RENKL A thrilling book about the abounding queerness of the natural world that challenges our expectations of what is normal, beautiful, and possible. Growing up, Patricia Ononiwu Kaishian felt most at home in the swamps and culverts near her house in the Hudson Valley. A child who frequently felt out of place, too much of one thing or not enough of another, she found acceptance in these settings, among other amphibious beings. In snakes, snails, and, above all, fungi, she saw her own developing identities as a queer, neurodivergent person reflected back at her—and in them, too, she found a personal path to a life of science. In Forest Euphoria, Kaishian shows us this making of a scientist and introduces readers to the queerness of all the life around us. Fungi, we learn, commonly have more than two biological sexes—and some as many as twenty-three thousand. Some intersex slugs mutually fire calcium carbonate “love darts” at each other during courtship. Glass eels are sexually undetermined until their last year of life, a mystery that stumped scientists once dubbed “the eel question.” Nature, Kaishian shows us, is filled with the unusual, the overlooked, and the marginalized—and they have lessons for us all. Wide-ranging, richly observant, and full of surprise, Forest Euphoria will open your eyes and change how you look at the world around you.

ONE OF TIME MAGAZINE'S MOST ANTICIPATED BOOKS OF FALL 2025 From the bestselling co-author of Apollo 13 comes the thrilling untold story of the pioneering Gemini program that was instrumental in getting Americans on the moon. Without Gemini, there would be no Apollo. After we first launched Americans into space but before we touched down on the moon’s surface, there was the Gemini program. It was no easy jump from manned missions in low-Earth orbit to a successful moon landing, and the ten-flight, twenty-month celestial story of the Gemini program is an extraordinary one. There was unavoidable darkness in the program—the deaths and near-deaths that defined it, and the blood feud with the Soviet Union that animated it. But there were undeniable and previously inconceivable successes. With a war raging in Vietnam and lawmakers calling for cuts to NASA’s budget, the success of the Gemini program—or the space program in general—was never guaranteed. Yet against all odds, the remarkable scientists and astronauts behind the project persevered, and their efforts paid off. Later, with the knowledge gained from the Gemini flights, NASA would launch the legendary Apollo program. Told with Jeffrey Kluger’s signature cinematic storytelling and in-depth research and interviews, Gemini is an edge-of-your-seat narrative chronicling the history of the least appreciated—and most groundbreaking—space program in American history. Finally, Gemini’s story will be told, and finally, we’ll learn the truth of how we landed on the moon.

A New York Times and Washington Post Notable Book • Named one of the Best Books of the Year by TIME, NPR, Elle, and The Boston Globe “Searing… rigorously researched but never stuffy… Gilbert has compiled perhaps the first comprehensive examination of turn-of-the-millennium mainstream, cool-kid trends and ephemera, and how they were largely molded by those in power to sell a generation of girls and young women reality-warping lies.” —The New York Times “So clear-eyed that it’s startling." —The Washington Post “Entertaining and even energizing, transforming a dismal history into something like a rallying cry.” —The Boston Globe From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of early aughts pop culture What happened to feminism in the twenty-first century? This question feels increasingly urgent in a moment of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Mining the darker side of nostalgia, Gilbert trains her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. What she recounts is harrowing, from the leering gaze of the paparazzi to the gleeful cruelty of early reality TV and a burgeoning internet culture vicious toward women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the rise of internet porn, which gained widespread influence as it began to pervade our collective consciousness. The result is a devastating portrait of a time when a distinctly American blend of excess, materialism, and power worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and continues to shape our world today.
===
'A captivating must-read for anyone who wants to understand how and why misogyny is as powerful a force as ever' KATE MANNE, author of Down Girl 'Riveting, incisive, rousing' MELISSA FEBOS, author of Girlhood Cosmetic surgeries are at an all-time high, Ozempic is bringing back 'heroin chic' and TikTok trad-wives are on the rise - after four waves of feminism, what went wrong? Despite decades of progress, the gains of the feminist movement feel more fragile than ever. But as Atlantic critic and Pulitzer Prize finalist Sophie Gilbert points out, this is not a unique moment. Feminism felt just as fragmented in the early 2000s, when the momentum of third-wave feminists and 'riot grrrl's was squashed by lad culture and the commodification of 'Girl Power'. Casting her eye across pop culture of the past thirty years - from Madonna, the Spice Girls and the Kardashians, to MySpace, #GirlBoss and Real Housewives - Sophie Gilbert reveals a toxic pattern of progress and misogynistic backlash. Girl on Girl shows how every form of media, heavily influenced by the rise of porn, has shaped and warped women's relationships with themselves and other women, and asks what lies ahead. We cannot move forward without fully reckoning with how pop culture has defined us - this book shows us how.

'Early previews are juicer than [Gwyneth's] viral-for-the-wrong-reasons bone-broth diet...For someone who stands on business micromanaging her image...this might be the first time we see behind Hollywood's most aspirational curtain' theSkimm ' The new Gwyneth Paltrow biography is juicy as hell' Marie Claire This deeply researched and rigorously reported biography of Gwyneth Paltrow takes us inside the world of one of the most influential, aspirational and polarizing celebrities of the last thirty years. Love her or hate her, Gwyneth Paltrow has managed to stay on the A-list, her influence spanning entertainment, fashion and the wellness industry. Throughout her career, Paltrow has participated in countless carefully managed interviews, but the real Gwyneth - the basis of her motives, desires, strengths, faults and vulnerabilities - has never been fully revealed, until now. Drawing from extensive conversations with more than 220 sources, including close current and former friends and colleagues, Amy Odell provides insight and behind-the-scenes details of Paltrow's relationships, family, friendships, iconic films and tenure as the CEO of Goop. Gwyneth is the definitive account of how Paltrow rose to prominence, has stayed in the limelight and continues to shape culture - for better or worse.

THE TELEGRAPH, BLOOMBERG AND TIME 'BOOK OF THE YEAR' 'A taut, immersive chronicle of endurance' Time Magazine 'One of the most compelling and unflinching books you will ever read' Daily Telegraph On October 7th, 2023, Hamas terrorists stormed Kibbutz Be'eri, shattering the peaceful life Eli Sharabi had built with his British wife, Lianne, and their teenage daughters, Noiya and Yahel. Dragged barefoot out of his front door while his family watched in horror, Sharabi was plunged into the suffocating darkness of Gaza's tunnels. In total he endured a gruelling 491 days in captivity - all the while holding onto the hope that he would one day be reunited with his loved ones. In the first memoir by a released Israeli hostage, and the fastest-selling book in Israel's history, Sharabi offers a searing firsthand account of survival under unimaginable conditions - starvation, isolation, physical beatings, and psychological abuse at the hands of his captors. Eli Sharabi's story is one of hunger and heartache, of physical pain, longing, loneliness and a helplessness that threatens to destroy the soul. But it is also a story of strength, of resilience, and of the human spirit's refusal to surrender. It is about the camaraderie forged in captivity, the quiet power of faith, and one man's unrelenting decision to choose life, time and time again. Reminiscent of Elie Wiesel's Night, Hostage is a profound witness to history, so that it shall be neither forgotten nor erased.
===
'A taut, immersive chronicle of endurance' Time Magazine 'One of the most compelling and unflinching books you will ever read' Daily Telegraph On October 7th, 2023, Hamas terrorists stormed Kibbutz Be'eri, shattering the peaceful life Eli Sharabi had built with his British wife, Lianne, and their teenage daughters, Noiya and Yahel. Dragged barefoot out of his front door while his family watched in horror, Sharabi was plunged into the suffocating darkness of Gaza's tunnels. In total he endured a gruelling 491 days in captivity - all the while holding onto the hope that he would one day be reunited with his loved ones. In the first memoir by a released Israeli hostage, and the fastest-selling book in Israel's history, Sharabi offers a searing firsthand account of survival under unimaginable conditions - starvation, isolation, physical beatings, and psychological abuse at the hands of his captors. Eli Sharabi's story is one of hunger and heartache, of physical pain, longing, loneliness and a helplessness that threatens to destroy the soul. But it is also a story of strength, of resilience, and of the human spirit's refusal to surrender. It is about the camaraderie forged in captivity, the quiet power of faith, and one man's unrelenting decision to choose life, time and time again. Reminiscent of Elie Wiesel's Night, Hostage is a profound witness to history, so that it shall be neither forgotten nor erased.

