The Best Books of 2025

A funny, moving and poignant exploration of modern romance and the allure of domesticity from the Polari-prize-winning author of Bellies Chosen as a ‘Best Book of 2025’ by Cosmopolitan, Marie Claire, Stylist, Elle, Dazed, Vogue, AnOther, and GQ 'One of the UK’s most perceptive young novelists with her finger firmly on the pulse of contemporary behaviour' Guardian 'Riveting, funny and devastating' Shon Faye, bestselling author of The Transgender Issue Max didn’t mean to fall for Vincent – a corporate lawyer and hobby baker whose trad friendship group are a world away from her life as a trans woman. But after years of bad dates and dysphoria he’s a breath of fresh air. Their connection seems genuine, his care feels real. But Vincent is carrying his own baggage. On his gap year in Thailand a decade prior, he vies for the attention of a gorgeous traveller, Alex, with secrets of her own. Is Vincent really the new face of the Enlightened Man, or will the ghosts of his past sabotage his and Max’s happiness? Disappoint Me is an incisive reckoning with forgiveness and the complexity of modern relationships, told with Nicola Dinan’s trademark wit and heart.
===
“One of the sharpest and most emotionally vulnerable novels on the complicated dynamic of dating cisgender straight men as a trans woman.”—Autostraddle (7 New Trans Novels to Read this Summer) “Dinan writes like some kind of demigod. Her fictions make thinkable new realities for how we live and what we might expect from each other.”—Torrey Peters, bestselling author of Detransition, Baby ONE OF THE BEST BOOKS OF THE YEAR (SO FAR): Elle, Vogue, BookRiot You can fall in love with an outline, you can even make a home with one, but there will come a time where you can’t deny the bones their flesh. A person is no fewer than two things. Thirty years old with a lifetime of dysphoria and irritating exes rattling around in her head, Max is plagued by a deep dissatisfaction. Shouldn't these be the best years of her life? Why doesn't it feel that way? After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First: a stab at good old-fashioned heteronormativity. Max thinks she’s found the answer in Vincent. While his corporate colleagues, trad friends, and Chinese parents never pictured their son dating a trans woman, he cares for Max in a way she’d always dismissed as a foolish fantasy. But he is also carrying baggage of his own. When the fall-out of a decades-old entanglement resurfaces, Max must decide what forgiveness really means. Can we be more than our worst mistakes? Is it possible to make peace with the past? Funny, sharp, and poignant, Disappoint Me is a sweeping exploration of love, loss, trans panic, race, millennial angst, and the relationships—familial and romantic—that make us who we are.

Renting is a nightmare... Áine should be feeling happy with her life. She’s just moved in with Elliot. Their new flat is in an affluent neighbourhood, surrounded by bakeries, yoga studios and organic vegetable shops. They even have a garden. And yet, from the moment they move in, Áine can't shake the sense that there's something not quite right about the place... It's not just the humourless estate agent and nameless landlord: it's the chill that seeps through the draughty windows; the damp spreading from the cellar door; the way the organic fruit and veg never lasts as long as it should. And most of all, it's the upstairs neighbours, whose very presence makes peaceful coexistence very difficult indeed. The longer Áine spends inside the flat - pretending to work from home; dissecting messages from the friends whose lives seem to have moved on without her - the less it feels like home. And as Áine fixates on the cracks in the ceiling, it becomes harder to ignore the cracks in her relationship with Elliott... Brilliantly observed and darkly funny, I Want to Go Home But I’m Already There is a ghost story set in the rental crisis. A wonderfully clear-eyed portrait of loneliness, loss and belonging, it examines what it means to feel at home. 'A deeply compelling and melancholic modern ghost story ... Examines with piercing precision and wry humour the insidiousness, malignancy, and all-encompassing bleakness of the housing market' SUSANNAH DICKEY, AUTHOR OF COMMON DECENCY 'Beautifully written, frequently hilarious, and maddeningly real' SEAMAS O'REILLY, AUTHOR OF DID YE HEAR MAMMY DIED 'Very funny and original ... Rife with sharply observed but subtle insights on class and money' RACHEL CONNOLLY, AUTHOR OF LAZY CITY 'Róisín Lanigan has been threatening to be the next great Irish writer for ages, so I'm glad she's finally sat down and done it' JOEL GOLBY

