The Best Books of 2025

FINALIST FOR THE NATIONAL BOOK AWARD • NATIONAL BESTSELLER • THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • From Pulitzer finalist, MacArthur Fellowship recipient, and bestselling author of Swamplandia! and Vampires in the Lemon Grove Karen Russell: a gripping dust bowl epic about five characters whose fates become entangled after a storm ravages their small Nebraskan town NAMED A NOTABLE BOOK OF THE YEAR: THE WASHINGTON POST, NPR, KIRKUS, BOOKPAGE The Antidote opens on Black Sunday, as a historic dust storm ravages the fictional town of Uz, Nebraska. But Uz is already collapsing—not just under the weight of the Great Depression and the dust bowl drought but beneath its own violent histories. The Antidote follows a "Prairie Witch,” whose body serves as a bank vault for peoples’ memories and secrets; a Polish wheat farmer who learns how quickly a hoarded blessing can become a curse; his orphan niece, a basketball star and witch’s apprentice in furious flight from her grief; a voluble scarecrow; and a New Deal photographer whose time-traveling camera threatens to reveal both the town’s secrets and its fate. Russell's novel is above all a reckoning with a nation’s forgetting—enacting the settler amnesia and willful omissions passed down from generation to generation, and unearthing not only horrors but shimmering possibilities. The Antidote echoes with urgent warnings for our own climate emergency, challenging readers with a vision of what might have been—and what still could be.
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Aurian and Jin Koch are trying, very hard, to be peaceful. They're doing a terrible job. Owning a shiny new Inn in a boring Gold Road village might be Aurian's dream, but the world has other ideas. When Aurian and Jin Koch leave Morda Bonemaker's funeral procession to attempt a peaceful life, they underestimate how difficult their singular history of violence and mayhem will make getting along with the neighbors. Will their history follow them, even into retirement? For that matter--is Evinanjin Koch, veteran hero, capable of retirement? An Aurian and Jin novelette--NOT the second book in the Sundering Trilogy.

“An astounding achievement.” —Megha Majumdar * “Her best book yet.” —Paul Yoon Set in midcentury America, At Last explores a rich family saga centered on two fierce and competitive matriarchs whose intertwined lives reflect the complexities of family, tradition, and personal ambition. “Whole lives course down the decades, and every minute is conveyed with Silver’s signature combination of toughness and grace,” (Laird Hunt). Helene Simonauer and Evelyn Turner are two formidable women whose paths cross when their children marry. Both women are sharp, cunning, and unwavering in their conflicting beliefs about marriage, responsibility, and family and, most pressingly, their efforts to vie for the love of their shared granddaughter. At Last paints a vivid portrait of the American Midwest, capturing the essence of a time and place where societal norms and personal aspirations often clashed. Marisa Silver’s narrative weaves together the lives of Helene and Evelyn, from their vastly different childhoods through the pivotal events that define them. Both intimate and expansive, and capturing the complexities of ambition and love with humor and insight, At Last is a testament to what happens when an unintended, even unwanted relationship turns out to be a central one that defines a life.

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, TIME MAGAZINE, MARIE CLAIRE, BOOK RIOT, ESQUIRE, KIRKUS, PUBLISHERS WEEKLY AND MORE! ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR SHORTLISTED FOR THE 2025 BOOKER PRIZE INSTANT NATIONAL BESTSELLER “A tightly wound family drama that reads like a psychological thriller."—NPR “Bold, stark, genre-bending, Audition will haunt your dreams.”—The Boston Globe One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love. Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.
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**SHORTLISTED FOR THE BOOKER PRIZE 2025** A GUARDIAN, OBSERVER, FINANCIAL TIMES, BBC, TIME, VOGUE, MARIE CLAIRE, ESQUIRE and ROLLING STONE BOOK TO READ IN 2025 'Slick, sharp, strange and singular . . . You’ll gulp this novel down in one in-breath' SAMANTHA HARVEY, Booker Prize-winning author of Orbital 'A lightning bolt of a novel' FINANCIAL TIMES 'I’m not sure there’s anyone better writing in America today' ALEX PRESTON, Observer One woman, the performance of a lifetime. Or two. An exhilarating, destabilising novel that asks whether we ever really know the people we love Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young – young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.

One of Barack Obama's Favorite Books of the Summer A Literary Hub, Esquire, and Washington Post Most Anticipated Book of 2025 One of Time's and People's Best Books of May A Los Angeles Times and A. V. Club Top 10 Book to Read in May "A beautiful fable about migration, memory, and the struggle to recognize our common humanity." —Barack Obama A novel that leaps across centuries past and future, as if different eras were separated by only a door. Lina and her father arrive at an enclave called The Sea, a staging post between migrations, with only a few possessions. In this mysterious and shape-shifting place, a building made of time, pasts and futures collide. Lina befriends her neighbors: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China. Memory, political revolution, generational change, and the ethical imagination are at the heart of Lina’s illuminating conversations with her fellows in the Sea: how we come to believe what we believe, and how every person is an irreplaceable, unique vessel of history. Through the guidance of these great thinkers, Lina equips herself to reckon with difficult questions of guilt, responsibility, and the possibility of redemption when her ailing father begins to reveal his role in their family’s tragic past. As Lina confronts her father’s troubling admissions, she begins to reconceptualize the world around her, gaining a deeper understanding of how our individual futures are shaped by our political circumstances, and she relies on the collective joy of art and intellectual endeavors to carry her through difficulty. A novel that voyages between centuries, generations, and ideas, The Book of Records is an indelible testament to the migratory nature of humanity and our ceaseless search for a home—in the physical world, in cyberspace, in history, and in the imagination—in the wake of catastrophe.
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INSTANT NATIONAL BESTSELLER • WINNER OF THE QUEBEC WRITERS’ FEDERATION AWARDS PARAGRAPHE HUGH MACLENNAN PRIZE FOR FICTION • LONGLISTED FOR THE 2025 NATIONAL BOOK CRITICS CIRCLE AWARD FOR FICTION • One of Barack Obama’s Favorite Books of the Summer • TIME’s 100 Must-Read Books of 2025 • Named a Best Book of 2025 by The Globe and Mail • The New Yorker • Vulture • New York Public Library • The Guardian • Esquire • The Boston Globe An “incandescent” (The New York Times), “evocative and buoyant” (Toronto Star) page turner from the beloved author of Do Not Say We Have Nothing—this “rich and beautiful” (The Guardian) father–daughter saga leaps across centuries past and future, as if different eras were separated by only a door • “Reading Thien is to admire how she brush-strokes language to create beauty. . . . Full of unexpected moments of beauty and pleasure.” (Los Angeles Times) Why did people, who lived so briefly in this universe, contain so much time? Lina and her ailing father have taken refuge at an enclave called the Sea, a staging post between migrations, with only a few possessions, among them three volumes from The Great Lives of Voyagers encyclopaedia series. In this mysterious and shape-shifting building, pasts and futures collide. Lina befriends her unusual neighbours: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China, and through their stories, she comes to understand the role of fate in history and the way that ideas can shape the world, and to face up to the cost wrought on her family and others by her father's betrayals. Exquisitely written with extraordinary subtlety of thought, The Book of Records leaps across centuries as if eras were separated by only a door. This is Madeleine Thien at her most exciting, sublime and engaging.

#1 NEW YORK TIMES BESTSELLER • Discover the word-of-mouth hit hailed by Ann Patchett as “A cause for celebration”—an intimate novel about the transformative power of the written word and the beauty of slowing down to reconnect with the people we love. “The Correspondent is this year’s breakout novel no one saw coming.”—The Wall Street Journal “I cried more than once as I witnessed this brilliant woman come to understand herself more deeply.”—Florence Knapp, author of The Names LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE AND THE ANDREW CARNEGIE MEDAL • A BEST BOOK OF THE YEAR: NPR, The Washington Post, Boston Globe, Elle, Christian Science Monitor, She Reads “Imagine, the letters one has sent out into the world, the letters received back in turn, are like the pieces of a magnificent puzzle. . . . Isn’t there something wonderful in that, to think that a story of one’s life is preserved in some way, that this very letter may one day mean something, even if it is a very small thing, to someone?” Filled with knowledge that only comes from a life fully lived, The Correspondent is a gem of a novel about the power of finding solace in literature and connection with people we might never meet in person. It is about the hubris of youth and the wisdom of old age, and the mistakes and acts of kindness that occur during a lifetime. Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has—a mother, grandmother, wife, divorcee, distinguished lawyer, she has lived a very full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes that the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness. Sybil Van Antwerp’s life of letters might be “a very small thing,” but she also might be one of the most memorable characters you will ever read.

"G.W. Pabst, one of cinema's greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels--the minister of propaganda in Berlin--sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels's thinly veiled order"--

WINNER OF THE 2025 ATWOOD GIBSON WRITERS’ TRUST FICTION PRIZE • LONGLISTED FOR THE 2025 BOOKER PRIZE • FINALIST FOR THE 2025 GOVERNOR GENERAL’S LITERARY AWARD FOR FICTION • NOMINATED FOR THE 2026 DUBLIN LITERARY AWARD • Named A Best Book of 2025 by The Globe and Mail • The New Yorker • CBC • Indigo • Publishers Weekly • The Irish Times • Good Housekeeping • The Observer • The Guardian • The Boston Globe A stunning debut novel by a writer who is “bang-on brilliant” (Miriam Toews), about a biologist in Ukraine battling to save the country’s snail species from the brink of extinction on the eve of the Russian invasion. A darkly comic novel exploring survival, love, and the impact of war. “Funny and smart. This is essential reading.” —Ann Patchett, bestselling author of Tom Lake “This novel turns corners and tables. I love works that are smarter than I am, and this is one.” —Percival Everett, author of National Book Award-winner James “Pulses with a powerful sense of urgency and relevance to our times.” —Lara Prescott, author of The Secrets We Kept Ukraine, 2022. Yeva is a loner and a maverick scientist who lives out of her mobile lab. She scours the country’s forests and valleys, trying and failing to breed rare snails, while her relatives urge her to settle down and finally start a family of her own. What they don't know: Yeva already dates plenty of men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they'll find docile brides untainted by feminism and modernity. Nastia and her sister, Solomiya, are also entangled in the booming marriage industry, posing as a hopeful bride and her translator while secretly searching for their missing mother, who vanished after years of fierce activism against the romance tours. Together they embark on the journey of a lifetime across hundreds of miles: three angry women, a truckful of kidnapped bachelors, and Lefty, a last-of-his-kind snail with one final shot at perpetuating his species. But their plans come to a screeching halt when Russia invades. In a stunningly ambitious and achingly raw metafictional spiral, Endling brilliantly balances horror and comedy, drawing on Reva's own experiences as a Ukrainian expat tracking her family's delicate dance of survival behind enemy lines. As fiction and reality collide on the page, Reva probes the hard truths of war: What stories must we tell ourselves to survive? To carry on with the routines of life under military occupation? And for those of us watching from overseas: Can our sense of normalcy and security ever be restored, or have they always been a fragile illusion? Endling is a tour de force from an author who weaves a story of love, loss, humor, and hope that only she can tell.