The rich and deeply personal debut memoir by award-winning Palestinian American poet and novelist Hala Alyan, whose experience of motherhood via surrogacy forces her to reckon with her own past, and the legacy of her family’s exile and displacement, all in the name of a new future. After a decade of yearning for parenthood, years marked by miscarriage after miscarriage, Hala Alyan makes the decision to use a surrogate. In this charged time, she turns to the archetype of the waiting woman—the Scheherazade who tells stories to ensure another dawn—to confront her own narratives of motherhood, love, and inheritance. As her baby grows in the body of another woman, in another country, Hala finds her own life unraveling—a husband who wants to leave; the cost of past traumas and addictions threatening to resurface; the city of her youth, Beirut, on the brink of crisis. She turns to family stories and communal myths: of grandmothers mapping their lives through Palestine, Kuwait, Syria, Lebanon; of eradicated villages and invading armies; of places of refuge that proved only temporary; of men that left and women that stayed; of the contradictions of her own Midwestern childhood, and adolescence in various Arab cities. Meanwhile, as the baby grows from the size of a poppyseed to a grain of rice, then a lime, and beyond, Hala gathers the stories that are her legacy, setting down the ones that confine, holding close those that liberate. It is emotionally charged, painstaking work, but now the stakes are higher: how to honor ancestors and future generations alike in the midst of displacement? How to impart love for those who are no longer here, for places one can no longer touch? A stunningly lyrical and brutally honest quest for motherhood, selfhood, and peoplehood, I’ll Tell You When I’m Home is a powerful story of unraveling and becoming, of destruction and redemption, and of homelands lost and recreated.

A New York Times Bestseller A #1 Sunday Times (UK) Bestseller Finalist for the 2025 Banff Mountain Book Competition in Environmental Literature A New York Times "New Nonfiction to Read This Spring" Recommendation • A Financial Times "Best Summer Book of 2025" • A Guardian "Nonfiction to Look Forward To in 2025" Pick • A Washington Post "Book to Watch For" in 2025 From the best-selling author of Underland and "the great nature writer…of this generation" (Wall Street Journal), a revelatory book that transforms how we imagine rivers—and life itself. Hailed in the New York Times as “a naturalist who can unfurl a sentence with the breathless ease of a master angler,” Robert Macfarlane brings his glittering style to a profound work of travel writing, reportage, and natural history. Is a River Alive? is a joyful, mind-expanding exploration of an ancient, urgent idea: that rivers are living beings who should be recognized as such in imagination and law. Macfarlane takes readers on three unforgettable journeys teeming with extraordinary people, stories, and places: to the miraculous cloud-forests and mountain streams of Ecuador, to the wounded creeks and lagoons of India, and to the spectacular wild rivers of Canada—imperiled respectively by mining, pollution, and dams. Braiding these journeys is the life story of the fragile chalk stream a mile from Macfarlane’s house, a stream who flows through his own years and days. Powered by dazzling prose and lit throughout by other minds and voices, Is a River Alive? will open hearts, challenge perspectives, and remind us that our fate flows with that of rivers—and always has.
===
From the celebrated writer, observer and naturalist Robert Macfarlane comes a brilliant, perspective-shifting new book, which answers a resounding "yes" to the question of its title. At the heart of Is a River Alive? is a single, transformative idea: that rivers are not mere matter for human use, but living beings, who should be recognized as such in both imagination and law. Macfarlane takes the reader on a mind-expanding global journey into the history, futures, people and places of the ancient, urgent concept. Around the world, rivers are dying from pollution, drought and damming. But a powerful movement is also underway to recognize the lives and the rights of rivers, and to re-animate our relationships with these vast, mysterious presences whose landscapes we share. The young "rights of nature" movement has lit up activists, artists, law-makers and politicians across six continents—and become the focus for revolutionary thinking about rivers in particular. The book flows like water, from the mountains to the sea, over three major journeys. The first is to northern Ecuador, where a miraculous cloud-forest and its rivers are threatened with destruction by Canadian gold-mining. The second is to the wounded rivers, creeks and lagoons of southern India, where a desperate battle to save the lives of these waterbodies is underway. The third is to northeastern Quebec, where a spectacular wild river—the Mutehekau or Magpie—is being defended from death by damming in a river-rights campaign led by an extraordinary Innu poet and leader called Rita Mestokosho. Is A River Alive? is at once a literary work of art, a rallying cry and a catalyst for change. It is a book that will open hearts, spark debates and challenge perspectives. A clarion call to re-centre rivers in our stories, law and politics, it invites us to radically re-imagine not only rivers but life itself. At the heart of this vital, beautiful book is the recognition that our fate flows with that of rivers—and always has.

A TIME Must-Read of 2025 A debut essay collection by the inimitable cultural critic Maris Kreizman—an introspective, searing account of the life experiences that have pushed this former “good Democrat” even further to the political left At the heart of this funny, acerbic, and bravely honest book of essays is Maris Kreizman, a former rule follower and ambition monster who once believed the following truths to be self-evident: that working very hard would lead to admission to a good college, which would lead to a good job at a good company, which would then lead to personal fulfillment and a sense of purpose, along with adequate health care and eventual home ownership and plenty of money waiting in a retirement account. Like any good Democrat and feminist, she believed that if she just worked hard and played by the rules, she was guaranteed a safe and comfortable life. Now in her forties, the only thing Maris Kreizman knows for sure is that she no longer has faith in American institutions or any of their hollow promises. Now she knows that the rules are meant to serve some folks better than others; and, actually, they serve no one all that well—not even Kreizman. Disturbed by the depth and scope of the liberal myths in which she once so fervently believed, Kreizman takes readers on an intimate journey that revisits some of her most profound revelations, demonstrating that it’s never too late to become radicalized. With Kreizman’s signature wit and blunt self-reflection, and more than a little transformative rage, I Want to Burn This Place Down is a book for anyone who wishes they could go back in time to give their younger selves the real truth about the fractured country they have inherited—and the encouragement to rebuild something better in its place.