LONGLISTED FOR THE 2025 BOOKER PRIZE • FINALIST FOR THE 2025 ORWELL PRIZE FOR POLITICAL FICTION • Publishers Weekly’s Best Books of 2025 • NPR’s Books We Love Remember—words are your weapons, they’re your tools, your currency: a twisty, slippery descent into the rhetoric of truth and power from a writer who “brilliantly illuminates the entrenched inequalities of our time” (The Guardian). Late one night on a Yorkshire farm, in the midst of an illegal rave, a young man is nearly bludgeoned to death with a solid gold bar. An ambitious young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic columnist, and a radical anarchist movement that has taken up residence on the farm. She solves the mystery, but her viral exposé raises more questions than it answers, namely: Who wrote it? Why? And how much of it is true? Through a voyeuristic lens, and with a simmering power, Universality focuses in on words: what we say, how we say it, and what we really mean. The thrilling new novel from one of the most acclaimed and incisive young novelists working today, Universality is a compelling, unsettling celebration of the spectacular, appalling force of language. It dares you to look away.

Spanning twenty years and one life-altering summer in Croatia, Slanting Towards the Sea is at once an unforgettable love story and a powerful exploration of what it means to come of age in a country younger than oneself. Ivona divorced the love of her life, Vlaho, a decade ago. They met as students at the turn of the millennium, when newly democratic Croatia was alive with hope and promise. But the challenges of living in a burgeoning country extinguished Ivona’s dreams one after another—and a devastating secret forced her to set him free. Now Vlaho is remarried and a proud father of two, while Ivona’s life has taken a downward turn. In her thirties, she has returned to her childhood home to care for her ailing father. Bewildered by life’s disappointments, she finds solace in reconnecting with Vlaho and is welcomed into his family by his spirited wife, Marina. But when a new man enters Ivona’s life, the carefully cultivated dynamic between the three is disrupted, forcing a reckoning for all involved. Set against the mesmerizing Croatian coastline, Slanting Towards the Sea is a cinematic, emotionally searing debut about the fragile nature of potential and the transcendence of love.

It's easier than ever to share ideas, yet some of the most interesting ideas are burrowing deeper underground, circulating quietly among group chats, texts, and whisper networks. While memes - self-replicating bits of culture - thrive in an attention-driven economy, other ideas are becoming strangely harder to find. Antimemetics: Why Some Ideas Resist Spreading explores this paradox, uncovering the hidden forces that determine what we remember, what we forget, and why some ideas - no matter how compelling - resist going viral. Drawing on historical examples, internet phenomena, and the mechanics of attention, as well as her experiences in the technology sector, Nadia Asparouhova examines how cultural and technological systems shape what enters the public consciousness. She argues that while some ideas spread effortlessly, others are structurally resistant to spread, whether due to their complexity, our personal discomfort with these ideas, or a lack of incentives to share them. As we collectively navigate a highly charged, memetic world where the hive mind dictates what we see and think about, Antimemetics offers a new way to think about our place in the information ecosystem. It's easy to be overwhelmed by the tide of viral noise, and often it seems like the only options are to either disengage or be swept away. But withdrawing from the conversation isn't the only answer. By noticing what gets lost in the memetic churn, we can reclaim our attention, find thoughtful ways to participate, and shape the exchange of ideas - rather than letting it unconsciously shape us.