"Twelve delightfully strange, haunting stories from the acclaimed, oracular author of Beautyland"--
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A Best Book of the Spring: Bustle and Harper's Bazaar A Literary Hub Most Anticipated Book of the Year Winner of PEN/O. Henry Prize: “Exit Zero” Included in The Best American Short Stories: “Viola in Midwinter” Twelve delightfully strange, haunting stories from the acclaimed, oracular author of Beautyland. Death-shaped entities—with all of their humor and strangeness— haunt the twelve stories in Exit Zero. Vampires, ghost girls, fathers, blank spaces, day-old peaches, and famous paintings all pierce through their world into ours, reminding us to pay attention! and look alive! and offering many other flashes of wisdom from the oracle and author of Beautyland, Marie-Helene Bertino.

Short-listed for the Booker Prize Long-listed for the National Book Award “The first major American novel to be published this year.” —Sam Sacks, The Wall Street Journal “Gorgeous . . . Almost impossibly heartbreaking.” —Sam Worley, New York Magazine A Must-Read: The New York Times, New York Magazine, Time, The Washington Post, Los Angeles Times, The Boston Globe, Entertainment Weekly, USA Today, The Chicago Review of Books, Forbes, Literary Hub, and Town & Country “A major world writer . . . Choi is in thrilling command.” ―Dwight Garner, The New York Times “Devastating.” —Ron Charles, The Washington Post “Ranks among her best work.” —Hamilton Cain, Los Angeles Times A Dakota Johnson x TeaTime Book Club Pick A novel tracing a father’s disappearance across time, nations, and memory, from the author of Trust Exercise. One summer night, Louisa and her father take a walk on the breakwater. Her father is carrying a flashlight. He cannot swim. Later, Louisa is found on the beach, soaked to the skin, barely alive. Her father is gone. She is ten years old. Louisa is an only child of parents who have severed themselves from the past. Her father, Serk, is Korean, but was born and raised in Japan; he lost touch with his family when they bought into the promises of postwar Pyongyang and relocated to North Korea. Her American mother, Anne, is estranged from her Midwestern family after a reckless adventure in her youth. And then there is Tobias, Anne’s illegitimate son, whose reappearance in their lives will have astonishing consequences. But now it is just Anne and Louisa, Louisa and Anne, adrift and facing the challenges of ordinary life in the wake of great loss. United, separated, and also repelled by their mutual grief, they attempt to move on. But they cannot escape the echoes of that night. What really happened to Louisa’s father? Shifting perspectives across time and character and turning back again and again to that night by the sea, Flashlight chases the shock waves of one family’s catastrophe, even as they are swept up in the invisible currents of history. A monumental new novel from the National Book Award winner Susan Choi, Flashlight spans decades and continents in a spellbinding, heart-gripping investigation of family, loss, memory, and the ways in which we are shaped by what we cannot see.
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**SHORTLISTED FOR THE BOOKER PRIZE 2025** 'Ferociously smart and full of surprises' Eleanor Catton 'Instantly bewitching' Jennifer Egan 'A rich generational saga that teems with intelligence' Financial Times The astonishing story of one family swept up in the tides of the twentieth century, ranging from post-war Japan to suburban America and the North Korean regime One evening, ten-year-old Louisa and her father take a walk out on the breakwater. They are spending the summer in a coastal Japanese town while her father Serk, a Korean émigré, completes an academic secondment from his American university. When Louisa wakes hours later, she has washed up on the beach and her father is missing, probably drowned. The disappearance of Louisa’s father shatters their small family unit. As Louisa and her American mother Anne return to the US, this traumatic event reverberates across time and space, and the mystery of what really happened to Serk slowly unravels. 'Big, bold and surprising' Guardian ‘Engrossing... Choi is an astute, convincing writer’ Sunday Telegraph 'Susan Choi is a master of rendering relationships with utter particularity' Raven Leilani, author of Luster 'I couldn’t put it down, and once I finished, I couldn’t stop thinking about it' Barbara Demick, author of Nothing to Envy

THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • From a literary master, a moving and genre-bending story about our era-spanning search for meaning and knowing An uncertain near-future. A story of new boundaries drawn between people daily. A not-very brave new world. Add two children. And a horse. From a Scottish word meaning a transient moment, a shock, a faint glimpse, Gliff explores how and why we endeavour to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data—something easily categorizable and predictable—Smith shows us why our humanity, our individual complexities, matter more than ever.
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‘Miraculous . . . tender, hilarious and ultimately uplifting. A ray of hope’ Paul Murray, Irish Times Once upon a time, not very far from now, two children come home to find a line of wet red paint round the outside of their house . . . So begins the freewheeling and urgent new novel from Ali Smith – the story of two young people and a horse called Gliff, on the run from history as it takes a turn for the worse. ‘A voice that moves with lightness and precision, where bravery and goodness triumph in spirit over jeopardy and fear’ Financial Times ‘One of Smith’s most propulsive stories – a dark adventure with high stakes, which is still a sparklingly crisp read. A new Ali Smith book is always an event’ Holly Williams, i ‘Ali Smith’s marvellous Gliff considers the complexities of our present moment and the thorny, bridling potential of possible futures with wit, care and craft. A masterpiece of storytelling about storytelling, exploring the delighting, dangerous power of language and connectivity’ Eley Williams SHORTLISTED FOR THE GORDON BOWKER VOLCANO PRIZE 2025 SHORTLISTED FOR THE HIGHLAND BOOK PRIZE 2024

INTERNATIONAL BESTELLER • A haunting, unforgettable collection of tales by Samanta Schweblin, winner of the 2022 National Book Award for Translated Literature and three-time Booker Prize finalist. “Nobody understands the balance of light and darkness of the human mind as well as Samanta Schweblin. She is a master of the edge, of the contour, the suggestion. The most brilliant writer of short stories writing today, she now delivers her most haunting, fierce and provocative book.”—Valeria Luiselli, author of Lost Children Archive "Schweblin creates characters whose lifelines reach some of the most extraordinary questions ever articulated in our literature." —Karen Russell, author of The Antidote and Swamplandia! “In Samanta Schweblin’s hands a single story becomes a theory of just about everything. You can hear all the atoms of the universe bouncing around. Remarkably taut, clear, precise, and yet capable of capturing the extent of our human messiness, these stories are perfect for the times we dwell inside.” —Colum McCann, author of Let the Great World Spin The characters of Good and Evil find themselves at a point of no return, dazzled by the glare of impending tragedy. Vulnerable and profoundly human, they become trapped in the instant in which the uncanny has lurched into their lives. Some are transformed, some are isolated, others waver between guilt or tenderness. All of them are riven by uncertainty. Schweblin’s prose uses tension and truth to construct a literary universe in which the monsters of everyday life come so close to us that we can almost feel their breath. Her writing provokes awe and disquiet, a state of alarm that at the same time transports us to a hypnotic world as recognizable as it is strange.

INSTANT NEW YORK TIMES BESTSELLER “Lily King has written another masterpiece. This book overflows with her brilliance and her heart. We are so lucky.” —Emma Straub, New York Times bestselling author of This Time Tomorrow From the New York Times bestselling author of Writers & Lovers comes a magnificent and intimate new novel of desire, friendship, and the lasting impact of first love You knew I’d write a book about you someday. Our narrator understands good love stories—their secrets and subtext, their highs and free falls. But her greatest love story, the one she lived, never followed the simple rules. In the fall of her senior year of college, she meets two star students from her 17th-Century Lit class: Sam and Yash. Best friends living off campus in the elegant house of a professor on sabbatical, the boys invite her into their intoxicating world of academic fervor, rapid-fire banter and raucous card games. They nickname her Jordan, and she quickly discovers the pleasures of friendship, love and her own intellectual ambition. But youthful passion is unpredictable, and soon she finds herself at the center of a charged and intricate triangle. As graduation comes and goes, choices made will alter these three lives forever. Decades later, the vulnerable days of Jordan's youth seem comfortably behind her. But when a surprise visit and unexpected news bring the past crashing into the present, she returns to a world she left behind and must confront the decisions and deceptions of her younger self. Written with the superb wit and emotional sensitivity fans and critics of Lily King have come to adore, Heart the Lover is a deeply moving love story that celebrates literature, forgiveness, and the transformative bonds that shape our lives. Wise, unforgettable, and with a delightful connective thread to Writers & Lovers, this is King at her very best, affirming her as a masterful chronicler of the human experience and one of the finest novelists at work today.
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"Lily King is one of our great literary treasures."--Madeline Miller From the New York Times bestselling author of Writers & Lovers comes an intimate and sweeping new novel of love and friendship--a journey into the heart of youth and middle age, desire and loss, and the intricate bonds that shape our lives Our bright narrator is a college senior quietly dreaming of becoming a writer when she meets Sam and Yash, best friends and the golden boys of the English Department. Top-of-the-class Honors students, they live at the stately home of a favorite professor on sabbatical and can banter about Joyce and Fitzgerald like a game of rapid-fire tennis. The two nickname her Jordan and invite her into their magnetic world where her college experience is forever altered. As graduation approaches, the lines between love and friendship blur, and Jordan finds herself caught in a life-changing triangle. Decades later, her writing career is thriving, but motherhood is full of challenges. When she receives unexpected news that brings the past crashing into the present, Jordan returns to a world she thought she left behind. Written with the superb wit and emotional sensitivity fans and critics have come to adore, King explores a tangled lattice of friendship, love, family and uncertainty that celebrates how we love, who we love, and all the complexity a single heart can hold.

Luster meets The Idiot in this riveting debut novel about a volatile friendship between two outsiders who escape their bleak childhoods and enter the glamorous early '90s art world in New York City, where only one of them can make it. Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.
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Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl's school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria's orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.

The sensational French novel about love and beauty that has taken the world by storm[Bokinfo].
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The sensational French novel about love and beauty that has taken the world by storm Fifty-two weeks. That's all the time Mona has left to learn about beauty before she loses her eyesight forever. Fifty-two works of art. Every Wednesday, Mona's grandfather picks her up after school and takes her to see a great work of art. Fifty-two chapters. Together, on their visit to Paris' museums, Mona and her grandfather will experience enchantment and sadness. Above all, they will grow ever closer and learn to lean on each other. From Botticelli to Basquiat, Mona will discover not only the power of art, but also the meaning of generosity, doubt, melancholy, and loss. A profound, beautifully crafted novel about the fullness of life and an enthralling guide to the world's most renowned art, Mona's Eyes is a moving story about the bond between a young girl and her grandfather.