From the beloved New Yorker writer Susan Orlean, New York Times bestselling author of The Orchid Thief and The Library Book and hailed as “a national treasure” by The Washington Post, Joyride is a masterful memoir of finding her creative calling and purpose that invites us to approach life with wonder, curiosity, and an irrepressible sense of delight. “The story of my life is the story of my stories,” writes Susan Orlean in this extraordinary, era-defining memoir from one of the greatest practitioners of narrative nonfiction of our time. Joyride is a magic carpet ride through Orlean’s life and career, where every day is an opportunity for discovery and every moment holds the potential for wonder. Throughout her storied career, her curiosity draws her to explore the most ordinary and extraordinary of places, from going deep inside the head of a regular ten-year-old boy for a legendary profile (“The American Man Age Ten”) to reporting on a woman who owns twenty-seven tigers, from capturing the routine magic of Saturday night to climbing Mt. Fuji. Not only does Orlean’s account of a writing life offer a trove of indispensable gleanings for writers, it’s also an essential and practical guide to embracing any creative path. She takes us through her process of dreaming up ideas, managing deadlines, connecting with sources, chasing every possible lead, confronting writer’s block and self-doubt, and crafting the perfect lede—a Susan specialty. While Orlean has always written her way into other people’s lives in order to understand the human experience, Joyride is her most personal book ever—a searching journey through finding her feet as a journalist, recovering from the excruciating collapse of her first marriage, falling head-over-heels in love again, becoming a mother while mourning the decline of her own mother, sojourning to Hollywood for films based on her work including Adaptation and Blue Crush, and confronting mortality. Joyride is also a time machine to a bygone era of journalism, from Orlean’s bright start in the golden age of alt-weeklies to her career-making days working alongside icons such as Robert Gottlieb, Tina Brown, David Remnick, Anna Wintour, Sonny Mehta, and Jonathan Karp—forces who shaped the media industry as we know it today. Infused with Orlean’s signature warmth and wit, Joyride is a must-read for anyone who hungers to start, build, and sustain a creative life. Orlean inspires us to seek out daily inspiration and rediscover the marvels that surround us.

The #1 New York Times Bestseller • One of Barack Obama's Favorite Books of 2025• A Washington Post and New York Times Notable Book • Named a Best Book of 2025 by TIME, The Guardian, Bloomberg, The Christian Science Monitor, and Kirkus Reviews “Comprehensive, enthralling . . . Mark Twain flows like the Mississippi River, its prose propelled by Mark Twain’s own exuberance.” —The Boston Globe “Chernow writes with such ease and clarity . . . For all its length and detail, [Mark Twain] is deeply absorbing throughout.” — The Washington Post Pulitzer Prize-winning biographer Ron Chernow illuminates the full, fascinating, and complex life of the writer long celebrated as the father of American literature, Mark Twain Before he was Mark Twain, he was Samuel Langhorne Clemens. Born in 1835, the man who would become America’s first, and most influential, literary celebrity spent his childhood dreaming of piloting steamboats on the Mississippi. But when the Civil War interrupted his career on the river, the young Twain went west to the Nevada Territory and accepted a job at a local newspaper, writing dispatches that attracted attention for their brashness and humor. It wasn’t long before the former steamboat pilot from Missouri was recognized across the country for his literary brilliance, writing under a pen name that he would immortalize. In this richly nuanced portrait of Mark Twain, acclaimed biographer Ron Chernow brings his considerable powers to bear on a man who shamelessly sought fame and fortune, and crafted his persona with meticulous care. After establishing himself as a journalist, satirist, and lecturer, he eventually settled in Hartford with his wife and three daughters, where he went on to write The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. He threw himself into the hurly-burly of American culture, and emerged as the nation’s most notable political pundit. At the same time, his madcap business ventures eventually bankrupted him; to economize, Twain and his family spent nine eventful years in exile in Europe. He suffered the death of his wife and two daughters, and the last stage of his life was marked by heartache, political crusades, and eccentric behavior that sometimes obscured darker forces at play. Drawing on Twain’s bountiful archives, including thousands of letters and hundreds of unpublished manuscripts, Chernow masterfully captures the man whose career reflected the country’s westward expansion, industrialization, and foreign wars, and who was the most important white author of his generation to grapple so fully with the legacy of slavery. Today, more than one hundred years after his death, Twain’s writing continues to be read, debated, and quoted. In this brilliant work of scholarship, a moving tribute to the writer’s talent and humanity, Chernow reveals the magnificent and often maddening life of one of the most original characters in American history.

THE RUNAWAY NEW YORK TIMES BESTSELLER & ONE OF BARACK OBAMA’S FAVORITE BOOKS OF 2025 A NEW YORK TIMES TOP 10 BOOK OF 2025 ALSO NAMED A BEST BOOK OF 2025 BY NPR, VOGUE, TIME MAGAZINE, THE NEW YORKER, AND MORE “This is nonfiction that reads like fiction – the best kind. Elmhirst’s retelling is a triumph, second only to the seemingly impossible feat of Maurice and Maralyn themselves. You won’t be able to put it down.” – USA Today “Remarkable… I found myself, alternately, holding my breath as I read at top speed, wandering rooms in search of someone to read aloud to, and placing the book facedown, arrested by quiet statements that left me reeling with their depth.” – The New York Times “Such an emotionally vivid portrait of a couple in isolation that I was shocked it wasn’t fiction. How could a writer get so deeply into the minds of two real people in such extraordinary circumstances? … So brilliantly depicted.” – Elle “A beautiful meditation on endurance, codependence, and the power of love. A dazzling book.” – Patrick Radden Keefe “An enthralling, engrossing story of survival and the resilience of the human spirit.” —Bill Bryson An instant New York Times bestseller, this is the electrifying true story of a young couple shipwrecked at sea: a mind-blowing tale of obsession, survival, and partnership stretched to its limits. Maurice and Maralyn make an odd couple. He’s a loner, awkward and obsessive; she’s charismatic and ambitious. But they share a horror of wasting their lives. And they dream – as we all dream – of running away from it all. What if they quit their jobs, sold their house, bought a boat, and sailed away? Most of us begin and end with the daydream. But in June 1972, Maurice and Maralyn set sail. For nearly a year all went well, until deep in the Pacific, a breaching whale knocked a hole in their boat and it sank beneath the waves. What ensues is a jaw-dropping fight to survive in the wild ocean, with little hope of rescue. Alone together for months in a tiny rubber raft, starving and exhausted, Maurice and Maralyn have to find not only ways to stay alive but ways to get along, as their inner demons emerge and their marriage is put to the greatest of tests. Although they could run away from the world, they can’t run away from themselves. Taut, propulsive, and dazzling, A Marriage at Sea pairs an adrenaline-fueled high seas adventure with a gutting love story that asks why we love difficult people, and who we become under the most extreme conditions imaginable.