There are an infinite number of possible futures that lie ahead of us—like threads stretching out into the distance. Rob Hopkins, cofounder of the international Transition Network movement, invites us to travel to future worlds we would actually want to live in.In 2020, when the COVID-19 pandemic disrupted every aspect of daily life, climate activist and Transition Network cofounder Rob Hopkins responded the way a lot of people did: by starting a podcast. But it wasn’t any ordinary podcast. In each episode, Hopkins and his guests would “time travel” together to the year 2030—walking down imagined future streets, talking with imagined future neighbors, visiting imagined future local businesses. While Hopkins’s guests came from all walks of life—economists, politicians, bakers, comedians, novelists and more—they all shared a willingness to suspend their worries about the future long enough to mentally inhabit and then describe a world they were thrilled to be a part of.What Hopkins discovered was no less profound: this simple exercise of visiting a positive future forced him to rethink the work he’d been doing as a climate activist for decades.How to Fall in Love with the Future is the result of that radical disruption—and Hopkins’s deep dive into the people and movements throughout history who have used visions of the future to inspire positive change on a large and dramatic scale. From the life and writings of musician Sun Ra and the history of Black utopian movements to the latest neuroscience on what goes on in our minds—and hearts—when we “time travel,” Hopkins brings essential new thinking to anyone overwhelmed with dread and anxiety for the future. He asks us to consider: what would the world look like if we all got to work imagining—and then building—a world we were deeply in love with?“Rob Hopkins puts imagination back at the heart of future-dreaming, offering us an irresistible invitation to dream bigger and then make those dreams a reality.”—Kate Raworth, author of Doughnut Economics

AN OBSERVER BEST NEW NOVELIST 2025 WINNER OF THE #MERKY BOOKS 2022 NEW WRITERS' PRIZE 'Sticky, twisting and dangerous' REBECCA K REILLY 'This summer's hottest read' SUNDAY TIMES 'Beautifully written and well-paced . . . builds tension as it approaches an exciting revelation' JACQUELINE CROOKS 'There’s plenty of plot; the novel’s brisk pacing, together with its shrewd blend of emotional sincerity, brooding intrigue and political overtones, make for a lively beach read' GUARDIAN It’s summer and a young man walks through the gates of a luxurious mansion in the South of France. At the dinner table, the Blake siblings await him: Lily, his carefree friend from university; Dot, the rebellious younger sister; and Felix – handsome, charismatic and guarded. Between sun-drenched days spent lounging by the pool and nights blurring into endless, opulent parties, the man is captivated by Felix’s restless allure. As his desire grows, the chance to become part of the family and their world of money and power starts to feel within reach. But the idyllic haze of summer fades as they return to London and the cracks in the Blakes' careful façade begin to show. With the two men tormented by demons of their own, their bond is increasingly tested and pulled apart at the seams. Their secrets and the choices they make will change not only their lives, but the future of those around them. Sunstruck is a dazzling and poignant exploration of race, status and the parts of ourselves we risk losing when we fall in love. 'Very hard to put down . . . A truly gripping story about privilege and perspective from a writer with a sharp pen and a wicked sense of humour whose incredible career is only just beginning' ORE AGBAJE-WILLIAMS 'Smart, bracing, sexy . . . I was completely gripped' JACK PARLETT ‘A stunning and tender debut. Sultry and compulsive. Full of heart’ SOULA EMMANUEL 'Poignant, tender, and wonderfully honest' CHLOE MICHELLE HOWARTH