In the marvelous third installment of Balle's "astonishing" (The Washington Post) septology, Tara's November 18th transforms when she discovers that she is no longer alone in her endless autumnal day. For she has met someone who remembers, and who knows as well as she does that "it is autumn, but that we're not heading into winter. That spring and summer will not follow. That the reds and yellows of the trees are here to stay. That yesterday doesn't mean the seventeenth of November, that tomorrow means the eighteenth, and that the nineteenth is a day we may never see." Where Book I and II focused on a single woman's involuntary journey away from her life and her loved ones and into the chasm of time, Book III brings us back into the realm of companionship, with all its thrills, odd quirks, and a sense of mutual bewilderment at having to relearn how to exist alongside others in a shared reality. And then of course, what of Tara's husband Thomas, still sitting alone day after day, entirely unawares, in their house in Clarion-sous-Bois, waiting for his wife to return? Blending poetry and philosophical inquiry with rich reflections on our discombobulating times, Balle's On the Calculation of Volume asks us to consider: What is a single person's responsibility to humanity and to the preservation of this world?
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“A literary phenomenon nearly forty years in the making, and a speculative masterwork” (New York Magazine), Balle’s epic On the Calculation of Volume in Book III introduces new thrills to the adventures of Tara Selter’s endless November day LONGLISTED FOR THE NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE In the marvelous third installment of Balle’s “astonishing” (The Washington Post) septology, Tara’s November 18th transforms when she discovers that she is no longer alone in her endless autumnal day. For she has met someone who remembers, and who knows as well as she does that “it is autumn, but that we’re not heading into winter. That spring and summer will not follow. That the reds and yellows of the trees are here to stay. That yesterday doesn’t mean the seventeenth of November, that tomorrow means the eighteenth, and that the nineteenth is a day we may never see.” Where Book I and II focused on a single woman’s involuntary journey away from her life and her loved ones and into the chasm of time, Book III brings us back into the realm of companionship, with all its thrills, odd quirks, and a sense of mutual bewilderment at having to relearn how to exist alongside others in a shared reality. And then of course, what of Tara’s husband Thomas, still sitting alone day after day, entirely unawares, in their house in Clarion-sous-Bois, waiting for his wife to return? Blending poetry and philosophical inquiry with rich reflections on our discombobulating times, Balle’s On the Calculation of Volume asks us to consider: What is a single person’s responsibility to humanity and to the preservation of this world?

Gilt-edged stories that slice clean through the mundanity of modern life, from the author of Same Bed Different Dreams, a finalist for the Pulitzer Prize and winner of the Los Angeles Times Book Prize “Ed Park is one of the funniest writers working today, and among the most humane.”—Kaveh Akbar, author of Martyr! In “Machine City” a college student’s chance role in a friend’s movie blurs the line between his character and his true self. (Is he a robot?) In “Slide to Unlock” a man comes to terms with his life via the passwords he struggles to remember in extremis. (What’s his mom’s name backward?) And in “Weird Menace” a director and faded movie star gab about science fiction, bad costume choices, and lost loves on a commentary track for a B-film from the ’80s that neither remembers all that well. In Ed Park’s utterly original collection, An Oral History of Atlantis, characters bemoan their fleeting youth, focus on their breathing, meet cute, break up, write book reviews, translate ancient glyphs, bid on stuff online, whale watch, and once in a while find solace in the sublime. Throughout, Park deploys his trademark wit to create a world both strikingly recognizable and delightfully other. Spanning a quarter century, these sixteen stories tell the absurd truth about our lives. They capture the moment when the present becomes the past—and are proof positive that Ed Park is one of the most imaginative and insightful writers working today.

Finalist for the National Book Award for Fiction "A heart-wrenchingly honest, often luminescent exploration of how to find and cultivate true connections, sometimes in the unlikeliest of places . . . [Palaver is] an unshakable triumph.”—The Washington Post One of TIME's Must-Read Books of 2025 and Kirkus' Best of Fiction 2025 One of The Washington Post's Best Fiction Books of the Year Named a Most Anticipated Book by the New York Times, New York, Time, the Boston Globe, the Los Angeles Times, Rolling Stone, People, Harper's Bazaar, Bustle, and Town & Country A life-affirming novel of family, mending, and how we learn to love, from the award-winning Bryan Washington. In Tokyo, the son works as an English tutor and drinks his nights away with friends at a gay bar. He’s entangled in a sexual relationship with a married man, and while he has built a chosen family in Japan, he is estranged from his mother in Houston, whose preference for the son’s oft-troubled homophobic brother, Chris, pushed him to leave home. Then, in the weeks leading up to Christmas, ten years since they last saw each other, the mother arrives uninvited on his doorstep. With only the son’s cat, Taro, to mediate, the two of them bristle at each other immediately. The mother, wrestling with memories of her youth in Jamaica and her own complicated brother, works to reconcile her good intentions with her missteps. The son struggles to forgive. But as life steers them in unexpected directions—the mother to a tentative friendship with a local bistro owner and the son to a cautious acquaintance with a new patron of the bar—they begin to see each other more clearly. During meals and conversations and an eventful trip to Nara, mother and son try as best they can to determine where “home” really is—and whether they can even find it in one another. Written with understated humor and an open heart, moving through past and present and across Houston, Jamaica, and Japan, Bryan Washington’s Palaver is an intricate story of family, love, and the beauty of a life among others.
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A modern literary romcom and a life-affirming novel of family, mending, and how we learn to love, from the award-winning Bryan Washington.

LONGLISTED FOR THE NATIONAL BOOK AWARD • A razor-sharp new collection of stories of visionary childhood misfits and struggling adult dreamers from this legendary writer of “perfectly indescribable fiction . . . To read Williams is to look into the abyss” (The Atlantic). “Night was best, for, as everyone knows, but does not tell, the sobbing of the earth is most audible at night.” “Men are but unconscious machines and they perform their cruelties so effortlessly.” “Caring was a power she’d once possessed but had given up freely.” The sentences of Joy Williams are like no other—the coiled wit, the sense of a confused and ruined landscape, even the slight chortle of hope that lurks between the words—for the scrupulous effort of telling, in these eleven stories, has a ravishing beauty that belies their substance. We meet lost souls like the twin-sister heiresses of a dirty industrial fortune in “After the Haiku Period,” who must commit a violent act in recompense for their family's deeds; in “Nettle,” a newly grown man who still revolves in a dreamscape of his childhood boarding-school innocence; the ghost of George Gurdieff, on an obsessive visit to the Arizona birthplace of the shining Susan Sontag; the “pelican child” who lives with the bony, ill-tempered Baba Yaga in a little hut on chicken legs. All of these characters insist on exploring, often at their peril, an indifferent and caustic world: they struggle against our degradation of the climate, of each other, and of honest human experience (“I try to relate only to what is immediately verifiable,” says one narrator ruefully), possibly in vain. But each brief, haunted triumph of understanding is celebrated by Williams, a writer for our time and all time.
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Lauded as the best story writer of our time, Joy Williams returns with a taut collection that responds to our modern dilemmas with her signature dry wit and deftness of touch. In sinister and shifting landscapes, we meet souls lost and found: from the twin heiresses of a dirty industrial fortune, who must commit a violent act in recompense for their family's deeds, to a newly grown man who still revolves in a dreamscape of his childhood boarding-school innocence, to the "pelican child", who lives with the bony, ill-tempered Baba Yaga in a little hut on chicken legs. For readers of Lorrie Moore, Mary Gaitskill and George Saunders, these haunted stories examine the instincts separating us from the beastly and the divine.

A NEW YORK TIMES TOP TEN BOOK OF THE YEAR A WASHINGTON POST TOP TEN BOOK OF THE YEAR A LOS ANGELES TIMES TOP FIFTEEN BOOK OF THE YEAR Shortlisted for the 2024 Booker Prize, a novel about forgiveness, grief, and what it means to be good, from the award-winning author of The Weekend. “Stone Yard Devotional is as extraordinary as you’ve heard.” —The Washington Post “An exquisite, wrenching novel of leaving your life behind.” —New York Times Book Review "Meditative (but by no means uneventful)." —New York Times "Riveting prose about how humans beat back despair."—Los Angeles Times Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident. But disquiet interrupts this secluded life with three visitations. First comes a terrible mouse plague, each day signaling a new battle against the rising infestation. Second is the return of the skeletal remains of a sister who disappeared decades before, presumed murdered. And finally, a troubling visitor plunges the narrator further back into her past. Meditative, moving, and finely observed, Stone Yard Devotional is a seminal novel from a writer of rare power, exploring what it means to retreat from the world, the true nature of forgiveness, and the sustained effect of grief on the human soul.
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The new Booker-longlisted novel by Charlotte Wood, the Stella Prize-winning author of The Natural Way of Things and The Weekend. A fearless exploration of forgiveness, grief and the complicated beauty of female friendship.[Bokinfo].
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A deeply moving novel about forgiveness, grief, and what it means to be 'good', from the award-winning author of The Natural Way of Things and The Weekend. SHORTLISTED FOR THE BOOKER PRIZE SHORTLISTED FOR THE PRIME MINISTER'S LITERARY AWARD SHORTLISTED FOR THE VICTORIAN PREMIER'S LITERARY AWARD SHORTLISTED FOR THE AGE BOOK OF THE YEAR SHORTLISTED FOR THE ABIA AWARD FOR LITERARY FICTION SHORTLISTED FOR THE BARBARA JEFFERIS AWARD LONGLISTED FOR THE MILES FRANKLIN LITERARY AWARD BOOK OF THE YEAR, SYDNEY MORNING HERALD BOOK OF THE YEAR, ABC A woman abandons her city life and marriage to return to the place of her childhood, holing up in a small religious community hidden away on the stark plains of the Monaro. She does not believe in God, doesn't know what prayer is, and finds herself living this strange, reclusive life almost by accident. As she gradually adjusts to the rhythms of monastic life, she finds herself turning again and again to thoughts of her mother, whose early death she can't forget. Disquiet interrupts this secluded life with three visitations. First comes a terrible mouse plague, each day signalling a new battle against the rising infestation. Second is the return of the skeletal remains of a sister who left the community decades before to minister to deprived women in Thailand - then disappeared, presumed murdered. Finally, a troubling visitor to the monastery pulls the narrator further back into her past. With each of these disturbing arrivals, the woman faces some deep questions. Can a person be truly good? What is forgiveness? Is loss of hope a moral failure? And can the business of grief ever really be finished? A meditative and deeply moving novel from one of Australia's most acclaimed and best loved writers. 'Extraordinary ... a stunning work of fiction from a major writer who keeps getting better' THE AUSTRALIAN 'Remarkable ... I'm still trying to figure out how she pulled it off. The best thing she's done' TIM WINTON, author of The Shepherd's Hut 'I have rarely been so absorbed by a novel ... A powerful, generous book' GUARDIAN 'It extends and deepens Wood's already remarkable achievements as a novelist in powerful and often profound ways' THE SATURDAY PAPER 'A beautiful, mature work that does not flinch from life' SUNDAY TIMES 'A book about what it means to be good: simply and with great humility, it asks the big questions, leaving the reader feeling kinder, more brave, enlarged' ANNE ENRIGHT, author of The Wren, The Wren 'Beautiful, strange and otherworldly' PAULA HAWKINS, bestselling author of A Slow Fire Burning 'Both profound and addictively entertaining. I loved it' CLARE CHAMBERS, bestselling author of Small Pleasures 'No words can quite convey how much I loved this book' KAREN JOY FOWLER, author of Booth 'Wood joins the ranks of writers such as Nora Ephron, Penelope Lively and Elizabeth Strout.' THE GUARDIAN UK