A TIME BEST BOOK OF 2025: "A completely true look at America’s infatuation with aliens at the turn of the 20th century that feels like it could be science fiction . . . The Martians is not only a captivating look at recent history, but also a poignant cautionary tale, offering hard-to-ignore parallels between the alien enthusiasts of the Gilded Age and the conspiracy theorists of today." A NEW YORKER BEST BOOK OF THE YEAR Longlisted for the 2025 Andrew Carnegie Medal for Nonfiction Named one of the Best Books of the Year by Science News, Boston Globe, Library Journal, Reactor, Bookreporter, PopMatters, Colorado Public Radio, and the Chicago Public Library New York Times Book Review • Editors' Choice Literary Hub • 10 Best-Reviewed Nonfiction Books of 2025 The Information • 20 Great Books to Read Over the Holidays 2025 Christian Science Monitor • 10 Best Books of August A Westword holiday book recommendation Long before NASA began contemplating a visit to our neighboring world, a turn-of-the-century Mars craze invaded the public’s imagination, here thrillingly retold in David Baron’s The Martians. “There is Life on the Planet Mars” —New York Times, December 9, 1906 This New York Times headline was no joke. In the early 1900s, many Americans actually believed we had discovered intelligent life on Mars, as best-selling science writer David Baron chronicles in The Martians, his truly bizarre tale of a nation swept up in Mars mania. At the center of Baron’s historical drama is Percival Lowell, the Boston Brahmin and Harvard scion, who observed “canals” etched into the surface of Mars. Lowell devised a grand theory that the red planet was home to a utopian society that had built gargantuan ditches to funnel precious meltwater from the polar icecaps to desert farms and oasis cities. The public fell in love with the ambitious amateur astronomer who shared his findings in speeches and wildly popular books. While at first people treated the Martians whimsically—Martians headlining Broadway shows, biologists speculating whether they were winged or gilled—the discussion quickly became serious. Inventor Nikola Tesla announced he had received radio signals from Mars; Alexander Graham Bell agreed there was “no escape from the conviction” that intelligent beings inhabited the planet. Martian excitement reached its zenith when Lowell financed an expedition to photograph Mars from Chile’s Atacama Desert, resulting in what newspapers hailed as proof of the Martian canals’ existence. Triumph quickly yielded to tragedy. Those wild claims and highly speculative photographs emboldened Lowell’s critics, whose withering attacks gathered steam and eventually wrecked the man and his theory—but not the fervor he had started. Although Lowell would die discredited and delusional in 1916, the Mars frenzy spurred a nascent literary genre called science fiction, and the world’s sense of its place in the universe would never be the same. Today, the red planet maintains its grip on the public’s imagination. Many see Mars as civilization’s destiny—the first step toward our becoming an interplanetary species—but, as David Baron demonstrates, this tendency to project our hopes onto the world next door is hardly new. The Martians is a scintillating and necessary reminder that while we look to Mars for answers, what we often find are mirrors of ourselves.

Named One of the New York Times Book Review's Top Ten Books of 2025 Finalist for the Kirkus Prize A raw and deeply moving memoir from the legendary author of The God of Small Things and The Ministry of Utmost Happiness that traces her complex relationship with her mother, Mary Roy, a fierce and formidable force who shaped Arundhati’s life both as a woman and a writer. Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.” “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, “not because I didn’t love her, but in order to be able to continue to love her.” And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author’s journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and essays, through today. With the scale, sweep, and depth of her novels, The God of Small Things and The Ministry of Utmost Happiness, and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.

From award-winning journalist Joseph Lee, a sweeping, personal exploration of Indigenous identity and the challenges facing Indigenous people around the world. Before Martha’s Vineyard became one of the most iconic vacation destinations in the country, it was home to the Wampanoag people. Today, as tourists flock to the idyllic beaches, the island has become increasingly unaffordable for tribal members, with nearly three-quarters now living off-island. Growing up Aquinnah Wampanoag, journalist Joseph Lee grappled with what this situation meant for his tribe, how the community can continue to grow, and more broadly, what it means to be Indigenous. In Nothing More of This Land, Lee weaves his own story and that of his family into a panoramic narrative of Indigenous life around the world. He takes us from the beaches of Martha’s Vineyard to the icy Alaskan tundra, the smoky forests of Northern California to the halls of the United Nations, and beyond. Along the way he meets activists fighting to protect their land, families clashing with their own tribal leaders, and communities working to reclaim tradition. Together, these stories reject stereotypes to show the diversity of Indigenous people today and chart a way past the stubborn legacy of colonialism.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an empire that doesn’t consider you fully human. On October 25th, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it's safe, when there's no personal downside to calling a thing what it is, when it's too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed more than ten million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture that has occurred for Black, brown, Indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in Western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the West, and what it means to live in a world run by a small group of countries—America, the UK, France, and Germany. It will be The Fire Next Time for a generation that understands we're undergoing a shift in the so-called “rules-based order,” a generation that understands the West can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar's own story as an emigrant who grew up believing in the Western project, who was catapulted into journalism by the rupture of 9/11. This book is El Akkad's heartsick breakup letter with the West. It is a breakup we are watching all over the United States, on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the West has served up. This is the book for our time.