A Sunday Times (London) bestseller. Named a Most Anticipated Book of 2025 by Vogue and ELLE UK. "Uncommonly wise and honest. Love in Exile flooded me with a sense of continuity and hope. A masterpiece from start to finish." —Maggie Nelson, author of Like Love "Should be required reading for anyone who wants to join a dating app, love ethically, or experience true partnership with other humans." —Melissa Febos, author of Girlhood and The Dry Season A disarmingly wry treatise-cum-memoir on love in a lonely age by a celebrated thinker and columnist for Vogue. Love is supposedly attainable for us all. But for most people, especially women, success with “love”—the yardstick we use to measure our value across romance, parenthood, sex, religion, and friendship—can feel out of reach, an experience frequently ascribed to a personal failing. This sense of unworthiness is, according to Shon Faye, “a form of exile: an intentional, punitive banishment that serves political ends.” Faye, a trans woman in her thirties, has felt isolated from love for as long as she can remember. So after the devastation of her first heartbreak, she figured it was time to find out why. The subsequent investigation, Love in Exile, boldly reframes love’s elusiveness as a collective question. Conversationally frank and intellectually ambitious, these eight voice-driven essays unpack the norms governing love in our time with the insight of a shrewd outsider. Here, Faye examines her breakups with cis men alongside lessons from Lana Del Rey and Alain de Botton, explores the lovelessness that fueled her time as an addict, tackles the relationship between feminine self-worth and motherhood, and finally attempts to discover genuine self-acceptance. The result is a dive into universal, deeply felt questions about love, reframed through a radical, revolutionary perspective. Written with the humor and rigor that made Faye an internationally bestselling writer, Love in Exile is a thrilling reckoning with love in our time.
===
Queer, trans, verliebt: Shon Fayes einfühlsame Analyse von Dating außerhalb der Hetero-Norm. »Ungewöhnlich weise und ehrlich. Ein Meisterwerk.« Maggie Nelson Den Großteil ihres Lebens verbrachte Shon Faye in der stillen Überzeugung, dass sie es nicht verdient, geliebt zu werden. Was macht es mit einer Person, Abhängigkeit mit Liebe zu verwechseln, wenn der eigene Körper objektifiziert und entwertet wird? Oder wenn der Partner sich trennt, weil man keine biologischen Kinder bekommen kann? Als queere Transfrau weiß Faye schon immer, dass das Private auch politisch ist, und seziert in ihrem provokanten, zutiefst persönlichen Buch unsere moderne Gesellschaft. Wie lieben wir eigentlich – und wer sind wir, wenn wir uns in diesem übermächtigen Gefühl verlieren?

NATIONAL BESTSELLER • “This inventive, boundary-pushing follow-up to Detransition, Baby . . . [takes] on gender, transness and lives on the margins in all of their gorgeously complicated glory.”—People “Hot, heartbreaking, and thrillingly victorious.”—Miranda July, New York Times bestselling author of All Fours NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • A CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR • A VULTURE BEST BOOK OF THE YEAR (SO FAR) In this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood. Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.
===
**The irresistible follow-up to the hit debut novel Detransition, Baby** A BOOK TO WATCH IN 2025 IN THE GUARDIAN, IRISH TIMES, ROLLING STONES AND THE BBC 'As innovative, insightful, funny, and confronting as we've come to expect from Peters' work' Independent, Best Books to Look Out for in 2025 'A shining talent' Stylist Best Books of 2025 'Hot, heartbreaking and thrillingly victorious' MIRANDA JULY 'Potent and surprising and takes no prisoners' CARMEN MARIA MACHADO 'Spellbinding. With pathos and wit, Peters explores characters on the brink of self-discovery' BRIT BENNETT Deep in the forest, a group of restless lumberjacks working an illegal logging outfit plan a winter dance that some will volunteer to attend as women; the broadest, strongest axeman finds himself caught in a rivalry with a pretty, young jack that culminates in jealousy, betrayal and an astonishing spectacle of transition. Meanwhile, in other times and places, the gender apocalypse is brought about by an unstable ex-girlfriend; an illicit boarding-school romance surfaces intrigue and cruelty; and a Las Vegas party weekend turns dark when a young crossdresser must choose between a thrilling mystery man or a veteran trans woman offering unglamorous sisterhood. In this quartet of tales, Torrey Peters' keen eye for the rough edges of desire reveals fresh possibilities. Acidly funny, boldly inventive and breathtaking in scope, Stag Dance provokes and unsettles, inspires and delights.
===
NATIONAL BESTSELLER • “This inventive, boundary-pushing follow-up to Detransition, Baby . . . [takes] on gender, transness and lives on the margins in all of their gorgeously complicated glory.”—People “Hot, heartbreaking, and thrillingly victorious.”—Miranda July, New York Times bestselling author of All Fours NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • ONE OF VULTURE'S TEN BEST BOOKS OF THE YEAR • A BEST BOOK OF THE YEAR: NPR, The Washington Post, Vanity Fair, Elle, Electric Lit, them, Chicago Public Library In this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood. Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.