A New York Times Bestseller • A New York Times, Washington Post, and Associated Press Notable Book • Named a Best Book of the Year by The Los Angeles Times, Vulture, TIME, The Guardian, The New Republic, and LitHub The new novel from Thomas Pynchon, author of Gravity's Rainbow, The Crying of Lot 49, Vineland, and Inherent Vice. “A masterpiece.” —The Telegraph “Bonkers and brilliant fun.” —The Washington Post “Late Pynchon at his finest. Dark as a vampire’s pocket, light-fingered as a jewel thief, Shadow Ticket capers across the page with breezy, baggy-pants assurance — and then pauses on its way down the fire escape just long enough to crack your heart open.” —The Los Angeles Times Milwaukee 1932, the Great Depression going full blast, repeal of Prohibition just around the corner, Al Capone in the federal pen, the private investigation business shifting from labor-management relations to the more domestic kind. Hicks McTaggart, a onetime strikebreaker turned private eye, thinks he’s found job security until he gets sent out on what should be a routine case, locating and bringing back the heiress of a Wisconsin cheese fortune who’s taken a mind to go wandering. Before he knows it, he’s been shanghaied onto a transoceanic liner, ending up eventually in Hungary where there’s no shoreline, a language from some other planet, and enough pastry to see any cop well into retirement—and of course no sign of the runaway heiress he’s supposed to be chasing. By the time Hicks catches up with her he will find himself also entangled with Nazis, Soviet agents, British counterspies, swing musicians, practitioners of the paranormal, outlaw motorcyclists, and the troubles that come with each of them, none of which Hicks is qualified, forget about being paid, to deal with. Surrounded by history he has no grasp on and can’t see his way around in or out of, the only bright side for Hicks is it’s the dawn of the Big Band Era and as it happens he’s a pretty good dancer. Whether this will be enough to allow him somehow to Lindy-hop his way back again to Milwaukee and the normal world, which may no longer exist, is another question.

One of Esquire's Most Anticipated Books of 2025 One of Literary Hub's Most Anticipated Books of 2025 A family saga following four generations on a time-bending journey from coastal Scotland to a colony on Mars. Hannah is a fusion scientist working alone at a remote cottage off the coast of Scotland when she sees a figure making his way from the sea. It is a visitor from the future, a young man from a human settlement on Mars, traveling backwards through time to try to make a crucial intervention in the fate of our dying planet, and he needs Hannah’s help. Laboring in the warmth of a Scottish summer, Hannah and the stranger are on the path towards a breakthrough—and then things go terribly wrong. Joe Mungo Reed’s intricately crafted novel expands from this extraordinary event, drawing together the stories of four lives reckoning with what it means to take fate into their own hands, moving from the last days of civilization on Earth through the birth of another on Mars. Roban lives in the Colony, one of the first generation born to this sterile new outpost, where he is consumed by longing for the lost wonders of a home planet he never knew. Between Hannah and Roban, two generations, a father and a daughter, face an uncertain future in a world that is falling apart. Andrew is a politician running to be Scotland’s First Minister. Andrew believes there is still time for the human spirit to triumph, if only he can persuade people to band together. For his starkly rationalist daughter Kenzie, this idealism doesn’t offer the hard tools needed to keep the rising floods at bay. And so, she signs on to work for a company that would abandon Earth for the promise of a world beyond—in contravention of all Andrew stands for. In considering which concerns should guide us in a time of crisis—social, technological, or familial—and reckoning with the question of whether there is meaning to be found in the pursuit of salvation beyond success itself, Joe Mungo Reed has written a novel of elegiac wonder and beauty.

NEW YORK TIMES BESTSELLER • From the bestselling author of House of Leaves comes a magisterial novel about two friends determined to rescue a pair of horses set for slaughter. “This is an amazing work of fiction. I absolutely loved it. At the heart you’ll find a blood-drenched story of pursuit and two brave and resourceful children. But there’s so much more. I immersed myself. Have never read anything like it.” —Stephen King Hard to figure how so much awful horror could've started out with just them two horses and not a one yet named... While folks still like to focus on the crimes that shocked the small city of Orvop, Utah, back in the fall of 1982, not to mention the trials that followed, far more remember the adventure that took place beyond municipal lines. For sure no one expected the dead to rise, but they did. No one expected the mountain to fall either, but it did. No one expected an act of courage so great, and likewise so appalling, that it still staggers the heart and mind of anyone who knows anything about the Katanogos massif, to say nothing of Pillars Meadow. As one Orvop high school teacher described that extraordinary feat just days before she died, Fer sure no one expected Kalin March to look Old Porch in the eye and tell him: You get what you deserve when you ride with cowards.

LONGLISTED FOR THE 2026 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION • Named a Best Book of 2025 by The Globe and Mail • New York Times • The New Yorker • The Washington Post • NPR • Barnes & Noble • Kirkus • Audible From the Booker prize–winning, bestselling author of Atonement and Saturday, a genre-bending new novel full of secrets and surprises; an immersive exploration, across time and history, of what can ever be truly known. 2014: At a dinner for close friends and colleagues, renowned poet Francis Blundy honors his wife’s birthday by reading aloud a new poem dedicated to her, ‘A Corona for Vivien’. Much wine is drunk as the guests listen, and a delicious meal consumed. Little does anyone gathered around the candlelit table know that for generations to come people will speculate about the message of this poem, a copy of which has never been found, and which remains an enduring mystery. 2119: Just over one hundred years in the future, much of the western world has been submerged by rising seas following a catastrophic nuclear accident. Those who survive are haunted by the richness of the world that has been lost. In the water-logged south of what used to be England, Thomas Metcalfe, a lonely scholar and researcher, longs for the early twenty-first century as he chases the ghost of one poem, ‘A Corona for Vivian’. How wild and full of risk their lives were, thinks Thomas, as he pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the elusive poem’s discovery, a story is revealed of entangled loves and a brutal crime that destroy his assumptions about people he thought he knew intimately well. What We Can Know is a masterpiece, a fictional tour de force, a love story about both people and the words they leave behind, a literary detective story which reclaims the present from our sense of looming catastrophe and imagines a future world where all is not quite lost.
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'One of the finest writers alive' Sunday Times 2014- A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 2119- The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost. Tom Metcalfe, a scholar at the University of the South Downs, part of Britain's remaining archipelagos, pores over the archives of the early twenty-first century, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the great lost poem, revelations of entangled love and a brutal crime emerge, destroying his assumptions about a story he thought he knew intimately. A quest, a literary thriller and a love story, What We Can Know is a masterpiece that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost. 'A true master' Daily Telegraph 'McEwan is one of the most accomplished craftsmen of plot and prose' New York Times

Desiree, Danielle, January, Monique and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood and of big-city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood - overwhelming, mysterious and full of freedom and consequences - swoops in and stays. Desiree and Danielle, sisters whose shared history has done little to prevent their estrangement, nurse bitter family wounds in different ways. January's got a relationship with a 'good' man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends move from the late 2000s into the late 2020s, from young adults to grown women, they must figure out what they mean to one another - amid political upheaval, economic and environmental instability and the increasing volatility of modern life. The Wilderness is Angela Flournoy's masterful and kaleidoscopic follow-up to her critically acclaimed debut The Turner House. A generational talent, she captures with disarming wit and electric language how the most profound connections over a lifetime can lie in the tangled, uncertain thicket of friendship.
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NATIONAL BESTSELLER FINALIST FOR THE KIRKUS PRIZE FOR FICTION LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION LONGLISTED FOR THE ASPEN WORDS LITERARY PRIZE Named one of the Washington Post's 10 Best Books of the Year One of Barack Obama's "Favorite Books of the Year" Named a Best of the Year by The New Yorker, The Boston Globe, Publishers Weekly, Vogue, Elle, Time, Kirkus Reviews, Electric Literature, Town & Country, Alta Journal, NPR, New York Public Library, Chicago Public Library, Book Riot, Audible "Flournoy has delivered a future classic--the kind of novel that generations to come will read to understand the nuances and peculiarities of this time." -- Harper's Bazaar An era-defining novel about five Black women over the course of their twenty-year friendship, as they move through the dizzying and sometimes precarious period between young adulthood and midlife--in the much-anticipated second book from National Book Award finalist Angela Flournoy. Desiree, January, Monique, and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood, and of big-city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood--overwhelming, mysterious, and full of freedom and consequences--swoops in and stays. Desiree is estranged from her sister Danielle, and the two nurse bitter family wounds in different ways. January's got a relationship with a "good" man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends move from the late 2000's into the late 2020's, from young adults to grown women, they must figure out what they mean to one another--amid political upheaval, economic and environmental instability, and the increasing volatility of modern American life. The Wilderness is Angela Flournoy's masterful and kaleidoscopic follow-up to her critically acclaimed debut The Turner House. A generational talent, she captures with disarming wit and electric language how the most profound connections over a lifetime can lie in the tangled, uncertain thicket of friendship.
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* ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF 2025 * ‘Humorous yet devastating... I loved this book' - BRIT BENNETT ‘Flournoy is singular' - RAVEN LEILANI 'Flournoy has a long-lens talent' - ELEANOR CATTON 'A triumphant whirlwind of a novel' - NAMWALI SERPELL 'One of the wisest, most talented authors working today' - JUSTIN TORRES In 2008, Desiree, January, Monique and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood and of big city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood – overwhelming, mysterious and full of freedom and consequences – swoops in and stays. Desiree is estranged from her sister Danielle, and the two nurse bitter family wounds in different ways. January's got a relationship with a 'good' man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends transition from young adults to grown women, they must figure out what they mean to one another – amid political upheaval, economic and environmental instability and the increasing volatility of modern life. In The Wilderness, Angela Flournoy captures with disarming wit and electric language how life's most profound connections can lie in the tangled, uncertain thicket of friendship. It's The Vanishing Half meets The Most Fun We Ever Had, with notes of Girl, Woman, Other. 'A future classic' - HARPER'S BAZAAR 'Flournoy inhabits a quartet of shifting perspectives with wit, tenderness and exquisite grace... Evokes the hushed, disconsolate quality of [Toni] Morrison' - NEW YORK TIMES 'A fascinating look at lasting friendships... Vivid' - WASHINGTON POST 'A triumph' - LA TIMES 'Flournoy beautifully renders how love - though at times thorny and confusing - is the one thing that keeps us connected' - TIME (The 100 Must-Read Books of 2025) ***** 5-STAR READER REVIEWS FOR THE WILDERNESS ***** 'Every heartbreak, triumph and turn of the text I actually felt in my body' 'Wow, this book... So real and raw' 'If you believe in the power of sisterhood, this is an unforgettable must-read' 'Will make you laugh, ache and long for your own family and friends' 'Captures the complexities of lifelong friendships with remarkable depth' 'One of my best books of the year, hands down' This novel contains references to assisted dying and drug use, and depictions of violence, death, and police brutality.