A groundbreaking exploration of deafness by a young award-winning poet—a memoir, a cultural history, and a call to action “Expansive, generous, and massively tender.”—Hanif Abdurraqib, author of There’s Always This Year “Beautifully complicates and expands our understanding of what deafness is . . . a book that changed how I will move through the world.”—Clint Smith, author of How the Word Is Passed “A litany to beauty beyond what is spoken. This book is an essential education.”—Safiya Sinclair, author of How to Say Babylon “A spellbinding account of [Antrobus's] youth as a deaf, mixed-race child in East London . . . an unforgettable account of finding one’s voice. It’s masterful.”—Publishers Weekly (starred review) One of Publishers Weekly’s Top 10 New Memoirs and Biographies of the Fall • One of The Washington Post and Vulture’s Most Anticipated Books I live with the aid of deafness. Like poetry, it has given me an art, a history, a culture and a tradition to live through. This book charts that art in the hopes of offering a map, a mirror, a small part of a larger story. Raymond Antrobus was first diagnosed as deaf at the age of six. He discovered he had missing sounds—bird calls, whistles, kettles, alarms. Teachers thought he was slow and disruptive, some didn’t believe he was deaf at all. The Quiet Ear tells the story of Antrobus’s upbringing at the intersection of race and disability. Growing up in East London to an English mother and Jamaican father, educated in both mainstream and deaf schooling systems, Antrobus explores the shame of miscommunication, the joy of finding community, and shines a light on deaf education. Throughout, Antrobus sets his story alongside those of other D/deaf cultural figures—from painters to silent film stars, poets to performers—the inspiring models of D/deaf creativity he did not have growing up. A singular, remarkable work, The Quiet Ear is a much-needed examination of deafness in the world.
===
A groundbreaking exploration of deafness by the award-winning poet Raymond Antrobus. **PRE-ORDER NOW** A memoir. A cultural history. A call to action. 'This book left me transformed' CALEB AZUMAH NELSON 'A tender triumph' EMMA WARREN 'Read this book' LEMN SISSAY 'Destined to become a modern classic' ROGER ROBINSON 'Changed how I will move through the world' CLINT SMITH Raymond Antrobus was first diagnosed as deaf at the age of six. He discovered he had missing sounds - bird calls, whistles, kettles, alarms. Teachers thought he was slow and disruptive, some didn't believe he was deaf at all. The Quiet Ear tells the story of Raymond's upbringing at the intersection of race and disability. Growing up in East London to an English mother and Jamaican father, educated in both mainstream and deaf schooling systems, Raymond explores the shame of miscommunication and the joy of finding community, and shines a light on the decline of deaf education in Britain. Throughout, Raymond sets his story alongside those of other D/deaf cultural figures, from painters to silent film stars, poets to performers - the inspiring models of D/deaf creativity he did not have growing up. The Quiet Ear is a groundbreaking and much-needed examination of deafness. A memoir, a cultural history, a call to action. 'Brilliant' SEÁN HEWITT 'A marvel' ILYA KAMINSKY 'Expansive, generous and massively tender' HANIF ABDURRAQIB 'Powerful and important' ANDREW LELAND 'Lyrical, moving and powerful' ALICE WONG
===
A groundbreaking exploration of deafness by the award-winning poet Raymond Antrobus. **PRE-ORDER NOW** A memoir. A cultural history. A call to action. 'This book left me transformed' CALEB AZUMAH NELSON 'A tender triumph' EMMA WARREN 'Read this book' LEMN SISSAY 'Destined to become a modern classic' ROGER ROBINSON 'Changed how I will move through the world' CLINT SMITH Raymond Antrobus was first diagnosed as deaf at the age of six. He discovered he had missing sounds - bird calls, whistles, kettles, alarms. Teachers thought he was slow and disruptive, some didn't believe he was deaf at all. The Quiet Ear tells the story of Raymond's upbringing at the intersection of race and disability. Growing up in East London to an English mother and Jamaican father, educated in both mainstream and deaf schooling systems, Raymond explores the shame of miscommunication, the joy of finding community and shines a light on the decline of deaf education in Britain. Throughout, Raymond sets his story alongside those of other D/deaf cultural figures - from painters to silent film stars, poets to performers - the inspiring models of D/deaf creativity he did not have growing up. The Quiet Ear is a groundbreaking and much-needed examination of deafness. A memoir, a cultural history, a call to action. 'Brilliant' SEÁN HEWITT 'A marvel' ILYA KAMINSKY 'Expansive, generous and massively tender' HANIF ABDURRAQIB 'Powerful and important' ANDREW LELAND 'Lyrical, moving and powerful' ALICE WONG

NEW YORK TIMES NOTABLE BOOK • NEW YORK TIMES BESTSELLER • FINALIST FOR THE 2025 WOMEN'S PRIZE • A fascinating meditation on freedom, trust, loss, and our relationship with the natural world, explored through the story of one woman’s unlikely friendship with a wild hare. A BEST BOOK OF THE YEAR: The Washington Post, The Wall Street Journal, NPR, TIME, The Boston Globe, The Economist, Scientific American, Slate “Moving. . . . Impart[s] valuable lessons about slowing down and the beauty in the unexpected.”—USA Today “A perfect testimony to the transformative power of love.”—Margaret Renkl, author of The Comfort of Crows Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and bounded around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, more than two years later, it still ran in from the fields when you called it and slept in your house for hours on end. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality. In February 2021, Dalton stumbles upon a newborn hare—a leveret—that had been chased by a dog. Fearing for its life, she brings it home, only to discover how difficult it is to rear a wild hare, most of whom perish in captivity from either shock or starvation. Through trial and error, she learns to feed and care for the leveret with every intention of returning it to the wilderness. Instead, it becomes her constant companion, wandering the fields and woods at night and returning to Dalton’s house by day. Though Dalton feared that the hare would be preyed upon by foxes, weasels, feral cats, raptors, or even people, she never tried to restrict it to the house. Each time the hare leaves, Chloe knows she may never see it again. Yet she also understands that to confine it would be its own kind of death. Raising Hare chronicles their journey together while also taking a deep dive into the lives and nature of hares, and the way they have been viewed historically in art, literature, and folklore. We witness firsthand the joy at this extraordinary relationship between human and animal, which serves as a reminder that the best things, and most beautiful experiences, arise when we least expect them.
===
THE INSTANT SUNDAY TIMES AND NEW YORK TIMES BESTSELLER WINNER OF THE WAINWRIGHT PRIZE FOR NATURE WRITING WINNER OF BOOKS ARE MY BAG READERS AWARD SHORTLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION, HATCHARDS AND BIOGRAPHERS' CLUB FIRST BIOGRAPHY PRIZE A BOOK OF THE YEAR FOR THE HAY FESTIVAL, SUNDAY TIMES, THE TIMES, FINANCIAL TIMES, SPECTATOR, ECONOMIST AND iNEWS 'A beautiful book' - ANGELINA JOLIE 'I will be recommending this to everyone' - MATT HAIG 'Quietly profound, beautifully written, Hare is now lodged in my heart' - TRACY CHEVALIER __ Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and snoozed in your house for hours on end. This happened to me. When lockdown led busy professional Chloe to leave the city and return to the countryside of her childhood, she never expected to find herself custodian of a newly born hare. Yet when she finds the creature, endangered, alone and no bigger than her palm, she is compelled to give it a chance at survival. Raising Hare chronicles their journey together and the challenges of caring for the leveret and preparing for its return to the wild. We witness an extraordinary relationship between human and animal, rekindling our sense of awe towards nature and wildlife. This improbable bond of trust serves to remind us that the most remarkable experiences, inspiring the most hope, often arise when we least expect them.

An Instant New York Times Bestseller A BEST BOOK OF 2025: TIME • SMITHSONIAN MAGAZINE • KiRKUS • CHICAGO PUBLIC LIBRARY A Goodreads Choice Awards Nominee From the New York Times best-selling author of Stiff and Fuzz, a rollicking exploration of the quest to re-create the impossible complexities of human anatomy. The body is the most complex machine in the world, and the only one for which you cannot get a replacement part from the manufacturer. For centuries, medicine has reached for what’s available—sculpting noses from brass, borrowing skin from frogs and hearts from pigs, crafting eye parts from jet canopies and breasts from petroleum by-products. Today we’re attempting to grow body parts from scratch using stem cells and 3D printers. How are we doing? Are we there yet? In Replaceable You, Mary Roach explores the remarkable advances and difficult questions prompted by the human body’s failings. When and how does a person decide they’d be better off with a prosthetic than their existing limb? Can a donated heart be made to beat forever? Can an intestine provide a workable substitute for a vagina? Roach dives in with her characteristic verve and infectious wit. Her travels take her to the OR at a legendary burn unit in Boston, a “superclean” xeno-pigsty in China, and a stem cell “hair nursery” in the San Diego tech hub. She talks with researchers and surgeons, amputees and ostomates, printers of kidneys and designers of wearable organs. She spends time in a working iron lung from the 1950s, stays up all night with recovery techs as they disassemble and reassemble a tissue donor, and travels across Mongolia with the cataract surgeons of Orbis International. Irrepressible and accessible, Replaceable You immerses readers in the wondrous, improbable, and surreal quest to build a new you.
===
Is the bionic human just around the corner? 'Mary Roach offers a fascinating tour of the wonderful world of regenerative medicine.' TIME, The Most Anticipated Books of Fall 2025 Our bodies regenerate at a remarkable rate – our skin replaces itself every month, our blood every four. You can remove ninety per cent of a liver and it’ll still grow back to its original size (please do not try this at home). Others – the brain, the heart, the eyes – are more complicated. These stay with us for life. So what do we do when they break down? For centuries, medicine has searched for answers – sculpting noses from brass, borrowing skin from frogs and hearts from pigs and crafting eye parts from jet canopies. And as technology has grown ever more ingenious, so have our solutions. In Replaceable You, Mary Roach sets sail on the uncharted waters of regenerative medicine, exploring the remarkable advances and difficult questions prompted by the human body’s failings: When and how does a person decide they’d be better off with a prosthetic than their existing limb? Is there a sensitive way to harvest tissue and bones from the deceased? Which animals might be the best organ donors? Through experiments and interviews with patients, physicians, pathologists, engineers and scientists, Roach immerses readers in the wondrous, improbable and surreal quest to build a new you. 'Addictively readable... Don't miss it.' Deborah Blum, author of The Poisoner’s Handbook