One of the Most Anticipated Books of 2025 Debutiful • LitHub • Our Culture • CrimeReads • LGBTQ Reads A “paranoid, self-annihilating” (Gretchen Felker-Martin, author of Manhunt and Cuckoo) horror debut following a woman who seeks refuge at an all-trans girl commune only to discover that demons haunt her fellow comrades—and she's their next prey! Herculine’s narrator has demons. Sure, her life includes several hallmarks of the typical trans girl sob story—conversion therapy, a string of shitty low-paying jobs, and even shittier exes—but she also regularly debates sleep paralysis demons that turn to mist soon after she wakes and carries vials of holy oil in her purse. Nothing, though, prepares her for the new malevolent force stalking her through the streets of New York City, more powerful than any she’s ever encountered. Desperate to escape this ancient evil, she flees to rural Indiana, where her ex-girlfriend started an all-trans girl commune in the middle of the woods. The secluded camp, named after 19th-century intersex memoirist Herculine Barbin, is a scrappy operation, but the shared sense of community among the girls is a welcome balm to the narrator’s growing isolation and paranoia. Still, something isn’t quite right at Herculine. Girls stop talking as soon as she enters the room, everyone seems to share a common secret, and the books lining the walls of the library harbor strange cryptograms. Soon what once looked like an escape becomes a trap all its own. While trying to untangle the commune’s many mysteries, the narrator contends with disemboweled pigs, cultlike psychosexual rituals, and the horrors of communal breakfast. And before long, she discovers that her demons have followed her. And this time, they won’t be letting her go.

From the “talented and impassioned writer” (San Francisco Chronicle) of How to Kill a City, a riveting journey that combines Drug Use for Grown-Ups with How to Do Nothing, as it explores our national mental health and drug use crises while also searching for answers as to how we can find a path to collective healing. Why are so many of us unhappy, anxious, and without purpose? And how can we get better? Several years ago, P.E. Moskowitz had a near-death experience, followed by a nervous breakdown. As they willed themselves back to life using a variety of drugs, both prescription and illicit, they started to wonder: Why are so many of us seeking out these types of interventions to deal with our daily reality? In Breaking Awake, Moskowitz takes us on a kaleidoscopic voyage through our country’s collective mental health collapse, and the drugs we take—from fentanyl to SSRIs, to ketamine to LSD and beyond—to cope with the gnawing bleakness of our present moment. In a cross-country tour of drug use—including the free heroin handed out on the streets of Vancouver, a mom in Chicago who has been on SSRIs since childhood and now can’t live without them, and ravers in Brooklyn taking drugs most people have never heard of to push the limits of human consciousness—Moskowitz questions whether drugs can spark liberation or simply quell the pain of modern life. Is it time to view drugs differently? And can drugs help us envision a better future?
===
Why do so many of us need drugs to make it through the day? What is wrong with us? In August 2017 a car ploughed into a crowd of peaceful marchers. For P.E. Moskowitz it was a shattering near-death experience, followed by a nervous breakdown. As they willed themselves back to life using a variety of drugs, both prescription and illegal, they started to wonder: why do we need drugs to quell the pain of modern life? In Breaking Awake, Moskowitz takes us on a kaleidoscopic voyage through the twenty-first century's mental health crisis and the drugs we take - from fentanyl to SSRIs, from ketamine to LSD and beyond - to cope with the gnawing bleakness of our present moment. We meet a team handing out free heroin on the streets of Vancouver and a young mother in Chicago who has been on SSRIs since childhood, ravers in Brooklyn taking drugs to push the limits of human consciousness and ordinary people leading ordinary lives on a constant cocktail of medication. Moskowitz asks: do drugs spark liberation or simply numb our modern malaise? Breaking Awake explores the global mental health and drug use crises whilst searching for answers to find a path to healing.