Pull back the curtain on the most powerful position in all of sports. The New York Times bestselling author of It's Better to be Feared examines football's QB lifecycle: high school, college, the NFL, retirement—and all that comes with it. "A MUST BUY" — New York Times / The Athletic A Boston Globe and NPR pick for Best Books of 2025 New York Book Festival • General Nonfiction Winner *** The Instant New York Times bestseller *** "An instant classic—not just a great sports book but a great cultural history." —Jonathan Eig, Pulitzer Prize–winning author of King: A Life The quarterback: the American equivalent of royalty, long glamorized, mythologized, and worshipped. Still, long before the Super Bowl trophies, massive contracts, brand deals, and millions of social media followers comes the dream. From the backyard to Pop Warner, from high school to college, from the NFL to the Hall of Fame, becoming the country's ultimate idol requires single-minded focus while navigating a maze of bad breaks, insecurities, jealousy, pressure, and fame. Long known as the outsider's guide into this elite world, Seth Wickersham's fresh reporting goes deep into the quarterback journey, measuring the distance between what the men who have traveled it expected and what they found at the end of the road. Through unprecedented access into the lives of dozens of quarterbacks and generational greats such as Johnny Unitas, John Elway, Peyton Manning, Warren Moon, Steve Young, and others, as well as those figures striving to be remembered, like Caleb Williams and Arch Manning, Wickersham reveals how this one position has become emblematic of success in American life. As an inside look into a uniquely American job and a uniquely American obsession with football, American Kings is a must-read for sports fans and anyone who wants to understand what the price of ambition tells us about the quest for achievement and status.

*ONE OF AV CLUB'S BEST BOOKS OF 2025* "[An] indictment of an industry that has cannily tilted the playing field in its favor. Bad Company details how clichéd abstractions like ‘consolidation’ and ‘efficiency’ have given cover to real betrayals.” - The New York Times A timely work of singular reportage and a damning indictment of the private equity industry told through the stories of four American workers whose lives and communities were upended by the ruinous effects of private equity takeovers. Private equity runs our country, yet few Americans have any idea how ingrained it is in their lives. Private equity controls our hospitals, daycare centers, supermarket chains, voting machine manufacturers, local newspapers, nursing home operators, fertility clinics, and prisons. The industry even manages highways, municipal water systems, fire departments, emergency medical services, and owns a growing swath of commercial and residential real estate. Private equity executives, meanwhile, are not only among the wealthiest people in American society, but have grown to become modern-day barons with outsized influence on our politics and legislation. CEOs of firms like Blackstone, Carlyle, KKR, and Apollo are rewarded with seats in the Senate and on the boards of the country’s most august institutions; meanwhile, entire communities are hollowed out as a result of their buyouts. Workers lose their jobs. Communities lose their institutions. Only private equity wins. Acclaimed journalist Megan Greenwell’s Bad Company unearths the hidden story of private equity by examining the lives of four American workers that were devastated as private equity upended their employers and communities: a Toys R Us floor supervisor, a rural doctor, a local newspaper journalist, and an affordable housing organizer. Taken together, their individual experiences also pull back the curtain on a much larger project: how private equity reshaped the American economy to serve its own interests, creating a new class of billionaires while stripping ordinary people of their livelihoods, their health care, their homes, and their sense of security. In the tradition of deeply human reportage like Matthew Desmond’s Evicted, Megan Greenwell pulls back the curtain on shadowy multibillion dollar private equity firms, telling a larger story about how private equity is reshaping the economy, disrupting communities, and hollowing out the very idea of the American dream itself. Timely and masterfully told, Bad Company is a forceful rebuke of America’s most consequential, yet least understood economic forces.

Longlisted for the National Book Award for Nonfiction A New York Times Editors' Choice Pick “Powerful… [and] fascinating.” —The Washington Post The remarkable story of Edward McCabe, a Black man who tried to establish a Black state within the United States. In this paradigm-shattering work of American history, Caleb Gayle recounts the extraordinary tale of Edward McCabe, a Black man who championed the audacious idea to create a state within the Union governed by and for Black people — and the racism, politics, and greed that thwarted him. As the sweeping changes and brief glimpses of hope brought by the Civil War and Reconstruction began to wither, anger at the opportunities available to newly freed Black people were on the rise. As a result, both Blacks and whites searched for new places to settle. That was when Edward McCabe, a Black businessman and a rising political star in the American West, set in motion his plans to found a state within the Union for Black people to live in and govern. His chosen site: Oklahoma, a place that the U.S. government had deeded to Indigenous people in the 1830s when it forced thousands of them to leave their homes under Indian Removal, which became known as the Trail of Tears. McCabe lobbied politicians in Washington, D.C., Kansas, and elsewhere as he exhorted Black people to move to Oklahoma to achieve their dreams of self-determination and land ownership. His rising profile as a leader and spokesman for Black people as well as his willingness to confront white politicians led him to become known as Black Moses. And like his biblical counterpart, McCabe nearly made it to the promised land but was ultimately foiled by politics, business interests, and the growing ambitions of white settlers who also wanted the land. In Black Moses, Gayle brings to vivid life the world of Edward McCabe: the Black people who believed in his dream of a Black state, the white politicians who didn't, and the larger challenges of confronting the racism and exclusion that bedeviled Black people's attempts to carve a place in America for themselves. Gayle draws from extraordinary research and reporting to reveal an America that almost was.

How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from one of our most lauded and influential cultural figures. “Every writer is at least two beings: the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same.” Raised by ruggedly independent, scientifically minded parents—entomologist father, dietician mother—Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: “It sounds forlorn. It was forlorn. It gets more forlorn.”), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat’s Eye to the Orwellian 1980s of East Berlin where she wrote The Handmaid’s Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel. As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art—and the workings of one of our greatest imaginations.
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How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from one of our most lauded and influential cultural figures 'Every writer is at least two beings- the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same.' Raised by ruggedly independent, scientifically minded parents - entomologist father, dietician mother - Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday- 'It sounds forlorn. It was forlorn. It gets more forlorn.'), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat's Eye to divided 1980s Berlin where she began The Handmaid's Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel. As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art - and the workings of one of our greatest imaginations.
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'Fat and satisfying' Observer * 'I loved it' Dua Lipa * 'Deliciously naughty' iNews * 'Beautifully told' Woman & Home * 'Spellbinding' FT * Book of the Year Guardian, Financial Times, Observer, Belfast Telegraph Immerse yourself in the creative universe of Margaret Atwood for a riot of life, art and everything in between Raised by scientifically minded parents, Atwood spent most of each year in the wild forest of northern Quebec: a vast playground for her entomologist father and independent, resourceful mother. It was an unfettered and nomadic childhood, sometimes isolated but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking key moments to the books that have shaped our literary landscape, from the cruel school year that would become Cat’s Eye to the unease of 1980s Berlin, where she began The Handmaid’s Tale. In pages alive with the natural world, reading and books, major political turning points and her lifelong love for the charismatic writer Graeme Gibson, we meet poets, bears, Hollywood stars and larger-than-life characters straight from the pages of an Atwood novel. As she explores her past, Atwood reveals more and more about her writing, the connections between real life and art – and the workings of one of our boldest imaginations. *Top ten Sunday Times bestseller week of 22 November 2025*

A group biography of five women who played path-breaking roles in the transcendentalist movement In November 1839, a group of young women in Boston formed a conversation society “to answer the great questions” of special importance to women: "What are we born to do? How shall we do it?" The lives and works of the five women who discussed these questions are at the center of Bright Circle, a group biography of remarkable thinkers and artists who played pathbreaking roles in the transcendentalist movement. Transcendentalism remains the most important literary and philosophical movement to have originated in the United States. Most accounts of it, however, trace its emergence to a group of young intellectuals (primarily Ralph Waldo Emerson and Henry David Thoreau) dissatisfied with their religious, literary, and social culture. Yet there is a forgotten history of transcendentalism--a submerged counternarrative--that features a network of fiercely intelligent women who were central to the development of the movement even as they found themselves silenced by their culturally-assigned roles as women. Bright Circle is intended to reorient our understanding of transcendentalism: to help us see the movement as a far more collaborative and interactive project between women and men than is commonly understood. It recounts the lives of Mary Moody Emerson, Elizabeth Palmer Peabody, Sophia Peabody Hawthorne, Lydia Jackson Emerson, and Margaret Fuller as they developed crucial ideas about the self, nature, and feeling even as they pushed their male counterparts to consider the rights of enslaved people of color and women. Many ideas once considered original to Emerson and Thoreau are shown to have originated with women who had little opportunity of publicly expressing them. Together, the five women of Bright Circle helped form the foundations of American feminism.

ONE OF THE NEW YORK TIMES'S 100 NOTABLE BOOKS OF 2025 LONGLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD "There's a bridge of beautiful American prose--lyrical, powerful, fearlessly candid--running straight from James Baldwin to Thomas, who is obviously Baldwin's worthy heir . . . An utterly immersive book."--Francisco Goldman, author of the Pulitzer Prize finalist Monkey Boy From the author of Man Gone Down--a New York Times Top Ten Book of the Year and winner of the IMPAC Dublin Literary Award--comes a deeply personal memoir of race, trauma, alcoholism, parenting, mental illness and ultimately hope in a portrait of three generations of Black American men In 2007, Michael Thomas launched into the literary world with his award-winning first novel Man Gone Down, a beautiful and devastating story of a Black father trying to claim a piece of the American Dream. Called "powerful and moving . . . an impressive success," by Kaiama L. Glover on the cover of the New York Times Book Review, Thomas' debut introduced a writer of prodigious and rare talent. In his long-awaited encore and first work of nonfiction, The Broken King, Thomas explores fathers and sons, lovers and the beloved, trauma and recovery, success and failure in a unique, urgent, and timeless memoir. The title is borrowed from T.S. Eliot's line in "Little Gidding" "If you came at night like a broken king," and the work ponders the process of being broken. Akin to Baldwin's The Fire Next Time or Nabokov's Speak, Memory, Thomas' memoir unfolds through six powerful, interlocking and overlaying parts focusing on the lives of five men: his father--a philosopher, Boston Red Sox fan, and absent parent; his estranged older brother; his two sons growing up in Brooklyn; and always, heartbreakingly himself. At the center of The Broken King is the story of Thomas' own breakdown, a result of inherited family history and his own experiences, from growing up Black in the Boston suburbs to publishing a prize-winning novel with "the house of Beckett." Every page of The Broken King rings with the impact of America's sweeping struggle with race and class, education and family, and builds to a brave, meticulous articulation of a creative mind's journey into and out of madness.