One of TIME and Oprah Daily's Most Anticipated Books of 2025 "Amanda’s story—innovatively told by versions of herself at different ages—underscores the lasting power of speaking your truth, building a movement, and never losing sight of your dreams.” —Melinda French Gates "In Saving Five, Amanda Nguyen shows us how to reclaim the full spectrum of our lives, replete with pain, fury, creativity, and recovered dreams.” —Chanel Miller, author of Know My Name A brave and imaginative memoir by the Nobel Peace Prize nominee Amanda Nguyen, detailing her healing journey and groundbreaking activism in the aftermath of her rape at Harvard. In 2013, the trajectory of Amanda Nguyen’s life was changed forever when she was raped at Harvard. Determined to not let her assault derail her goal of joining NASA after graduation, Nguyen opted for her rape kit to be filed under “Jane Doe.” But she was shocked to learn her choice to stay anonymous gave her only six months to take action before the state destroyed her kit, rendering any future legal action impossible. Nguyen knew then that she had two options: surrender to a law that effectively denied her justice, or fight for a change—not only for herself but for survivors everywhere. A heart-wrenching memoir of survival and hope, Saving Five boldly braids the story of Nguyen’s activism—which resulted in Congress’s unanimous passage of the Sexual Assault Survivors’ Rights Act in 2016—with a second, beautifully imagined adventure, of Nguyen's younger selves as they—at ages five, fifteen, twenty-two, and thirty—navigate through dramatic incarnations of the emotional stages of her path toward healing, not only from her rape but from the violent turmoil of her childhood. The result is a groundbreaking work that seamlessly blends memoir with a moving journey toward acceptance and hope, forging a path ahead that is as inspiring as it is instructive. From one of the most influential activists (and now astronauts) of her time, Saving Five is at once a tribute to resilience, a celebration of healing through action, and a resounding cry to change the world.

From New Yorker editor and writer Michael Luo, a vivid, urgent history of two centuries of Chinese exclusion and the birth of anti-Asian feeling in America. In 1889, when the Supreme Court upheld the Chinese Exclusion Act—a measure barring Chinese laborers from entering the United States that remained in effect for more than fifty years—Justice Stephen Johnson Field characterized the Chinese as a people “residing apart by themselves.” They were, Field concluded, “strangers in the land.” Today, there are more than twenty-two million people of Asian descent in the United States, yet this label still hovers over Asian Americans. In Strangers in the Land, Luo traces anti-Asian feeling in America to the first wave of immigrants from China in the mid-nineteenth-century: laborers who traveled to California in search of gold and railroad work. Their communities almost immediately faced mobs of white vigilantes who drove them from their workplaces and homes. In his rich, character-driven history, Luo tells stories like that of Denis Kearney, the sandlot demagogue who became the face of the anti-Chinese movement, and of activists who fought back, like Massachusetts Senator George Frisbie Hoar and newspaperman Wong Chin Foo. After the halt on immigration in 1889, the Chinese-American community who remained struggled to survive and thrive on the margins of American life. In 1965, when LBJ's Immigration and Nationality Act forbade discrimination by national origin, America opened its doors wide to families like those of Luo's parents, but he finds that the centuries of exclusion of Chinese-Americans left a legacy: many Asians are still treated, and feel, like outsiders today. Strangers in the Land is a sweeping narrative of a forgotten chapter in American history, and a reminder that America’s present reflects its exclusionary past.

'What beautiful writing, crafting, and pacing. And what a heart Amy Griffin has. Your own heart will break, and mend, as you read' Susan Cain, #1 New York Times bestselling author 'With this powerful little book, she joins the ranks of women who, like the brilliant Gisèle Pelicot in France, are shaking off the stigma of abuse and reattaching it to the perpetrators' The Times 'For such a long time, people discussed my running. It took up so much space in my life. And yet nobody ever thought to ask: What are you running from?' For decades, Amy ran. Through the dirt roads of Amarillo, Texas, where she grew up; to the streets of New York, where she built her adult life; through marriage, motherhood, and a thriving career. To outsiders, it all looked, in many ways, perfect. But Amy was running from something - a secret she was keeping not only from her family and friends, but unconsciously from something terrible in her past. When her ten-year-old daughter confronts her on the distance between them, Amy is propelled to confront what she has spent a lifetime trying to escape. So begins Amy's journey through the world of MDMA-assisted psychedelic therapy, to the limits of the judicial system, and ultimately, home to Texas, where her story began. In her relentless search for the truth, Griffin scrutinises the pursuit of perfectionism, control, and maintaining appearances that drives so many women. She asks the question: When, in our path from girlhood to womanhood, did we learn to look outside ourselves for validation? And what kind of freedom is possible if we better protect girls from being taken advantage of on this journey. Heartbreaking, powerful and raw, The Tell points a way forward for all of us, shedding light on the courage and power of truth-telling that's required to move through trauma. 'For such a long time, people discussed my running. It took up so much space in my life. And yet nobody ever thought to ask: What are you running from?' For decades, Amy ran. Through the dirt roads of Amarillo, Texas, where she grew up; to the streets of New York, where she built her adult life; through marriage, motherhood, and a thriving career. To outsiders, it all looked, in many ways, perfect. But Amy was running from something - a secret she was keeping not only from her family and friends, but unconsciously from something terrible in her past. When her ten-year-old daughter confronts her on the distance between them, Amy is propelled to confront what she has spent a lifetime trying to escape. So begins Amy's journey through the world of MDMA-assisted psychedelic therapy, to the limits of the judicial system, and ultimately, home to Texas, where her story began. In her relentless search for the truth, Griffin scrutinises the pursuit of perfectionism, control, and maintaining appearances that drives so many women. She asks the question: When, in our path from girlhood to womanhood, did we learn to look outside ourselves for validation? And what kind of freedom is possible if we better protect girls from being taken advantage of on this journey. Heartbreaking, powerful and raw, The Tell points a way forward for all of us, shedding light on the courage and power of truth-telling that's required to move through trauma.