Luster meets The Idiot in this riveting debut novel about a volatile friendship between two outsiders who escape their bleak childhoods and enter the glamorous early '90s art world in New York City, where only one of them can make it. Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.
===
Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl's school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria's orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.

“Vivid . . . Exhilarating . . . Soft Core is pacey and rich, full of verve, drama and detail.” —The New York Times Book Review A young woman’s madcap search for her missing ex-boyfriend takes her into the sexual underground in Brittany Newell’s savage, tender Soft Core. Ruth is lost. She’s living in a drafty Victorian with her ex-boyfriend Dino, a ketamine dealer with a lingerie habit, overdosing on television and regretting her master’s degree. When she starts dancing at a strip club, she becomes Baby Blue, seductress of crypto bros, outcasts, and old lovers alike. Plunged into this swirling underworld of beautiful women, fast cash, ungodly hours, and strangers’ secrets, Baby’s grip on reality begins to loosen. She is sure she can handle it—until one autumn morning when Dino disappears without a trace. Thus begins a nocturnal quest for the one she still loves—through the misty hills of San Francisco; in dive bars and bus depots; at the BDSM dungeon where she takes a part-time gig. Along the way, she meets Simon, a recluse who pays her for increasingly bizarre favors; a philosophizing suicide fetishist named Nobody; and Emeline, the beautiful and balletic new hire who reminds Baby of someone . . . A brutally funny, propulsive story of power, fantasy, love, and loss, Brittany Newell’s Soft Core is an ode to the heartbroken and unhinged, to those whose appetites lead them astray. It is a hallucinogenic romp about a girl coming undone, whose longing for friendship, romance, and revenge will take her over the edge and back again.
===
Jambes élancées. Cheveux châtain. Cœur malléable. À vingt-sept ans, Ruth vit toujours chez son ex-compagnon Dino, un dealeur fantaisiste avec un penchant pour la lingerie fine. Son quotidien ? Regarder la télévision et compter ses espoirs déçus. Quand elle commence à se produire dans un strip-club, la jeune femme se change en Baby, une danseuse intrépide dont le physique quelconque attire les gros bras de la finance comme les zonards du coin. Plongée dans un monde de lap dances et de fantasmes opaques, sa vie semble enfin commencer – puis Dino disparaît, et sa dernière attache s’envole. Paraphilies, strip-tease, BDSM : évocation suave des marges américaines et du travail du sexe, Soft Core pose la question de l’identité dans un monde toujours plus indéchiffrable. Comment être soi-même quand on n’est que le fantasme d’autrui ? Traduit de l’anglais (États-Unis) par Diniz Galhos Brittany Newell est écrivaine et performeuse. Elle vit à San Francisco, où elle travaille comme maîtresse domina. Soft Core est son deuxième roman.

'Turns female celebrity inside-out. One of the most enjoyable books of the year' Nicole Flattery, author of Show Them A Good Time 'A brutal and brilliant study of female celebrity ... a joy to read, fizzing with intelligence' Megan Nolan, Telegraph --------------------------------------------------------------------------------------- How does an icon become an icon? How did Anna Nicole Smith model herself on Marilyn Monroe? What connects Lindsay Lohan with Elizabeth Taylor? How is self-made beauty Pamela Anderson like trans bond girl Caroline 'Tula' Cossey? In a series of interconnected essays about pairs of famous women, award-nominated essayist and art critic Philippa Snow explores the echoes and connections between a constellation of female stars and lays bare the artful and gruelling demands of femininity - from the golden age of Hollywood to the Instagram era. Full of the fascinating, entertaining and lurid details you might expect from the lives of mega-famous celebrities, dissected with icicle-sharp intelligence and rendered in stylish, flamboyant prose, Philippa Snow's first full-length non-fiction work is a radically insightful book about the complex meanings and layers of femininity in a male-dominated world.