Four men in a lifeboat. Two weeks without food. One impossible choice that would reshape the boundaries between survival and murder. “A perfect enunciation of the classic philosophical conundrum: can you sacrifice one innocent life to save many?" (Yann Martel, author of Life of Pi) On May 19, 1884, the yacht Mignonette set sail from England on what should have been an uneventful voyage. When their vessel sank in the Atlantic, Captain Thomas Dudley and his crew found themselves adrift in a tiny lifeboat. As days turned to weeks, they faced an unthinkable choice: starve to death or resort to cannibalism. Their decision to sacrifice the youngest—17-year-old cabin boy Richard Parker—ignited a firestorm of controversy upon their rescue. Instead of being hailed as heroes and survivors, Dudley and his crew found themselves at the center of Regina v. Dudley and Stephens, a landmark murder trial that would establish the legal precedent that necessity cannot justify murder—a principle that continues to shape Anglo-American law today. In Captain's Dinner, acclaimed journalist, Pulitzer Prize juror, and New York Times bestselling author Adam Cohen masterfully depicts both the harrowing weeks at sea and the sensational trial that followed. "Is killing one innocent person justified if it saves the lives of three others? Cohen's answer—in this riveting account—reads like a thriller" (former U.S. Secretary of State Antony J. Blinken). Through this Victorian tragedy, Cohen reveals an enduring conflict between primal instincts and moral principles. This book will “make you think long and hard about what you might do to survive” (Ezekiel J. Emanuel, M.D., Ph.D., University of Pennsylvania). Perfect for readers of David Grann's The Wager and Nathaniel Philbrick's In the Heart of the Sea, this pulse-pounding true story has become a real-life example of one of life's greatest moral dilemmas. “Thoroughly researched and impeccably argued” (Martel). Rich with narrative detail and real-life courtroom twists, “brilliant and profound,” (bestselling author Amy Chua), Captain's Dinner strikes at the heart of a question that haunts us all: When does survival justify murder?
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Four men in a lifeboat. Two weeks without food. One impossible choice that would reshape the boundaries between survival and murder. 'A perfect enunciation of the classic philosophical conundrum: can you sacrifice one innocent life to save many?' (Yann Martel, author of Life of Pi) On May 19, 1884, the yacht Mignonette sailed from England on what should have been an uneventful voyage. When their vessel sank in the Atlantic, Captain Dudley and his crew found themselves adrift in a tiny lifeboat. As days turned to weeks, they faced an unthinkable choice: starve or resort to cannibalism. Their decision to sacrifice the 17-year-old cabin boy Richard Parker ignited a firestorm of controversy. Instead of being hailed as heroes and survivors, Dudley and his crew found themselves at the center of Regina v. Dudley and Stephens, a landmark murder trial that would establish the legal precedent that necessity cannot justify murder. In Captain's Dinner, acclaimed journalist, Pulitzer Prize juror, and New York Times bestselling author Adam Cohen masterfully depicts both the harrowing weeks at sea and the sensational trial. 'Is killing one innocent person justified if it saves the lives of three others? Cohen's answer – in this riveting account – reads like a thriller' (former Secretary of State Antony Blinken). Perfect for readers of The Wager and Nathaniel Philbrick's In the Heart of the Sea, this pulse-pounding true story has become a real-life example of one of life's greatest moral dilemmas. 'Brilliant and profound,' (bestselling author Amy Chua), Captain's Dinner strikes at the heart of a question that haunts us all: When does survival justify murder?

A New York Times and Washington Post Notable Book • Named one of the Best Books of the Year by TIME, NPR, Elle, and The Boston Globe “Searing… rigorously researched but never stuffy… Gilbert has compiled perhaps the first comprehensive examination of turn-of-the-millennium mainstream, cool-kid trends and ephemera, and how they were largely molded by those in power to sell a generation of girls and young women reality-warping lies.” —The New York Times “So clear-eyed that it’s startling." —The Washington Post “Entertaining and even energizing, transforming a dismal history into something like a rallying cry.” —The Boston Globe From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of early aughts pop culture What happened to feminism in the twenty-first century? This question feels increasingly urgent in a moment of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Mining the darker side of nostalgia, Gilbert trains her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. What she recounts is harrowing, from the leering gaze of the paparazzi to the gleeful cruelty of early reality TV and a burgeoning internet culture vicious toward women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the rise of internet porn, which gained widespread influence as it began to pervade our collective consciousness. The result is a devastating portrait of a time when a distinctly American blend of excess, materialism, and power worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and continues to shape our world today.
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'A captivating must-read for anyone who wants to understand how and why misogyny is as powerful a force as ever' KATE MANNE, author of Down Girl 'Riveting, incisive, rousing' MELISSA FEBOS, author of Girlhood Cosmetic surgeries are at an all-time high, Ozempic is bringing back 'heroin chic' and TikTok trad-wives are on the rise - after four waves of feminism, what went wrong? Despite decades of progress, the gains of the feminist movement feel more fragile than ever. But as Atlantic critic and Pulitzer Prize finalist Sophie Gilbert points out, this is not a unique moment. Feminism felt just as fragmented in the early 2000s, when the momentum of third-wave feminists and 'riot grrrl's was squashed by lad culture and the commodification of 'Girl Power'. Casting her eye across pop culture of the past thirty years - from Madonna, the Spice Girls and the Kardashians, to MySpace, #GirlBoss and Real Housewives - Sophie Gilbert reveals a toxic pattern of progress and misogynistic backlash. Girl on Girl shows how every form of media, heavily influenced by the rise of porn, has shaped and warped women's relationships with themselves and other women, and asks what lies ahead. We cannot move forward without fully reckoning with how pop culture has defined us - this book shows us how.

The fascinating history of a daring team of sexologists who built the first trans clinic in the shadow of the Third Reich. Set in interwar Germany, The Intermediaries tells the forgotten story of the Institute for Sexual Science, the world’s first center for homosexual and transgender rights. Headed by a gay Jewish man, Dr. Magnus Hirschfeld, the institute aided in the first gender-affirming surgeries and hormone treatments, acting as a rebellious base of operations in the face of rising prejudice, nationalism, and Nazi propaganda. An expert in medical history, Brandy Schillace tells the story of the Institute through the eyes of Dora Richter, an Institute patient whom we follow in her quest to transition and live as a woman. While the colorful but ultimately tragic arc of Weimar Berlin is well documented, The Intermediaries is the first book to assert the inseparable, interdependent relationship of sex science to both the queer rights movement and the permissive Weimar culture, tracking how political factions perverted that same science to suit their own ends. This riveting book brings together forgotten scientific and surgical discoveries (including previously untranslated archival material from Berlin) with the politics and social history that galvanized the first stirrings of the trans rights movement. Through its unforgettable characters and immersive, urgent storytelling, The Intermediaries charts the relationships between nascent sexual science, queer civil rights, and the fight against fascism. It tells riveting stories of LGBTQ pioneers—a surprising, long-suppressed history—and offers a cautionary tale in the face of today’s oppressive anti-trans legislation.

The first ever collection of John Edgar Wideman’s most influential essays and articles, five decades of cultural and literary criticism that paint a vivid portrait of America’s changing landscape and chronicle the emergence and evolution of a major presence in fiction. “A towering figure in American literature.” —The Nation John Edgar Wideman, acclaimed since the early 1970s for his award-winning fiction and memoirs, has long been engaged in a project to redefine, from the perspective of an American of color, the wondrous and appalling power of his country’s literary culture and history. Now, curated by him, in this first-time collection from his extensive body of long-form journalism and biographical essays, readers are offered a chance to see and judge for themselves how Wideman has proven himself to be a luminous witness of America’s history. This volume goes beyond mere compilation; its challenging, insightful critical essays tell the story of a nation in transition—from the shame of legalized human slavery, to the Civil Rights Movement, to the rise of the Obama era, and beyond. Originally featured in publications such as Esquire, Vogue, and The New Yorker, these narratives explore the elusive cores of an American culture, politics, and identity. With his unique depictions of iconic figures such as Zora Neale Hurston, Malcolm X, Spike Lee, Emmett Till, and Michael Jordan, and intimate questioning of his own life, Wideman shares his original views of the changing tides of an American experience.

"Who doesn't wanna read an entire book about the slam dunk? I love basketball." - Ann Patchett "The definitive dunking dissertation." - Jack McCallum, Wall Street Journal From the author of the bestselling Kobe Bryant biography The Rise comes the legend of the most powerful shot in basketball: the slam dunk. The evolution of basketball, and much of the social and cultural change in America, can be traced through one powerful act on the court: the slam dunk. The dunk's history is the story of a sport and a country changed by the most dominant act in basketball, and it makes Magic in the Air a rollicking and insightful piece of narrative history and a surefire classic of sports literature. When basketball was the province of white men, the dunk acted as a revolutionary agent, a tool for players like Wilt Chamberlain and Bill Russell to transform the sport into a Black man’s game. The dunk has since been an expression of Black culture amid the righteous upheaval of the civil-rights movement, of the threat that Black people were considered to be to the establishment. It was banned from college basketball for nearly a decade—an attempt to squash the individual expression and athleticism that characterized the sport in America’s cities and on its playgrounds. The dunk nevertheless bubbled up to basketball’s highest levels. From Julius Erving to Michael Jordan to the high flyers of the 21st century, the dunk has been a key mechanism for growing the NBA into a global goliath. Drawing on deep reporting and dozens of interviews with players, coaches, and other hoops experts, Magic in the Air brings to life the tale of the dunk while balancing sharp socio-racial history and commentary with a romp through American sports and culture. There's never been a basketball book quite like it.

THE RUNAWAY NEW YORK TIMES BESTSELLER & ONE OF BARACK OBAMA’S FAVORITE BOOKS OF 2025 A NEW YORK TIMES TOP 10 BOOK OF 2025 ALSO NAMED A BEST BOOK OF 2025 BY NPR, VOGUE, TIME MAGAZINE, THE NEW YORKER, AND MORE “This is nonfiction that reads like fiction – the best kind. Elmhirst’s retelling is a triumph, second only to the seemingly impossible feat of Maurice and Maralyn themselves. You won’t be able to put it down.” – USA Today “Remarkable… I found myself, alternately, holding my breath as I read at top speed, wandering rooms in search of someone to read aloud to, and placing the book facedown, arrested by quiet statements that left me reeling with their depth.” – The New York Times “Such an emotionally vivid portrait of a couple in isolation that I was shocked it wasn’t fiction. How could a writer get so deeply into the minds of two real people in such extraordinary circumstances? … So brilliantly depicted.” – Elle “A beautiful meditation on endurance, codependence, and the power of love. A dazzling book.” – Patrick Radden Keefe “An enthralling, engrossing story of survival and the resilience of the human spirit.” —Bill Bryson An instant New York Times bestseller, this is the electrifying true story of a young couple shipwrecked at sea: a mind-blowing tale of obsession, survival, and partnership stretched to its limits. Maurice and Maralyn make an odd couple. He’s a loner, awkward and obsessive; she’s charismatic and ambitious. But they share a horror of wasting their lives. And they dream – as we all dream – of running away from it all. What if they quit their jobs, sold their house, bought a boat, and sailed away? Most of us begin and end with the daydream. But in June 1972, Maurice and Maralyn set sail. For nearly a year all went well, until deep in the Pacific, a breaching whale knocked a hole in their boat and it sank beneath the waves. What ensues is a jaw-dropping fight to survive in the wild ocean, with little hope of rescue. Alone together for months in a tiny rubber raft, starving and exhausted, Maurice and Maralyn have to find not only ways to stay alive but ways to get along, as their inner demons emerge and their marriage is put to the greatest of tests. Although they could run away from the world, they can’t run away from themselves. Taut, propulsive, and dazzling, A Marriage at Sea pairs an adrenaline-fueled high seas adventure with a gutting love story that asks why we love difficult people, and who we become under the most extreme conditions imaginable.