Finalist for the National Book Award for Nonfiction Finalist for the PEN/Jean Stein Book Award Short-listed for the Andrew Carnegie Medal for Excellence in Nonfiction Long-listed for the National Book Critics Circle Award for Autobiography One of the New York Times Notable Books of the Year Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. “There is no good way to say this,” Yiyun Li writes at the beginning of this book. “There is no good way to state these facts, which must be acknowledged . . . My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.” There is no good way to say this—because words fall short. It takes only an instant for death to become fact, “a single point in a time line.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: doing “things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death. This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is ‘to be.’ Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later; only now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

An “intimate and searching” (Natasha Trethewey, New York Times–bestselling author of Memorial Drive) memoir of family, color, and being Black, white, and other in America, from “one of our country’s greatest historians” (Clint Smith, #1 New York Times–bestselling author of How the Word is Passed) Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones’s right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family’s past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors’ lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth. Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family.

"Revelatory." --New York Times Book Review "Essential reading. A companion for turbulent times." --Laura van den Berg "Nothing short of a masterpiece.” --The San Francisco Chronicle Named a Must-Read Book of the Summer by The Los Angeles Times, People Magazine, and Town & Country Internationally bestselling author Miriam Toews' memoir of the will to write--a work of disobedient memory, humor, and exquisite craft set against a content-hungry, prose-stuffed society.
===
In this breathtaking memoir of stunning emotional force and electrifying honesty, one of Canada's most iconic writers tells her own story for the first time. “Why do you write?” the organizer of a literary event in Mexico City asks Miriam Toews. Each attempt at an answer from Toews—all unsatisfactory to the organizer—surfaces new layers of grief, guilt, and futility connected to her sister’s suicide more than fifteen years ago. She has been keeping up, she realizes, an internal correspondence with her beloved sibling, attempting to fill a silence she can barely comprehend. As Toews turns to face that silence, we come to see that the question “why I write” is as impossible to answer as deciding whether to live life as a comedy or a tragedy. A masterwork of non-fiction, A Truce That Is Not Peace explores the uneasy pact every creative person makes with memory. Wildly original yet intimately, powerfully precise; momentous, hilarious, wrenching, and joyful—this is Miriam Toews at her dazzling best, remaking her personal world and inventing a brilliant literary form to hold it.

The Zorg is the most consequential slave ship of the 18th century whose voyage changed the course of history, yet the story remains largely unknown. Drawing on a trove of archival materials, New York Times bestselling author Siddharth Kara uncovers new details of the Zorg's voyage and takes the reader on a gripping journey from the Netherlands to Africa's Gold Coast where it was captured by a British privateer before loading its human cargo and heading onto Jamaica on its ill-fated journey to fuel the lucrative sugar trade. A series of unpredictable weather events and mistakes in navigation left the ship drastically off course, running out of food and water. To save the crew and the most valuable of the slaves, the captain decided to throw 140 slaves, mostly women and children, overboard. What followed is a fascinating legal drama in England's highest court that turned the brutal business of slavery into front page news. For the first time, concepts such as human rights and morality entered the discourse on slavery, in a notorious case that boiled down to a simple but profound question: were the Africans on board the Zorg people or cargo? The case of the Zorg catapulted the nascent anti-slavery movement to one of the most consequential moral campaigns that changed the course of history.
===
"A book of great importance and one that will likely become a classic." - New York Times Book Review A Time Magazine Must-Read Book of 2025 From the Pulitzer Finalist and New York Times bestselling author of Cobalt Red: How the Blood of the Congo Powers Our Lives Perfect for fans of David Grann’s The Wager and The Wide, Wide Sea by Hampton Sides In late October 1780, a slave ship set sail from the Netherlands, bound for Africa’s Windward and Gold Coasts, where it would take on its human cargo. The Zorg (a Dutch word meaning “care”) was one of thousands of such ships, but the harrowing events that ensued on its doomed journey were unique. By the time its journey ends, the Zorg would become the first undeniable argument against slavery. When a series of unpredictable weather events and navigational errors led to the Zorg sailing off course and running low on supplies, the ship's captain threw more than a hundred slaves overboard in order to save the crew and the most valuable slaves. The ship's owners then claimed their loss on insurance, a first for slaves who had not been killed due to insurrection or died of natural causes. The insurers refused to pay due to the higher than usual mortality rate of the slaves on board, leading to a trial which initially found in their favor, in which the Chief Justice compared the slaves to horses. Thanks to the outrage of one man present in court that day, a retrial was held. For the first time, concepts such as human rights and morality entered the discourse on slavery in a courtroom case that boiled down to a simple yet profound question: Were the Africans on board people or cargo? What followed was a fascinating legal drama in England’s highest court that turned the brutal calculus of slavery into front-page news. The case of the Zorg catapulted the nascent anti-slavery movement from a minor evangelical cause to one of the most consequential moral campaigns in history―sparking the abolitionist movement in both England and the young United States. The Zorg is the astonishing yet little-known true story of the most consequential ship that ever crossed the Atlantic.
===
'A horrific tale of the slave trade, destined to become a classic' New York Times From the New York Times bestselling author of Cobalt Red, discover the incredible true story and page-turning account of the 18th century slave ship, often known as the Zong yet actually named the Zorg - ironically meaning 'care' - that sparked the human rights campaign to end the slave trade. Perfect for fans of David Grann’s The Wager and The Wide, Wide Sea by Hampton Sides. ‘Remarkable, riveting’, Adam Hochschild, historian and bestselling author of King Leopold's Ghost and Bury the Chains In 1781, the Zorg set off from The Netherlands to West Africa and from there onto the Caribbean. The fateful voyage would alter the course of history forever. By the time its journey ends, the Zorg would become the first undeniable argument against slavery. When a series of unpredictable weather events and navigational errors led to the Zorg sailing off course and running low on supplies, the ship's captain threw more than a hundred slaves overboard in order to save the crew and the most valuable slaves. The ship's owners then claimed their loss on insurance, a first for slaves who had not been killed due to insurrection or died of natural causes. The insurers refused to pay due to the higher than usual mortality rate of the slaves on board, leading to a trial which initially found in their favour, in which Chief Justice Mansfield compared the slaves to horses. Thanks to the outrage of one man present in court that day, a retrial was held. For the first time, concepts such as human rights and morality entered the discourse on slavery in a courtroom case that boiled down to a simple yet profound question: Were the Africans on board people or cargo? In his riveting new book, bestselling author and Pulitzer Prize finalist Siddharth Kara brings history to life, showcasing how the Zorg’s fateful voyage exposed the harsh reality of the slave trade. The case catapulted the emerging anti-slavery movement to one of the most consequential moral campaigns that changed the course of history. The Zorg is the astonishing yet little-known true story of one of the most consequential ships that ever crossed the Atlantic.