A TIME BEST BOOK OF 2025: "A completely true look at America’s infatuation with aliens at the turn of the 20th century that feels like it could be science fiction . . . The Martians is not only a captivating look at recent history, but also a poignant cautionary tale, offering hard-to-ignore parallels between the alien enthusiasts of the Gilded Age and the conspiracy theorists of today." A NEW YORKER BEST BOOK OF THE YEAR Longlisted for the 2025 Andrew Carnegie Medal for Nonfiction Named one of the Best Books of the Year by Science News, Boston Globe, Library Journal, Reactor, Bookreporter, PopMatters, Colorado Public Radio, and the Chicago Public Library New York Times Book Review • Editors' Choice Literary Hub • 10 Best-Reviewed Nonfiction Books of 2025 The Information • 20 Great Books to Read Over the Holidays 2025 Christian Science Monitor • 10 Best Books of August A Westword holiday book recommendation Long before NASA began contemplating a visit to our neighboring world, a turn-of-the-century Mars craze invaded the public’s imagination, here thrillingly retold in David Baron’s The Martians. “There is Life on the Planet Mars” —New York Times, December 9, 1906 This New York Times headline was no joke. In the early 1900s, many Americans actually believed we had discovered intelligent life on Mars, as best-selling science writer David Baron chronicles in The Martians, his truly bizarre tale of a nation swept up in Mars mania. At the center of Baron’s historical drama is Percival Lowell, the Boston Brahmin and Harvard scion, who observed “canals” etched into the surface of Mars. Lowell devised a grand theory that the red planet was home to a utopian society that had built gargantuan ditches to funnel precious meltwater from the polar icecaps to desert farms and oasis cities. The public fell in love with the ambitious amateur astronomer who shared his findings in speeches and wildly popular books. While at first people treated the Martians whimsically—Martians headlining Broadway shows, biologists speculating whether they were winged or gilled—the discussion quickly became serious. Inventor Nikola Tesla announced he had received radio signals from Mars; Alexander Graham Bell agreed there was “no escape from the conviction” that intelligent beings inhabited the planet. Martian excitement reached its zenith when Lowell financed an expedition to photograph Mars from Chile’s Atacama Desert, resulting in what newspapers hailed as proof of the Martian canals’ existence. Triumph quickly yielded to tragedy. Those wild claims and highly speculative photographs emboldened Lowell’s critics, whose withering attacks gathered steam and eventually wrecked the man and his theory—but not the fervor he had started. Although Lowell would die discredited and delusional in 1916, the Mars frenzy spurred a nascent literary genre called science fiction, and the world’s sense of its place in the universe would never be the same. Today, the red planet maintains its grip on the public’s imagination. Many see Mars as civilization’s destiny—the first step toward our becoming an interplanetary species—but, as David Baron demonstrates, this tendency to project our hopes onto the world next door is hardly new. The Martians is a scintillating and necessary reminder that while we look to Mars for answers, what we often find are mirrors of ourselves.

NEW YORK TIMES BESTSELLER · A National Book Critics Circle Award Finalist A New York Times Notable Book of 2025 · A Washington Post Notable Nonfiction Book of 2025 · A Time Best Memoir of 2025 · Named a Best Book of 2025 by NPR, People, Air Mail, Bookreporter, and Publishers Weekly “Brooks tracks the geography of grief with patience and grace as she comes to terms with the ongoing nature of outliving the ones you love most. ... Her memoir is certainly a testament to her own unique loss, but it’s moreover a lifeline to others who will find themselves in this familiar, shattered landscape of grief.” —Los Angeles Times “A rich account of marriage and mourning.” —Washington Post A heartrending and beautiful memoir of sudden loss and a journey towards peace, from the bestselling, Pulitzer Prize-winning author of Horse Many cultural and religious traditions expect those who are grieving to step away from the world. In contemporary life, we are more often met with red tape and to-do lists. This is exactly what happened to Geraldine Brooks when her partner of more than three decades, Tony Horwitz – just sixty years old and, to her knowledge, vigorous and healthy – collapsed and died on a Washington, D. C. sidewalk. After spending their early years together in conflict zones as foreign correspondents, Geraldine and Tony settled down to raise two boys on Martha’s Vineyard. The life they built was one of meaningful work, good humor, and tenderness, as they spent their days writing and their evenings cooking family dinners or watching the sun set with friends at the beach. But all of this ended abruptly when, on Memorial Day 2019, Geraldine received the phone call we all dread. The demands were immediate and many. Without space to grieve, the sudden loss became a yawning gulf. Three years later, she booked a flight to a remote island off the coast of Australia with the intention of finally giving herself the time to mourn. In a shack on a pristine, rugged coast she often went days without seeing another person. There, she pondered the various ways in which cultures grieve and what rituals of her own might help to rebuild a life around the void of Tony’s death. A spare and profoundly moving memoir that joins the classics of the genre, Memorial Days is a portrait of a larger-than-life man and a timeless love between souls that exquisitely captures the joy, agony, and mystery of life.
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A heartrending and beautiful memoir of sudden loss and a journey toward peace, from the bestselling, Pulitzer Prize-winning author of Horse.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an empire that doesn’t consider you fully human. On October 25th, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it's safe, when there's no personal downside to calling a thing what it is, when it's too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed more than ten million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture that has occurred for Black, brown, Indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in Western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the West, and what it means to live in a world run by a small group of countries—America, the UK, France, and Germany. It will be The Fire Next Time for a generation that understands we're undergoing a shift in the so-called “rules-based order,” a generation that understands the West can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar's own story as an emigrant who grew up believing in the Western project, who was catapulted into journalism by the rupture of 9/11. This book is El Akkad's heartsick breakup letter with the West. It is a breakup we are watching all over the United States, on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the West has served up. This is the book for our time.

“Jeff Pearlman breaks down Tupac’s life like a veteran sportswriter examining a dynasty. This detailed look at his life is the work of a writer who understands the ego of greatness.”—Chuck D “Pearlman delivers rich, engrossing, and fascinating new details about Shakur’s life and legacy—not just once or twice—but throughout each lively page...This is the type of needed journalism, reporting, and biography that finally and deservedly provides the definitive historic account on Shakur.”—Jonathan Abrams, author of The Come Up: An Oral History of the Rise of Hip-Hop Scrutinized in life, mythologized in death, Tupac Shakur remains a subject of immense cultural significance and speculation nearly thirty years after his murder. Despite a multitude of books, documentaries, and even a feature film, much about Tupac’s story remains shrouded and misunderstood. Like many icons who died tragically young, Tupac the man has long been obscured—his edges sanded down, his complexity numbed—by the competing agendas that surround his legacy. In Only God Can Judge Me, accomplished biographer and New York Times bestselling author Jeff Pearlman tackles his most nuanced subject, telling the definitive story of Tupac Shakur in unprecedented depth. In this authoritative look at Tupac’s life, Pearlman skillfully recreates West Coast hip hop in all its glory, going inside Death Row Records and on the sets of movies like Juice and Poetic Justice to offer the most clear-eyed rendering to date of the man who still casts a shadow over modern hip hop. But more than just a biography of a complicated figure, Only God Can Judge Me also captures the time and place in which Tupac rose, a singular moment in music history when West Coast hip hop became a phenomenon and transformed popular music. Featuring nearly seven hundred original interviews and never-before-published details from every corner of Tupac’s life, the result offers a truly singular portrait of one of modern pop culture’s most towering figures. Guided by the voices of those who knew and lived life alongside him, Only God Can Judge Me captures the layers of a man who, even thirty years after his death, remains as elusive as ever.

NEW YORK TIMES NOTABLE BOOK • NEW YORK TIMES BESTSELLER • FINALIST FOR THE 2025 WOMEN'S PRIZE • A fascinating meditation on freedom, trust, loss, and our relationship with the natural world, explored through the story of one woman’s unlikely friendship with a wild hare. A BEST BOOK OF THE YEAR: The Washington Post, The Wall Street Journal, NPR, TIME, The Boston Globe, The Economist, Scientific American, Slate “Moving. . . . Impart[s] valuable lessons about slowing down and the beauty in the unexpected.”—USA Today “A perfect testimony to the transformative power of love.”—Margaret Renkl, author of The Comfort of Crows Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and bounded around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, more than two years later, it still ran in from the fields when you called it and slept in your house for hours on end. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality. In February 2021, Dalton stumbles upon a newborn hare—a leveret—that had been chased by a dog. Fearing for its life, she brings it home, only to discover how difficult it is to rear a wild hare, most of whom perish in captivity from either shock or starvation. Through trial and error, she learns to feed and care for the leveret with every intention of returning it to the wilderness. Instead, it becomes her constant companion, wandering the fields and woods at night and returning to Dalton’s house by day. Though Dalton feared that the hare would be preyed upon by foxes, weasels, feral cats, raptors, or even people, she never tried to restrict it to the house. Each time the hare leaves, Chloe knows she may never see it again. Yet she also understands that to confine it would be its own kind of death. Raising Hare chronicles their journey together while also taking a deep dive into the lives and nature of hares, and the way they have been viewed historically in art, literature, and folklore. We witness firsthand the joy at this extraordinary relationship between human and animal, which serves as a reminder that the best things, and most beautiful experiences, arise when we least expect them.
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THE INSTANT SUNDAY TIMES AND NEW YORK TIMES BESTSELLER WINNER OF THE WAINWRIGHT PRIZE FOR NATURE WRITING WINNER OF BOOKS ARE MY BAG READERS AWARD SHORTLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION, HATCHARDS AND BIOGRAPHERS' CLUB FIRST BIOGRAPHY PRIZE A BOOK OF THE YEAR FOR THE HAY FESTIVAL, SUNDAY TIMES, THE TIMES, FINANCIAL TIMES, SPECTATOR, ECONOMIST AND iNEWS 'A beautiful book' - ANGELINA JOLIE 'I will be recommending this to everyone' - MATT HAIG 'Quietly profound, beautifully written, Hare is now lodged in my heart' - TRACY CHEVALIER __ Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and snoozed in your house for hours on end. This happened to me. When lockdown led busy professional Chloe to leave the city and return to the countryside of her childhood, she never expected to find herself custodian of a newly born hare. Yet when she finds the creature, endangered, alone and no bigger than her palm, she is compelled to give it a chance at survival. Raising Hare chronicles their journey together and the challenges of caring for the leveret and preparing for its return to the wild. We witness an extraordinary relationship between human and animal, rekindling our sense of awe towards nature and wildlife. This improbable bond of trust serves to remind us that the most remarkable experiences, inspiring the most hope, often arise when we least expect them.