#1 NEW YORK TIMES BESTSELLER “It is one of the best narrative histories I’ve read.” —The Wall Street Journal A New York Times Notable Book of 2025 • One of Barack Obama's Favorite Books of 2025 • Named a BEST BOOK OF 2025 by The Washington Post, TIME, The Economist, Air Mail, Bloomberg, Fast Company, Katie Couric Media, and History From the bestselling author of Too Big to Fail, “the definitive history of the 2008 banking crisis,” (The Atlantic) comes a riveting narrative of the most infamous stock market crash in history—one with ripple effects that still shape our society today. In 1929, the world watched in shock as the unstoppable Wall Street bull market went into a freefall, wiping out fortunes and igniting a depression that would reshape a generation. But behind the flashing ticker tapes and panicked traders, another drama unfolded—one of visionaries and fraudsters, titans and dreamers, euphoria and ruin. With unparalleled access to historical records and newly uncovered documents, New York Times bestselling author Andrew Ross Sorkin takes readers inside the chaos of the crash, behind the scenes of a raging battle between Wall Street and Washington and the larger-than-life characters whose ambition and naïveté in an endless boom led to disaster. The dizzying highs and brutal lows of this era eerily mirror today’s world—where markets soar, political tensions mount, and the fight over financial influence plays out once again. This is not just a story about money. 1929 is a tale of power, psychology, and the seductive illusion that this time is different. It’s about disregarded alarm bells, financiers who fell from grace, and skeptics who saw the crash coming—only to be dismissed until it was too late. Hailed as a landmark book, Too Big to Fail reimagined how financial crises are told. Now, with 1929, Sorkin delivers an immersive, electrifying account of the most pivotal market collapse of all time—with lessons that remain as urgent as ever. More than just a history, 1929 is a crucial blueprint for understanding the cycles of speculation, the forces that drive financial upheaval, and the warning signs we ignore at our peril.

From award-winning Driftpile Cree poet Billy-Ray Belcourt, a dazzling exploration of love, anguish, queerness, and Indigenous resistance in the 21st century Queer Indigenous poet Billy-Ray Belcourt offers up a powerful meditation on the present as a space where the past and a still-possible utopia collide. Rigorous in research and thought yet accessible in language and imagery, this collection weaves lyric verse, sonnets, field notes, and fragments to examine the delicate facets of queer Indigeneity. Belcourt contends with the afterlife of what he calls “the long twentieth century,” a period marked by assaults on Indigenous life, and his people’s enduring resistance. The poems, sometimes heartbreaking, other times sly and humorous, are marked by the autobiographical and philosophical style that has come to define Belcourt’s body of work. By its close, the collection makes the urgent argument that we are each our own little statues of both grief and awe. His third book of poetry and sixth across genres, Billy-Ray Belcourt’s The Idea of an Entire Life leaves readers with a vision for queer Indigenous life as it is shaped by a violent history—and yet pulled toward a more flourishing future.
===
Daring and vulnerable, this is the highly anticipated new collection from Griffin Poetry Prize winner Billy-Ray Belcourt. In The Idea of An Entire Life, Belcourt delivers an intimate examination of twenty-first-century anguish, love, queerness, and political possibility. Through lyric verse, sonnets, fieldnotes, and fragments, the poems, sometimes heart-breaking, sometimes slyly humorous, are always finely crafted, putting to use the autobiographical and philosophical style that has come to define Belcourt’s body of work. By its close, the collection makes the urgent argument that we are each our own little statues of grief and awe.
===
Daring and vulnerable, this is the highly anticipated new collection from Griffin Poetry Prize winner Billy-Ray Belcourt. In The Idea of An Entire Life, Belcourt delivers an intimate examination of twenty-first-century anguish, love, queerness, and political possibility. Through lyric verse, sonnets, fieldnotes, and fragments, the poems—sometimes heartbreaking, sometimes slyly humorous—are always finely crafted, putting to use the autobiographical and philosophical style that has come to define Belcourt's body of work. By its close, the collection makes the urgent argument that we are each our own little statues of grief and awe. 'When I wrote my first book of poetry,' reflects Belcourt, 'I wrote from a place of desperation. I wanted very desperately to live a full queer Indigenous life and I wasn't sure if I would attain it. The Idea of an Entire Life began with the realization that I have that life now and so I wanted to think through the ways a queer Indigenous life is hampered by history but nonetheless full of possibility. What will the rest of my life make available to me? How has the twentieth century indelibly shaped me and my community? The book is about my reserve in northern Alberta, how the past tailgates me wherever I go. It's also about my coming-into-being as a queer Indigenous man and how I've tried to remake my conditions of living to enable flourishing and possibility.'

Mai Der Vang’s poetry—lyrically insistent and visually compelling—constitutes a groundbreaking investigation into the collective trauma and resilience experienced by Hmong people and communities, the ongoing cultural and environmental repercussions of the war in Vietnam, the lives of refugees afterward, and the postmemory carried by their descendants. Primordial is a crucial turn to the ecological and generational impact of violence, a powerful and rousing meditation on climate, origin, and fate. With profound and attentive care, Vang addresses the plight of the saola, an extremely rare and critically endangered animal native to the Annamite Mountains in Laos and Vietnam. The saola looks like an antelope, with two long horns, and is related to wild cattle, though the saola has been placed in a genus of its own. Remarkably, the saola has only been known to the outside world since 1992, and sightings are so rare that it has now been more than a decade since the last known image of one was captured in a camera trap photo in 2013. Primordial examines the saola’s relationship to Hmong refugee identity and cosmology and a shared sense of exile, precarity, privacy, and survival. Can a war-torn landscape and memory provide sanctuary, and what are the consequences for our climate, our origins, our ability to belong to a homeland? Written during a difficult pregnancy and postpartum period, Vang’s poems are urgent stays against extinction.

2025 National Book Award Finalist The striking sophomore poetry collection from the award-winning author of the “beautiful, vulnerable, honest” (Ross Gay, New York Times bestselling author) I Can’t Talk About the Trees Without the Blood. Dive between the borders of ruined and radical love with this lyrical poetry collection that explores topics as expansive as divorce, the first Black Bachelorette, and the art world. Stanzas shift between reverence to irreverence as they take us on a journey through institutional and historical pains alongside sensuality and queer, Black joys. From a generational voice that “earns a place among the pantheon of such emerging black poets as Eve L. Ewing, Nicole Sealey, and Airea D. Matthews” (Booklist, starred review), Scorched Earth is a transcendent anthology for our times.

In Stay Dead, Shapero examines performance, power, comedy, and despair through the lenses of method acting and abstract expressionism. The politics of labor and performance collide with comedy and tragedy in Natalie Shapero’s fourth poetry collection, Stay Dead. Shapero’s unflinching poems explore theories of acting, discourses of survival, privacy and publicity, power and punchlines, and the language of despair. This work explores how “your death place / is the birthplace you choose.” With appearances by Claude Monet, Mark Rothko, Chris Burden, Studs Terkel, Anthony Bourdain, Gene Kelly, and others, Shapero investigates themes of method acting, abstract expressionism, and the production and commodification of intense expression and raw interiority. She offers sly examinations of labor and housing markets. She interrogates the influence of artists’ material conditions on the work they produce and the culture they shape. With a cutting, sardonic voice, Shapero asks what it means to be a working artist under capitalism; which individuals are permitted earnest extensions of the self; and “whether being born is worth it.”