Named a Best Book of the Year by The New Yorker, Chicago Tribune, The Boston Globe, and Kirkus Reviews From an award-winning historian and New York Times reporter comes the timely story about McCarthyism that both “lays out the many mechanisms of repression that made the Red Scare possible…[and] describes how something that once seemed so terrifying and interminable did, in fact, come to an end” (The New Yorker)—based in part on newly declassified sources. Now, for the first time in a generation, Clay Risen delivers a narrative history of the anti-Communist witch hunt that gripped America in the decade following World War II. This period, known as the Red Scare, was an outgrowth of the conflict between social conservatives and New Deal progressives, and the terrifying onset of the Cold War. Marked by an unprecedented degree of political hysteria, this was a defining moment in American history, completely unlike any that preceded it. Drawing upon newly declassified documents and with “scenes are so vivid that you can almost feel yourself sweating along with the witnesses” (The New York Times Book Review), journalist Clay Risen recounts how politicians like Joseph McCarthy, with the help of an extended network of other government officials and organizations, systematically ruined thousands of lives in their deluded pursuit of alleged Communist conspiracies. Beginning with the origins of the era after WWI through to its conclusion in 1957, Risen brings to life the politics, patriotism, courage, and delirium of those years. Red Scare takes us beyond the familiar story of McCarthyism and the Hollywood blacklists and toward a fuller understanding of what the country went through at a time of moral questioning and perceived threat from the Left, and what we were capable of doing to each other as a result. “Thorough, impassioned...detailed, [and] tension-packed” (Los Angeles Times), Red Scare reveals an all-too-familiar pattern of illiberal conspiracy-mongering and political and cultural backlash that speaks directly to the antagonism and divisiveness of our contemporary moment.

From New Yorker editor and writer Michael Luo, a vivid, urgent history of two centuries of Chinese exclusion and the birth of anti-Asian feeling in America. In 1889, when the Supreme Court upheld the Chinese Exclusion Act—a measure barring Chinese laborers from entering the United States that remained in effect for more than fifty years—Justice Stephen Johnson Field characterized the Chinese as a people “residing apart by themselves.” They were, Field concluded, “strangers in the land.” Today, there are more than twenty-two million people of Asian descent in the United States, yet this label still hovers over Asian Americans. In Strangers in the Land, Luo traces anti-Asian feeling in America to the first wave of immigrants from China in the mid-nineteenth-century: laborers who traveled to California in search of gold and railroad work. Their communities almost immediately faced mobs of white vigilantes who drove them from their workplaces and homes. In his rich, character-driven history, Luo tells stories like that of Denis Kearney, the sandlot demagogue who became the face of the anti-Chinese movement, and of activists who fought back, like Massachusetts Senator George Frisbie Hoar and newspaperman Wong Chin Foo. After the halt on immigration in 1889, the Chinese-American community who remained struggled to survive and thrive on the margins of American life. In 1965, when LBJ's Immigration and Nationality Act forbade discrimination by national origin, America opened its doors wide to families like those of Luo's parents, but he finds that the centuries of exclusion of Chinese-Americans left a legacy: many Asians are still treated, and feel, like outsiders today. Strangers in the Land is a sweeping narrative of a forgotten chapter in American history, and a reminder that America’s present reflects its exclusionary past.

From British high society to republican Spain and civil rights America, the inspiring, wildly entertaining story of Jessica Mitford—investigative journalist, radical activist, renegade aristocrat. ‘Jessica Mitford is a sister of mine. If I had to go into a room with a leopard, I wouldn’t hesitate to ask for her.’ — Maya Angelou ‘The cult of the Mitfords, which now features a shelf of books and several TV documentaries, threatens in itself to become a bore on an almost Bloomsbury scale. But [their] mad father, when making dispositions of his property, wrote in his will the words “except Jessica.” And the bookstore at the Devonshire stately home in Chatsworth displays works by and about every Mitford sister but her. These paltry aristocratic gestures confirm, as do [her] letters, that it was Decca, exiled and intransigent, who was the exceptional one.’ — Christopher Hitchens Jessica ‘Decca’ Mitford was raised to marry well, not fight for others’ rights. Yet she rejected her eccentric, blue-blooded roots, running away from England to become an antifascist and antiracist. Why is this rebellious heroine less famous than her glamorous sisters, who ranged from naughty to Nazi? Troublemaker is the remarkable story of Decca’s life in pursuit of justice, in the Spanish Civil War and the Communist Party USA; her intrepid social reporting, and her relentless antics. Carla Kaplan celebrates a fierce intellect and powerful ally who brought joy to the struggle, unearthing fascinating details through interviews with the Mitford family, and exploring Decca’s thousands of witty letters. From pioneer Dr Spock to Decca’s best friend Maya Angelou, this Mitford sister’s irreverent anti-authoritarianism deeply influenced American culture. Back home in Britain, her activism shamed those of her class—and her family—on the wrong side of history. This passionate, often hilarious biography captures an extraordinary woman, and an extraordinary time in world history. Facing today’s injustices, we need Decca’s vibrant, committed example more than ever.

ONE OF PRESIDENT BARACK OBAMA'S FAVORITE BOOKS OF 2025 NEW YORK TIMES BESTSELLER A NEW YORK TIMES NOTABLE BOOK OF THE YEAR Named one of the Best Books of the Year by the Washington Post, New Yorker, Smithsonian, Bookpage, and the Chicago Public Library Longlisted for the 2025 Andrew Carnegie Medal for Excellence in Nonfiction "[Lepore's] 15th book, We the People, a history of the U.S. Constitution, may be her best yet, a capacious work that lands at the right moment, like a life buoy, as our ship of state takes on water." —Hamilton Cain, Los Angeles Times From the best-selling author of These Truths comes We the People, a stunning new history of the U.S. Constitution, for a troubling new era. The U.S. Constitution is among the oldest constitutions in the world but also one of the most difficult to amend. Jill Lepore, Harvard professor of history and law, explains why in We the People, the most original history of the Constitution in decades—and an essential companion to her landmark history of the United States, These Truths. Published on the occasion of the 250th anniversary of the nation’s founding—the anniversary, too, of the first state constitutions—We the People offers a wholly new history of the Constitution. “One of the Constitution’s founding purposes was to prevent change,” Lepore writes. “Another was to allow for change without violence.” Relying on the extraordinary database she has assembled at the Amendments Project, Lepore recounts centuries of attempts, mostly by ordinary Americans, to realize the promise of the Constitution. Yet nearly all those efforts have failed. Although nearly twelve thousand amendments have been introduced in Congress since 1789, and thousands more have been proposed outside its doors, only twenty-seven have ever been ratified. More troubling, the Constitution has not been meaningfully amended since 1971. Without recourse to amendment, she argues, the risk of political violence rises. So does the risk of constitutional change by presidential or judicial fiat. Challenging both the Supreme Court’s monopoly on constitutional interpretation and the flawed theory of “originalism,” Lepore contends in this “gripping and unfamiliar story of our own past” that the philosophy of amendment is foundational to American constitutionalism. The framers never intended for the Constitution to be preserved, like a butterfly, under glass, Lepore argues, but expected that future generations would be forever tinkering with it, hoping to mend America by amending its Constitution through an orderly deliberative and democratic process. Lepore’s remarkable history seeks, too, to rekindle a sense of constitutional possibility. Congressman Jamie Raskin writes that Lepore “has thrown us a lifeline, a way of seeing the Constitution neither as an authoritarian straitjacket nor a foolproof magic amulet but as the arena of fierce, logical, passionate, and often deadly struggle for a more perfect union.” At a time when the Constitution’s vulnerability is all too evident, and the risk of political violence all too real, We the People, with its shimmering prose and pioneering research, hints at the prospects for a better constitutional future, an amended America.
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THE INSTANT NEW YORK TIMES BESTSELLER On the 250th anniversary of America's founding - a landmark history of the US Constitution for a troubling new era. The US Constitution is among the oldest constitutions in the world - and one of the most difficult to amend. Although nearly twelve thousand amendments have been proposed since 1789, only twenty-seven have ever been ratified. Tellingly, the Constitution has not been meaningfully amended since 1971. Without amendment, the risk of political violence rises. So does the risk of constitutional change by presidential power. Leading Harvard historian Jill Lepore captures the stories of generations of ordinary people who have attempted everything from abolishing the Electoral College to guaranteeing environmental rights, hoping to mend their nation. Recounting the history of America through centuries of efforts to realize the promise of the Constitution, we witness how nearly all those bids have failed. We the People is the sweeping account of a struggle, arguing that the Constitution was never intended to be preserved, but was expected to be gradually altered. At a time when the risk of political violence is all too real, it hints at the prospects for a better, amended America.

2025 NATIONAL BOOK AWARD FINALIST ONE OF PUBLISHERS WEEKLY'S TOP 10 BOOKS OF 2025 NAMED A BEST NONFICTION BOOK OF THE YEAR BY KIRKUS “Exceptional. . . . When It All Burns is one of those books that immerses the reader in the nuances of a world most of us know only through the lens of tragedy and destruction. Thomas’ visceral, crystalline prose only adds fuel to the fire.” —Los Angeles Times A hotshot firefighter’s gripping firsthand account of a record-setting fire season Eighteen of California’s largest wildfires on record have burned in the past two decades. Scientists recently invented the term “megafire” to describe wildfires that behave in ways that would have been nearly impossible just a generation ago, burning through winter, exploding in the night, and devastating landscapes historically impervious to incendiary destruction. In When It All Burns, wildland firefighter and anthropologist Jordan Thomas recounts a single, brutal six-month fire season with the Los Padres Hotshots—the special forces of America’s firefighters. Being a hotshot is among the most difficult jobs on earth. Thomas viscerally renders his crew’s attempts to battle flames that are often too destructive to contain. He uncovers the hidden cultural history of megafires, revealing how humanity’s symbiotic relationship with wildfire became a war—and what can be done to change it back. Thomas weaves ecology and the history of Indigenous peoples' oppression, federal forestry, and the growth of the fire industrial complex into a riveting narrative about a new phase in the climate crisis. It's an immersive story of community in the most perilous of circumstances, told with humor, humility, and affection.